- Yellowed.
AND 2 anonymous pencil and/ or black chalk drawings.
- Sl. foxed.
AND 8 other drawings, i.a. a portrait of a baby by HENRIËT, a pieta attributed to MARIUS RICHTERS, a portrait of a Venetian gondelier by JOAN COLLETTE and a tavern scene by H. JELINGER.
- Browned.
- Trifle foxed, mainly in blank margins. = De Groot 112.
- Trifle duststained in margins, otherwise fine. = De Groot 79b.
Idem. Drie eenden aan de waterkant. Lithograph on chine collé, 20x14,8 cm., signed and "15/50" in pencil and monogrammed on the stone.
- Sl. foxed, mostly in margins.
= De Groot 157, 7 (Calender 1909, juli). "Van een aantal voorstellingen op de kalenders van 1905 tot en met 1909 zijn afzonderlijke drukken op chine collé gemaakt (...)" (De Groot, p.39).
- Partly sl. browned/ foxed and w. pinholes in corners.
= Artist identified on verso of frame. Provenance: the collection of Liesbeth Brandt Corstius and Kees Broos.
= I.a. "Double image", "Cold Buffet", "Nude" and "Hommage to Picasso".
= Includes the following: 4 compositions w. flowers, a still life with papers and an inkwell, a halflength profile portrait of a lady titled "Ch.S." in pencil.
- The bookplate mounted on upper pastedown. Sl. worn along extremities.
= SIGNED by Huszár and his wife J. van Teylingen on first free endpaper.
- Mounted on the loose (dam.) halftitle of Góste Berling by Selma Lagerlöf. = Ex/ Hoek p.111 and ill. 168. Rare.
ADDED: IDEM, "Stilleven Compositie 1917" (cliché(?) print in red and yellow, mounted on a leaf w. letterpress caption, publ. as "Supplément à la Revue La Cité, IIIe Année No.9". Verso of mount w. pencil annot. "eig. Piet Zwart").
= SEE ILLUSTRATION PLATE XV.