= Probably the Zürcher See, which the artist visited in May 1913.
- A few sm. worn spots. = Charles Tichon is mostly known as poster designer.
= With manuscript caption: "Ruines van de Abdij van Egmond, zoals dezelven zig bevonden op den [in a diff. hand: Decbr.] 1798, na het instorten van de top der nog tot die tijd in zijn geheel staande tooren, en welke de geheele afbraak van dezelven heeft noodzaakelijk gemaakt. A.A.A. Tinne".
Anonymous (19th cent.). (Ruins of castle Brederode). Drawing, pen and ink and watercolour, 19x26 cm., tipped onto mount.
- Upper and lower left corner chipped.
- Closed tear in one leaf; yellowed and w. a few browned spots; lower right corner reattached (intentionally as part of the trompe l'oeil effect?).
= Showing i.a. the title-p. of Het leeven van Sixtus den Vyfden.
= Remarkable trompe l'oeil showing, apart from the portrait (signed "De Bruin Ao 1782") and 2 leaves from an almanac, as a surprising extra illusion: a fly on the central leaf. SEE ILLUSTRATION PLATE CXV.
- Sl. yellowed; remnants of former mount on verso.
- Tipped onto contemp. thick paper mount.
= On paper showing a part of a large watermark of a knight. With attribution on mount.
- Sl. agetoned.
= Attractive delicate drawing, full of details. SEE ILLUSTRATION PLATE CXIII.
- Crease near left edge; nevertheless fine.
= On paper with large "Pro Patria" watermark. With attribution on verso mount.
= Perhaps Willem Verbeet (1801-1887).
AND 10 other drawings, (prob.) partly by the same (1x monogrammed "WV" ), mostly classical scenes, but also a small drawing showing a curious scene of probably a female fortune teller, all kept in together in a 19th cent. bookshaped box, blue hcalf, folio (spine dam.).
- Slightly yellowed; a few foxed spots.
AND 4 pencil drawings by J.C. SERVAIS (1x) and anonymous artists, all showing landscape or town views.
= Provenance: private collection, collection Houtappel Maastricht (https://rkd.nl/explore/images/32546). SEE ILLUSTRATION PLATE CXV.
- Vague grease(?) stain in right part.
= On paper with a large watermark showing the coat of arms of Amsterdam.
- Doubled w. old flattened vertical fold; stain in upper left corner.
= On paper showing a large crowned coat of arms with a fleur-de-lis.
- Vaguely foxed.
= Free interpretation of the etching listed in New Hollstein 90 (Selfportrait of Rembrandt by J.J. van Vliet after Rembrandt). W. the collector's stmap of J.W. Nahl on verso (Lugt 1954).
- Laid down on a framed canvas, some (large) closed tears; unevenly browned and with mould; in need of cleaning and restoration.
= Detailed drawing showing the working of ship camels.