= RKD CD 71-10, 2nd state (of 2).
= RKD CD 80-5. SEE ILLUSTRATION PLATE X.
= RKD CD 71-7, 2nd state (of 2); Koot 71 1.
Hillenius, J. (1934-1999). "Goodbye to all that". Etching with a mounted dried fly, 32x24,5 cm., signed, "namens de Luis", titled, "1971" and "58/75" in pencil.
- Some sl. foxing. = Koot 71 4.
AND 1 other by De Luis (Koot 71 11), the wrappers of an exhib. cat. by de Luis and 2 related documents. - ADDED: Spermon, K. (1941-1992). "Echtpaar", etching and aquatint, 40x40 cm., signed "Spermon 1969", titled, "ets/aquatint' and "29/40" in pencil (waterst. in lower blank margin).
= RKD CD 90-18.
= RKD CD 92-12.
- Traces of sellotape in outer upper blank corners.
= RKD CD 67-30. With the collector's stamp of Ton and Dobs van Dijk (Galerie Petit) in lower right corner.
= RKD CD 69-22.
= RKD CD 69-37.
= RKD CD 80-7, the second state (of 3). From the collection of Ton and Dobs van Dijk, w. their collector's stamp in lower right corner.
= RKD CD 77-22 (50 copies), third state (of 3). With the collector's stamp of Ton and Dobs van Dijk (Galerie Petit) in lower left corner.
= With the collector's mark of J.H. De Bois (Lugt 733).
- Tipped onto mount.
= Art nouveau design for the frontcover of the magazine The Poster, March 1899. With the blindstamp of the South Kensington art training school (E(xamined) S(outh) K(ensington) stamp used between 1890-1900) (nowadays the Royal College of Art). Nothing could be found on the artist.
- Sl. foxed; verso worse. = Title supplied in pencil in lower blank margin in a diff. hand.
= Mainly showing (abstracted) female nudes and couples. With accomp. AUTOGRAPH CARD: "16-11-'97 Met dank voor het openen van deze tentoonstelling, van Ed Dukkers + liefs van Bertik Dukkers-Dirkzwager"; and w. the printed invitation card to the opening (by Eric Ebbinge) of the exhibition at Galerij Lieven de Key, Haarlem.
- Both verso w. paper tape along margins from former framing.
ADDED: 3 small watercolours by PETER BLOKHUIS, all signed.
= Dupont 79: "Ontstaan in 1900, ten tijde, dat Dupont werkte in het abattoir te Parijs"; Van Wisselingh 350, 100 impressions, under supervision of W. Witsen.
AND 3 other etchings by the same: Hooiberg met Boerderij (Dupont 20), Bruggetje (Dupont 21) and Schuiten in den winter (Dupont 23), all printed in 50 impressions, all w. atelier stamp.