- Repaired tear in first free endpaper. = Rare.
- Lower outer corner sl. fingersoiled throughout; owner's entry on both title-p. of the first work. Frontcovers loose(ning). Good copy.
- Sm. foxed spot in lower blank margin of frontisp.; 2 leaves w. sm. closed tear. Backcover sl. waterstained.
= Attractive binding by ? SEE ILLUSTRATION PLATE LXXIII.
- Fine copy. = Scarce.
- Closed tear in title-p.; contents otherwise good/ fine. Binding worn/ rubbed along extremities.
= RISM G 2642 (5th edition). SEE ILLUSTRATION PLATE LXXIII.
- Final free endpaper and pastedown w. sm. wormhole in inner margin. Otherwise fine.
= Olivier 2549 identifies the coat of arms on the binding as that of M.-J.-L-B. Comtesse de Savoie. The opera Echo et Narcisse was one of the less succesfull operas by Glück. At its première in Paris, the response was so lacklustre that Glück never went back to Paris. SEE ILLUSTRATION PLATE LXXV.
- Contents very fine. Binding worn/ rubbed along extremities. = RISM H 740.
- Publisher's address partly illegible due to removal of later added publisher's ticket (leaving only the Lyon address legible); contemp. manuscript index bound in at front; publisher's stamp in lower blank margin of portrait. A few unobtrusive small and slightly rubbed spots on binding. Very fine copy.
= Rare early edition of the full score, publ. in the same year as the first edition. Hoboken II, XXI, 2a (pointing out that the date "le 3. Nivose an 9e" on the title-p. should be read as 1800 in the Vienna Style of dating and not as 1801) and noting that this edition does not contain the final choral. These final 83 bars are supplied in contemp. fair manuscript in our copy. The final engraved leaves are the scores for the trombone (3p.) and the bassoon (4p.) to several parts of the oratorio. SEE ILLUSTRATION PLATE LXXIII.
- Rebacked w. cloth and w. later backcover. = RISM H 4692; Hoboken II, p.59f.
- Binding (sl.) worn along extremities. = Hob. XXI/ 2 p.42.; RISM H4652.
AND 1 other: J.G. BERTELMAN, Missa (The Hague, Fr. Beuster, 1836, entirely engr. full score, with piano score, contemp. giltlettered hcalf, obl. 4to. Joints and corner rubbed, otherwise fine).
- All plates (sl.) foxed. Backstrip chafed/ worn.
= "Extracted from the Encyclopaedia Londinensis" (title-p.).
- Several prints with (repaired) (sm.) damage in margins/ corners; one print w. closed hole; all prints w. pinholes and sl. yellowed.
= Nice caricatures of a conductor, bassoonist, hornist, oboist, flutist, trumpetist, violinist, cellist, bassist, timpanist, guitarist and harpist.
- Copy for the horn with receding stain on first 8 leaves; copy for the cello w. similar stain on final 4 leaves. Otherwise fine.
= Brüchle/ Lienhard, Horn Bibliographie III, p.111.
AND 3 others, i.a. H. NIESSEL, Méthode complète de cor à 3 pistons ou Cylindres. Op.21 (Paris, Schonenberger, n.d. (±1843), plate no. S 1490, lithogr. title-p. and score, modern cl., folio. Sl. foxed; contemp. owner's entry on title-p. Rare) and L. VAN BEETHOVEN, Gran Quintuor en Mi b Maj. (Offenbach/ London, ±1840, tinted lithogr. title, lithogr. full score, contemp. hcl., 4to).
- Apart from some sl. foxing, a very fine set.
Symphonia. Lektuur van Muzijkale Wetenschappen. Year 1, January-June. Ed. C.L. van Langenhuijsen and T. Geers Jz. Amst., n.publ., 1839, 208p., woodengr. ills., music examples, contemp. marbled boards, 4to.
- Sl. foxed.
= All published. Rare and shortlived periodical about which J. VAN GESSEL writes i.a. that it is "(...) de meest mysterieuze verschijning onder de eerste Nederlandse muziektijdschiften. (...) Het tijdschrift is (...) opgezet als een verzameling lemma's over uiteenlopende onderwerpen (...). In maart begon men tevens met een alfabetisch lexicon van beroemde componisten, dat echter niet verder kwam dan de letter A. Verder bevatte Symphonia (...) nog wat losse anekdotes. (...)." (https://demodernetijd.nl/wp-content/uploads/DNE-2001-4a-Gessel.pdf).
= The letters all centre around the music festival ("Muzijkfeest te Haarlem") that was organized in 1850, and are addressed to i.a. C.G.V. Schneevoogt (the secretary of the Maatschappij) and J.J. Viotta, and are partly written by affiliated members of the Maatschappij that offer their help with the various arrangements concerning the festival. I.a. offering singers for the choir, concerns about the lack of urgency in preparing everything for the festival, the availability of scores for the musicians and singers (the most important part of the festival was the first performance in The Netherlands of Mendelssohn Bartoldy's oratorio "Elias" (composed only 4 years earlier). Also including 2 separate manuscript scores, i.a. one with a fair copy of the score of N. DALEYRAC's "Romance de Gulnare" (prob. a version for voice and guitar).
- Pages loose(ning). Rebacked w. cl.
= Contains ±50 songs, poems and short stories, i.a. Het Lied van Chassé, De Lusivers Jood, Henri's Drinklied, Het vogelnestje, De Smulbuik, Hernhutters-Avondlied, De Vleeschsoep, Het IJsvermaak, Het Pennelikkers Lied, Vijf maal Honderdduizend Duivels, De hopelooze Vrijer and De neger in de suikerplantaadje.
- Bookplate on verso of 2nd blank. Apart from some rubbed spots along margins a very fine copy.
- Spine (sl.) dam. and bumped; upper right corner of frontwr. restored; frontwr. sl. creased.