= Created around 1901. Dupont has made at least one other drawing of the same subject and both are probably preliminary works for the oil painting. Cf. Dupont, plates 136 and 138. SEE ILLUSTRATION PLATE XI.
- (Small) tears in blank argins; sl. foxed.
= Dupont 17; Van Wisselingh 345, 50 impressions under supervision of W. Witsen. Unfinished etching.
AND 3 other etchings, i.a. IDEM, Landelijk weggetje ("No.32" in pencil, w. the artist's atelier stamp, on Japanese. Dupont 14) and M. VAN WANING, (Market in Nijmegen) (signed in pencil. Sl. browned/ foxed).
= Les deux masques; l'Etonnante rencontre; Les vrai amis; Curiosité; l'Heure attendue; Danse folle; Séduction; Prisonnière; Fugitive; Commune Souffrance. With the prospectus. Bréon, p.79ff.
- Mounted along margins under passepartout; sm. waterstain on left cheek; sl. yellowed.
= Title supplied in pencil in different hand.
AND 7 other etchings by the same, various sizes, all signed and numb. (each one of an edition of 14, 50 or 100 copies) in pencil, all w. red monogram stamp, all but two titled in pencil (in different hand): "Cartomancienne" (titled in the plate), Hollande Synthetique, l'Homme qui vient, l'Oiseleur, l'Homme qui part, "Errfoncé le nair! Rien que des art" (titled in the plate) and Mat de Cocagne.
- Verso w. paper along outer margins from former passepartout.
AND 9 etched portraits by H. VAN EFFEREN, various sizes.
= Provenance: the estate of the artist.
= Provenance: the estate of the artist.
= Provenance: the estate of the artist. SEE ILLUSTRATION PLATE XI.
= Provenance: the estate of the artist.
= Provenance: the estate of the artist.
- Small parts of silkscreen ink flaking off.
- Colours sl. faded.
-Trifle yellowed; some very vague handlng creases in outer margin; verso w. sm. gluestains in corners (partly sl. shining through).
= Provenance: the collection of Liesbeth Brandt Corstius and Kees Broos.