- A few foxed spots in blank margins.
AND 6 others, i.a. H. WAP, "Camping" (col. lithogr., signed, titled and "120-150"in pencil) and D. HILLENIUS, "tentoonstellingsprent voor Ada" (lithograph w. blue streak in watercolour, signed, titled, dated "1977", "no.15" and "veel dank voor de aardige weergave van ons gesprek" in pencil).
- Yellowed/ sl. foxed.
= Drawing consist of 2 rectangular lines and the text.
AND a small booklet by the same: Il y a des jours je ... (Montigny, 1984, (col.) ills., orig. wr. w. dustwr., obl 8vo).
- Some corrections in white paint.
- Vaguely foxed. = Mason/ Putman 38.
- Yellowed; on thin, vulnerable paper w. a few sm. (repaired) tears/ damages in blank margins, attached to mount.
= Cat. K. Broos (ed.), Geer van Velde 1898-1977, schilderijen en tekeningen (The Hague, Haags Gemeentemus., 1981) p.35, no.115 "Compositie 1945-1950"; verso mount w. typescript exhibition ticket. SEE ILLUSTRATION PLATE XXXI.
= Vroom 61-21.
Idem. Paring. Circular lithograph, Ø14,5 cm., signed, "19/35" and "I '62" in pencil (foxing). - AND 2 other prints (attrib.) to the same, 1x mediocre condition.
- Tear in left blank margin.
AND 2 others, i.a. an etching by P. DUPONT.
- Lacks 2 prints. = SEE ILLUSTRATION PLATE XXXII.
- Sl. yellowed; tear in right blank margin; blank margins cut-short.
= Vroom; cf. 58-13, printed in 30 unsigned copies.
AND 2 others by the same, i.a. an unsigned lithograph w. the same subject and dated "IX 58" on the stone.
- Sl. foxed and frayed.
= Early and rare work by the artist, who moved to Groningen in 1922 to become a teacher at a college. He was mostly known as a literator and a poet, but he also staged plays and sculpted. He moved in the (literary) artistic circles of Groningen before World War II, i.a. De Ploeg, the authors Hendrik de Vries, Reinold Kuipers and Halbo C. Kool.
AND 7 other linocuts by the same, 1x signed, in the expressionist style of De Ploeg: landscapes and faces.
= The works can basically be divided into two different subject and style periods. From ±1948 to ±1960 a surrealist style with recurring figures in robes and fantasy animals and figures in desolate landscapes and from ±1958 to ±1968 the drawings have become abstract compositions. Some very delicate drawings. SEE ILLUSTRATION PLATE XXXII.
- Some defects in blank margins.
AND 2 lithogr. calendar lvs. by the same: "Wit konijn" and "Witte Parelhoenders".