- Wrappers dam.
= With AUTOGRAPH NOTES and marks by ARMANDO on several photogr. ills., presumably the inspiration for several "Schuldig landschap" artworks.
Alphen, E. van. Armando. Vormen van herinnering. Rott./ Amersfoort, NAi/ Armando Museum, 2000, 240p., (full-p.) (col.) ills., orig. blindst. cl. w. dustwr., 4to.
= SIGNED by the artist.
Armando a.o. Het Werkmanmonument. Gron., Centrum Beeldende Kunst Groningen, 1995, (56)p., mounted photogr. plates, monochr. ills., orig. dec. boards, 4to.
= SIGNED by ARMANDO.
Veld, E. De handen van de meester. Die Hände des Meisters. Amst., Erika Veld, 2013, 136p., Dutch and German text, num. (full-p.) col. ills., orig. pict. boards, obl. 4to.
= Title-p. w. dedication to ARMANDO by i.a. RINI DIPPEL.
AND 28 others by/ on ARMANDO, mostly w. embossed Museum Oud Amelisweerd stamp, i.a. A. MELISSEN (ed.), Armando. Tussen het weten en begrijpen (Rott., 2015, num. ills., orig. boards, large 4to) and M. VAN PUTTEN and W. VONK, Boot 8mx3m (n.pl., 2006, printed in 7 copies, num. col. ills., orig. cl., obl. 4to).
= I.a. GALLI, Unerwünschte Wirkung (Berlin, 1991); J. GECCELLI, Lovis-Corinth-Preis 1998 (n.pl., n.d.); R. MAULWURF, Scratching the surface (The Hague, 2014) and A.T. SCHAEFER, Oper in Stuttgart (Hamburg, n.d.).
AND 1 other from the library of ARMANDO.
- Frontcover sl. warped. Otherwise fine. = Bool/ Broos p.49f. SEE ILLUSTRATION PLATE III.
- Sl. foxed, mainly endpapers. Lacks dustwr.; covers. sl. soiled; spine sunned.
= The first Dutch edition was published 1940. See the following:
Idem. De Moderne Mensch Ontstaat. Een reportage van vreugde en vrees. Dutch transl. B.F. van Overdiep. Amst., Noord-hollandsche uitgevers maatschappij, 1940, 2nd printing, 159p., num. (col.) isotype graphics by G. ARNTZ, orig. cl., 4to.
- Sm. bookseller ticket on upper pastedown; trifle foxed. Covers sl. soiled; spine sunned.