= Mauquoy-Hendrickx 321.
AND 2 engravings by H. WIERIX: The Flight to Egypt and Saint Franciscus de Paula (both w. the address of Piermans).
- Duststained, mostly in margins.
= Portrait of the Flemish humanist poet and playwright. Hollstein 2191; Mauquoy-Hendricks 1957. With the collectors marks of Hermann Weber (1817-1854) (Lugt 1383 and "coll: Weber" in pencil); Carl Schlösser (1827-1884) (Lugt 636); Emil Schroeter (?-±1912) (Lugt 2270) and J. Fred. Bianchi (1878-1973) (Lugt 3761).
Idem. François Maelson. Engraving, 14,3x9,3 cm., monogrammed and dated "1592 aetat 54".
- Wide margins.
= Hollstein 2110; Mauquoy-Hendricks 1864. With the collector's marks of J. Fred. Bianchi (1878-1973) (Lugt 3761).
AND 2 smaller oval portraits by the same of Rudolf II, Holy Roman Emperor (on wove paper, M.-H. 1911 and NH. 2154) and Louis II of Hungary (w. the wrong date of death, M.-H. 1862 and H.2109).
- One print. w. closed tear in lower margin; sl. fingersoiled in margins. Fine impressions w. ample margins, formerly bound in a contemporary album.
= Hollstein 573-575, Mauquoy-Hendrickx 278-280. Interesting series which combines the parable with scenes from the Old and New Testament, i.a. the Last Supper. SEE ILLUSTRATION PLATE C.
- A few scattered spots.
AND 7 other woodcuts, various sizes, i.a. the Resurrection of Christ by A. DÜRER (w. chips and lacks portion in lower outer corner), JOBST AMMAN, H. BURGKMAIR and a larger curious woodcut with the coat of arms of Erasmus (?) Waldstromer (dated 1555).
- Trimmed just outside the borderline, a few tiny foxed spots; sm. chip lower left corner reattached.
= Hollstein 45, 2nd state (of 2).
- Sl. yellowed. = Hollstein 2, 3rd state (of 4).
Idem. The spinner and the blacksmith, with two bystanders, a donkey in right background.
- Yellowed; waterstained along edges. = Hollstein 2md state of 2.
Idem. A Seamstress, surrounded by three men, left a man with a donkey.
- Remargined, a few sm. spots. = Hollstein 3, 2nd state of 2.
- Two closed tears in left margin (1x two centimeters into image).
Voyez, F. (1746-1805). "La jeune bergère". Engraving after BOUCHER, 43x28,3 cm., w. engr. caption, verses and address ("A Paris chez Beauvarlet") below image. - AND 4 others, i.a. by J. LOUYS and H.W. HOOGKAMER.
- Laid down on mount.
= View of the castle of Zevenbergen, demolished in 1728. Beelaerts van Blokland/ Dumas, De kasteeltekeningen van Abraham Rademaker p.54ff: "Een van de eerste oudheidkundigen die met waar fanatisme en compleetheidsdrang historische gegevens en beeldmateriaal verzamelde en deze op- of natekende, was de Rotterdammer Kornelis van Alkemade (...). Van Alkemade zal omstreeks 1695 zijn begonnen met het verzamelen van afbeeldingen van kastelen, die hij natekende en van historische beschrijvingen voorzag."
- Brown spot in the sky; laid down.
= Nice drawing after the print by Paulus van Liender after Jan de Beijer, published by Fouquet. In the background the new Lutheran church.
- A few vague stains; sl. yellowed.
= Provenance: the collection of J. and C. Ulmann (Lugt 3533).
- Occas. sl. foxed/ trifle frayed; a few leaves w. some traces of silverfish activities.
= Fine early drawings by Johanna Croiset van de Kop (1861-1943), Dutch artist, probably made during her art classes at the Akademie van beeldende kunsten at The Hague. Including 2 remarkable multilayered drawings of a male head and a torso seen from the back. SEE ILLUSTRATION PLATE CI.
- Two sm. black ink stains in centre; yellowed; lacks portion of paper in upper right corner (clumsily repaired).
= SEE ILLUSTRATION PLATE CI.
- Paper remnants on verso. = SEE ILLUSTRATION PLATE CI.
- Laid down on stiff board, sl. warped. = Possibly Italian.
- Old closed tears in upper and lower margin.
- Partly faded. Verso w. remnants of former mount in margins. Some vague creases.
= On laid paper with an anchor watermark, probably South-Germany/ Austria.
- Cut out and laid down on soiled mount.
AND 18 others, i.a. a design of a candle holder and a series of drawings of rococo ornaments.