- Trifle foxed/ thumbed; sl. frayed. = On paper with unidentified watermark.
- Sl. worn (especially near right eye); some soiling; sl. yellowed; neatly doubled w. thin paper.
- Some foxing/ soiling; some traces of former mounting on verso.
= In the style of Jan van Goyen on fine laid paper w. dubble "C" watermark (Lothringer Kreuz). With unidentified collector's annot. "No.183" in pen and ink on verso (Lugt 4252).
- Slightly foxed; a few sm. stains; margins strengthened on verso.
= With similar sketches on verso. With reference to Bernardo Buontalenti on passepartout.
- Trifle yellowed/ thumbed. = With the collector's mark of W.A. Freund on verso (Lugt 954).
- Parts of drawing (sl.) faded; brittle paper w. surface partly nibbled by silverfish; sl. dustsoiled.
= With part of watermark "Dreiberg im Kreis".
- Laid down on later paper; w. dam. spots/ closed holes, mostly near upper and left edge.
= SEE ILLUSTRATION PLATE CII.
- Trifle soiled; 2 oblique folds.
- Closed tear in lower margin; horizontal fold; tiny pinhole; some sellotape remnants on verso; sl. soiled.
- Browned; weak spots w. sm. holes; two stains.
= Perhaps surroundings of Aalbert Cuyp or Jan van Goyen. On blue laid paper without watermark. With a small sketch of a face on verso. With the collector's mark "Verzameling Haentjens Dekker" on verso (not in Lugt).
- Left corners tipped onto mount; greenish (oxidaton?) stains in lower margin; lower right corner sl. dam.
= Verso w. attrib. to R. DE HOOGHE. SEE ILLUSTRATION PLATE CII.
- Small hole in centre; yellowed.
= With attribution to J. Ribera in pen and black ink on recto and verso.
- Some dark (foxed) stains.
= With attribution to Jacob Coninck I (±1616-1708) on mount. Provenance: the collection of D.A. Hoogendijk, Amst. SEE ILLUSTRATION PLATE CIII.
- Some (vague) oblique folds; browned; a few sm. stains.
- A few small marginal tears. = On paper w. "Dreiberg in Kreis" watermark.
- Sl. foxed/ (dust)soiled. = Provenance: Tremmel Sale 282, Ketterer 2003.
- Professionally cleaned.
- Doubled w. Japanese; some vague foxed spots; flattened vertical fold in centre.
= With an unidenfied circular watermark showing a border filled with circles.
= Perhaps a design for a devotional sculpture or home altar. With part of manuscript on verso.
Anonymous (17th cent., German). (Christ bleeding from the Cross, with putti catching his blood). Drawing, pen / brush and ink, 13,5x13,7 cm.
- Sl. soiled.
= With manuscript text above and below, i.a. "Am Sontag quasimodogeniti" (First Sunday after Easter). Perhaps copied after a print.
AND 4 other drawings w. Christian theme, 18th-19th cent., perhaps one by FRANCESCO FUSI.