= The five films of Matthew Barney's Cremaster project presented in numerological order, with extensive introductory essay, its exhibition history, film credits and screening history and a 'Cremaster Glossary' by Neville Wakefield.
- All vols. binding rubbed/ sl. worn along extremities (one vol. covers also dampstained). Otherwise a good set.
= Including (uniformly bound) the following two vols.: R. WEIGEL, Suppléments au peintre-graveur de Adam Bartsch. Vol.I. Leipsic, 1843, VIII,350p., orig. wr. and a plate vol. with 16 engr. plates by A. BARTSCH after i.a. N. BERCHEM, H. ROOS and J. VAN DER MEER DE JONGE. All published.Arntzen/Rainwater N13: "The foundation work for the modern systematic study of Dutch, Flemish, German and Italian painter-engravers through the 17th century. Although now outdated in many instances, subsequent oeuvre-catalogues and histories refer to Bartsch almost universally and for some lesser artists, Bartsch remains the only, or most important source."
- Wrappers (sl.) yellowed along margins. Contents fine.
= With loosely inserted overview sheet of 1962-1972 exhibitions and works by the artist.
AND 2 others on the same, i.a. Georg Baselitz. Bilder 1977-1978 (Eindh., 1979, ills., wr., 4to).
= From the library of ARMANDO.
- Slipcase partly worn on edges. Otherwise fine.
= Sumptuous publication. The most comprehensive catalogue of the oeuvre of Jean-Michel Basquiat (1960-1988).
- Binding sl. foxed; frontcover w. some offsetting in lower edge; spine faded.
= Bauhausbücher 9.
- Backstrip lacks a portions at spine-ends; frontwr. w. large tear closed on verso and sl. frayed/ creased; sm. stamps on backwr.
= The rare Russian edition of Malerei, Fotografie, Film (Munich, 1925; Bauhausbücher 8) with a different cover design. Parr/ Badger I, p.92; Rowell/ Wye no.851.
- Wrappers trifle dustsoiled.
= One of 75 numb. and signed copies, with the accomp. silkscreen print "Hausfassade Ubierring 6-8" (80x60 cm., signed, "85" and "37/75" in pencil.
- Sm. tear in frontcover. = With loosely inserted menu card of the restaurant, designed by ?
AND 12 other exhibition catalogues/ folders.
= Arntzen/ Rainwater E37: "After Thieme-Becker the most useful universal dictionary of artists".
- Lacks possibly postcards.
= SIGNED in pencil by artist on frontcover lid. The postcard series was published between 1968 and 1986 by Staeck.
- Endpapers sl. foxed. A sm. tear in frontcover.
= Documenting the happening "24 Stunden" (24 hours) that began at midnight on June 5, 1965 at the Galerie Parnass in Wuppertal, with artists Joseph Beuys, Bazon Brock, Rolf Jährling, Ute Klophaus, Charlotte Moorman, Nam June Paik, Eckart Rahn and Tomas Schmit. Contains flour in a sealed plastic bag in the final part of the work.
- Without contents; folded.
- Without contents; red faded.
= Rare artist's book, with photograpic portraits of i.a. Ben [Vautier], Bottinelli, Achille Cavellini, Geoff Hendricks, Harry Kramer, Pierangelo Maset, Angelica Schmidt, Timm Ulrichs and Wolf Vostell.
= One of 20 SIGNED copies (even though this copy is numb. "21").
WITH: 2 additional photographs: in plastic bag, 1 x stamped "Feldpost brief" (mouldy), showing the artist and a diapositive gelatin silverprint showing an installation by the artist and with annotations in White Out pen. - WITH 3 offset posters (2x signed) for the exhibition "Tierra del Fuego" (Van Reekum Museum, 1987-1988) and a plastic bag with razor blades with which Beuys supposedly shaved Bien.
- Bookblock broken on one inner hinge.
- Htitle lacks sm. portion. Otherwise fine.
Eekhoud, G. Émile Verhaeren. Conférence faite à la maison du livre 1918. Bruxelles, Imprimerie J.-E. Goossens, Maison du Livre, 1918, 27,(2)p., w. 11 (of 18) orig. (col.) lithographs loosely inserted, printed in 750 numb. copies (690), orig. stiff wr., 4to.
- Lacks 7 lithogr. loose plates.
- Endpapers sl. foxed/ browned. Dustwrs. sl. frayed/ dam.
= Published on the occasion of the exhibition 'Vlaamse Miniaturen 1404-1482' in the Koninklijke Bibliotheek van België, 2011.Dhanens, E. Hubert en Jan van Eyck. Antw., Mercatorfonds, 1980, 399p., 2 fold. col. plates, num. (col.) ills., orig. gilt cl. w. dustwr., slipcase, folio. Vermeersch, V. Brugge. Duizend jaar kunst. Van Karolingisch tot Neogotisch 875-1875. Ibid., idem, 1981, 445,(2)p., (col.) ills., orig. boardbacked cl. w. dustwr., slipcase, folio. - AND 1 other Mercatorfonds publication.
= Parallel Dutch and English (transl. L. George and M. O'Loughlin) text; with the separate booklet (69,(1)p., orig. wr., large 4to) w. Japanese text (transl. H. Akao), together in orig. board slipcase.
- Publisher's ticket on dustwr.
Constant Permeke. Tekeningen. Brussels, Editions de la Connaissance, 1953, (6)p., 18 tipped-in plates, printed in 1350 numb. copies, orig. wr. w. mounted plate.
- Bookblock loose(ning). Wrapper dam. and discol.
= From the library of ARMANDO, with his owner's entry on first blank.
AND 4 others, all richly illustrated, i.a. K. SCHICK and H. GASSNER (ed.), Max Beckmann. Die Stilleben (Munich etc., 2014, orig. boards); A. ZWEITE (ed.), Louis Soutter (1871-1942). Zeichnungen, Bücher, Fingermalereien (Munich, 1985, orig. (sl. dam.) wr.).
- Owner's entry in ballpoint on first blank. Wr. trifle fingersoiled; backstrip sunned.
- Soiled; hole in lower left corner.
AND a leaf from ÇA IRA no.20.
= Rare. On the various artworks by Van Caeckenbergh.
- One vol. sl. dam. at top of spine; all vols. corners worn.
= Nice series, dealing with the following subjects: Ivoires, miniatures, émaux; Décoration d'Églises and Bibliothèques.
- The atlas only, without the 2 text vols; some foxing (text lvs. worse); cancellation stamp on htitle. Spine-ends sl. rubbed.
- Both vols. owner's entry on first free endpaper; bookblocks trifle warped; vol. 2 sl. mouldy/ watertst. at the end (incl. upper edge backcover); occas. trifle foxed.
= Edgar Gorer was one of the most prolific dealers in Chinese ceramics at the turn of the 20th century. Massive work with beautiful plates.
- Contents loose(ning); cancel stamp on title-p. and frontcover. Covers a few waterstains; corners worn; backstrip lacking.
= Published as Heft 11 in the series Vorbilder-Hefte aus dem Kgl.-Gewerbe-Museum. SEE ILLUSTRATION PLATE IV.
- Lacks backstrip; cover sl. rubbed along extremities. = Beautiful plates.
- Plates occas. sl. dustsoiled in margins/ frayed. Binding worn/ dam. and dampstained; lacks ties.
= Very nice art-nouveau designs for Sèvres porcelain. SEE ILLUSTRATION PLATE IV.
- Corners sl. worn; spine-ends worn/ trifle dam. Contents fine. = Verve VI/ 24. Sorlier 48.
Genauer, E. Chagall at the "Met". New York, Metropolitan Opera Ass. and Tudor Publishing Company, 1971, 149,(5)p., num. (full-p.) (col.) ills. and orig. cl. w. dustwr. by M. CHAGALL, folio.
- Dustwr. sl. rubbed at top of spine and upper corners.
- Fine copy. = Sorlier 78. SEE ILLUSTRATION PLATE IV.
- Trifle foxed; sm. blank corner cut off from imprint leaf; hinge starting.
= From the library of ARMANDO (pseudonym "Armando" written across his real name "Herman van Doodeweerd"). Early monograph on Chagall, originally published in Russian in 1923. Rare.
- Vol. 1 dustwr. sl. frayed; vol.5 partly w. sm. stains in upper margin; volumes 1-3 dustwr. worn/ sl. dam. (nibbled by silverfish at spine(-ends)). Otherwise fine.
= SEE ILLUSTRATION PLATE V.
- Backwr. of no.225 w. yellow stain and foxed; both wrappers of no. 246 and 250 (sl.) foxed.
= No. 250 includes a bibliography of all issues of Derrière le Miroir.