- Top of spine dustwr. torn and frontwr. sl. rubbed. = Les grandes monographies X.
- A few leaves loose(ning); num. extra tipped-in pictorial material (clippings, picture postcards etc.).
= Juffermans JB5. SEE ILLUSTRATION PLATE V.
- Cover soiled. = With SIGNED manuscript dedication in pen and ink by the artist on htitle.
- Envelopes (sl.) torn (1x dam.); 3x waterstained. Contents fine and complete.
= Art project by Jan Donia on various aspects of urban design in multiple vols.: 1. Community garden project by Hans de Vries, w. earth and floral research results and a small bag with seeds of Turkenburg's Koninklijke Zaadhandel; 2. Maastricht/ Jekerdam project by Lex Wechgelaar, w. a survey by Intomart, Hilversum and a large fold. map of the Maastricht/ Jekerdam area; 3. Street sign project by Wim Gijzen, w. 240 photographs of street signs in Amsterdam and Rotterdam; 4. Sonsbeek park project by Cor Blok, w. a fold. map of the park and 11 postcards on Sonsbeek; 5. Woudrichem tree project by Sjoerd Buisman, w. a plan of Woudrichem and a list/ guide of trees growing within the town; 7. 't Venster project, dedicated to the activities of Rotterdamse Kunststichting and its artistic director J. Huijts.
WITH additional set of vol. 7 (lacks envelope and 't Venster sheets 17 and 18).
- One plate and text leaf loose(ning). Covers stained; upper joint splitting; part of letterpiece lacking.
Robinson, J.C. Descriptive Catalogue of the Drawings by the Old Masters, forming the Collection of John Malcolm of Poltalloch, Esq. Ibid., privately printed at the Chiswick Press, 1869, XI,(1),280p., orig. gilt cl.
- Spine-ends sl. worn.
AND 2 others, i.a. J.C. ROBINSON, A Critical Account of the Drawings by Michel Angelo and Raffaello in the University Galleries, Oxford (Oxf., 1870, ills., orig. gilt cl.).
- Fine.
= Arntzen/ Rainwater L69: "The final volume of the series of inventory catalogues of the Dutch and Flemish schools and the culminating achievement of the author."
Sciolla, G.C. I Disegni Fiamminghi e Olandesi delle Biblioteca Reale di Torino, con un saggio sulle carte e le filigrane di Piera Giovanna Tordella. N.pl., L.S. Olschki, 2007, XXIV,397,(5)p., col. plates and 22 col. ills. on 16 plates, 320 monochr. ills., 100 ills. of watermarks, orig. giltlettered (trifle waterstained) cl., sm. folio.
= Publ. as vol. 7 in the series Rariora et Mirabilia.
= Copy of a deluxe edition, w. 2 original etchings by A. Verhoog: "De ondeugende danseres I" (col. etching) and "De ondeugende danseres II", both signed and numb. "VII/XX" in pencil.
Vree, F. de. Wyckaert. Gedicht vooraf: Hugo Claus. Tielt/ Antw., Lannoo/ Mercatorfonds, 1986, 222p., num. (col.) ills., orig. cl. w. dustwr., 4to.
= With signed dedication by the author and by Hugo Claus.
AND 3 other (small) publications, i.a. on ROGER RAVEEL (w. loosely inserted signed New Year wish). - ADDED: a facs. reprint of an illustrated letter by FRANK LODEIZEN, dated "26 X-73" (7 obl. folio lvs., recto only. Sl. foxed in outer margins; first leaf sl. stained).
- Small tear in frontwr.
Vovelle, J. Le surréalisme en Belgique. Brussels, A. de Rache, 1972, 373,(2)p., 324 ills., several diagrams, orig. gilt and dec. rexine, large 4to (corners and spine-ends bumped). - AND 3 others, i.a. H.P. ROCHE, Marcel Duchamp. Catalogue raisonné/ Victor (Paris, 1977, 2 (of 4) vols., col. and num. ills., orig. unif. wr., 4to. Wr. of first vol. dam. and soiled and first few leaves sl. dam. due to waterstaining. Vol. 2 and 4 of the series on Duchamp).
= With MANUSCRIPT SIGNED DEDICATION by the artist: "voor: Debbie [Campert] van: Marlene, alles van die Beste 2003!"
AND 9 others on/ by the same, incl. small publications, i.a. M. DUMAS, One Hundred Models and Endless Rejects (Boston/ Ostfildern-Ruit, 2001, col. ills., orig. boards, large 8vo); IDEM, Sweet Nothings. Notes and Texts (Amst., 1998, ills., orig. wr.); MARLENE DUMAS (folio size brochure for the Tate Gallery exhib., 1996, w. ms. dedic. by the artist: "Het Engelse "trip, aan: the (big bad) Wolf van Marlene (...)"). - ADDED: a small stack of invitations and some personal correspondence to Deborah (Campert) Wolf and Remco Campert, i.a. a series of 19 ORIGINAL COLOUR PHOTOGRAPHS showing displays of works by Dumas (2x also showing the artist), each 10x15 cm. (or vice versa), all w. ms. annots. (titles and occas. sizes) in red pen by the artist; and 6 MANUSCRIPT SIGNED PICTURE POSTCARDS (incl. 3 picture postcards together forming 1 letter), all to Deborah Campert (Wolf ), dated from "1 Junie[sic] 1999" to "April 2004".
= "(...) Wil graag met jou op de boot stil naar het water kunnen kijken van de Amstel (...)" [01/06/1999]; "(...) In Augustus ben ik weer terug. Moet dan heel hard werken aan tentoonstelling in nieuw ruimte van Zeno X in Antwerpen in September (ook nog de Pont dit maand). Van vlg. week gaan ik weer naar mijn studio, Nóe een week thuis op boot voetbal kijken en rusten (...)" [07/06/2002]; "(...) I.v.m. het verkoop van jullie tekeningen (...) ik ben geen collectioneur dus ik heb geen inzicht (niet echt) op dat gebied, maar wel voorstellingsvermogen, en mijn ervaringen m.b.t. dat gebied groeid deze dagen dag voor dag. (...) Ik neem jullie natuurlijk uiteindelijk niet echt kwalijk, die recht heb ik zo-wie-zo natuurlijk ook helemaal niet, maar ik was wel boos. (...) and sometimes, all kinds of similar things happen all at the same time. Suddenly 'dumped' by (all too many kinds of) relations at the same time (...)" [04/2004].
- Sl. rubbed at upper hinge. Slipcase soiled.
= With ORIGINAL PENCIL DRAWING monogrammed "P" in pencil, loosely inserted in separate cl. folder.
Idem. Jan Montyn. Het grafisch werk. Introd. F. Duister. Haarlem, Kampert Print & Art, 2004, 240p., num. (full-p.) col. ills., orig. hcl., sm. 4to (fine). - AND 9 others, i.a. on Theo Kuijpers, Jaap Wagemaker and Piet Ouburg.
= Rare. With 2 loose inserts concerning an exhib. of Edition Hansjörg Mayer at Galerie Stähli, Zürich, i.a. "Vergriffenis und Greifbares" (1981).
Edition Hansjörg Mayer. Verlagsverzeichnis 1982/ Catalogue 1982. Ibid., idem, (32)p. [incl. wr.], 16 full-p. ills. by ANDRÉ THOMKINS. - AND 9 catalogues on contemporary art and artists' books: 7 vols. by ART METROPOLE (Toronto, (±1980)-1994, orig. wr., 4to. No. 7-10, 12, 16 and 17) and catalogues by SIMS REED Ltd. (Contemporary art, Artists books & Documentation. London, 1996, (col.) ills., orig. boards, 4to) and JOOT Just Out Of Time (Conceptualism & Artists' Books, Art Books & Catalogues, Artists' Prints, Photography Books. Amst., 2009, col. ills., orig. wr., 4to).
= Rare. Photographs of 5 artworks by conceptual artist Ger van Elk. The Well Shaven Cactus (1969), Paul Klee - um den Fisch 1926 (1970), The Co-Founder of the Word O.K. (1971), The Discovery of the Sardines (1971) and The Symmetry of Diplomacy (1971).
Ger van Elk. Art & Project Bulletin. No.19, 55, 65, 74, 100, 132 and 139. Ibid., idem, 1970-1984, 7 fold. lvs., w. (col.) ills.
= Gallery bulletin showing works by Van Elk. I.a. w. address label/ sticker to the artist Peter Struycken and to author K. Schippers, 1x with a large manuscript annotation in pen and ink by the latter, with various random thoughts ("Jezus ze maken een liedje van me (...) Sommige woorden zijn intelligenter dan de gedachte (...)").
AND 3 others on the same.
= With SIGNED DEDICATION by the artist on first free endpaper.
Bavelaar, H. and Barents, E. Shinkichi Tajiri. Beeldhouwer. Sculptor. The Hague, SDU, 1990, 120p., num. (full-p.) (col.) (photogr.) ills., orig. cl. w. dustwr., sm. 4to (fine). - AND 7 others, i.a. R. ARKESTEIJN, Willem Reijers (Zwolle, 2004, num. ills., orig. cl. w. dustwr., sm. 4to); E.F. CONSTANTINI, Alicia Penalba, Sculptor (Barcelona, 2016, num. ills., orig. pict. wr., sm. 4to) and T. FENTON, Anthony Caro (ibid., 1986, num. ills., orig. boards w. dustwr., 4to).
- Frontwr. trifle foxed in outer margin.
= Rare Italian periodical subtitled "Bollettino d'informazione del movimento internazionale per una Bauhaus immaginista", this issue containing i.a. an article by Asger Jorn titled "Forma e struttura". SEE ILLUSTRATION PLATE VI.
= "Xerox facsimile of the original compiled by Donald Evans in 1957. It is published here in a first edition of twenty-nine examples (...)" [colophon].
AND a sm. stack of picture postcards and stamps (on exhibtion announcements) etc. by DONALD EVANS. - ADDED: a small archive, mainly concerning the preparation of a Donald Evans exhibition in 1980 in the Stedelijk Museum Amsterdam, comprising photostats, (proofs of) publications, photographs, clippings, correspondence etc.
= SIGNED "Wim Zurné 2010" on title-p.
Sanders, H. Har Sanders. Ed. J. Juffermans. De Bilt, Fontein, 1974, 118,(1)p., (col.) ills. after HAR SANDERS, publ. in 260 numb. copies signed by the artist, orig. silkscreen cl. by HAR SANDERS, 4to.
- Without the silkscreen (ident. to the binding) called for in the colophon.
AND 7 others, all lavishly illustrated, all (near) fine, i.a. P. BES, Getekend licht (Amst., 1998, orig. cl. w. dustwr., large 4to) and L. EWALS, De kosmos van Ted Felen (Amst., 2002, orig. blindst. cl. w. dustwr., 4to).
= I.a. for Werkman en de Blauwe Schuit (Nijmegen, 1964); Jan Battermann (Apeldoorn, ±1965); Pat Andrea (Arnhem, 1975) and Kandinsky (Amst., 1947).
= I.a. by W. Alkema, M. van den Assem, M. van den Assem, Eugène Brands, Jan Cremer (3x), Ger van Elk, F. Gribling, Panamarenko, A. Rainer (2x) and Piet Tuytel.
AND ±25 exhibition catalogues on 20th cent. photographers, mainly in orig. wr.
- Bindings occas. dust-/ waterstained and/ or dam.
= SOME ARTISTS: Ivor Abrahams (1973), Absalon (1994), Vito Acconci (1979). Carl Andre (1978), Carel Balth (1975), Kostana Banovic (1996), Joseph Beuys (1987), Marinus Boezem (1982), Bram Bogart (1967, 1969, 1972), Jonathan Bragdon (1982), Pieter Brattinga (1974), Günter Brus (1978), Daniel Buren (1981), Victor Burgin (1977), Alberto Burri (1959), Anthony Caro (1967), Guglielmo Achille Cavellini (1976 and 1978), César (1976), Roman Cieslewicz (1966), Enzo Cucchi (1981), Christiaan Paul Damsté (1976), Grenville Davey (1991), Ad Dekkers (1971 and 1977), (Christian Dotremont (1972), Marlene Dumas (1988), Valie Export (1980), Robert Garcet (1989), Johannes Gachnang (1971/ 1972/ Ad Gerritsen (1975), Jochen Gerz (1976), Jean Gonin (1967), Gerhard von Graevenitz (1984), Toni Grand (1976), Sigurdur Gudmundsson (1980), Otto Gutfreund (1965), Jan Henderikse (1992), Geoffrey Hendricks (1984), Eva Hesse (1979), Aad van Houwelingen (1980), Servie Janssen (1978), Jasper Johns (1977), Anselm Kiefer 1980), Edward Kienholz (1970), A.W. Kort (1981), Tetsumi Kudo (1972), Yayoi Kusama (1982 and 1993), Yvon Lambert (1972), Richard Long (1974), Raquel Maulwurf (2014, signed on verso frontwr.), Marie McClelland - Existence (1979), (197Avis Newman (1993), Ostovani (2003), Panamarenko (1975 and 1984), Giuseppe Penone (1982), Markus Raetz (1975 and 1988), Arnulf Rainer - Hiroshima (1985), Roger Raveel (1985; printed in 300 copies), Jan Theun van Rees (1997), Gerrit Jan de Rook (1975), Ulrich Rückriem (1977), Herman Lutje Schipholt (1986), Jan Schoonhoven (1971 and 1974 (with K. Schippers); dam./ frayed copy), George Segal (1972), Howard Selima (1975. Wrappers soiled), Richard Serra (1977 and 1980), Peter Smithson (1983 (Hobbs) and 1993), Daniel Spoerri (1971), Niki de Saint Phalle (1967. Wr. sl. soiled), Sylvia Steiger (1983), Tajiri (1959 and 1982), Niele Toroni (1977), Cy Twombly (1995, printed in 450 copies), Yvaral (1977), Gerard Verdijk (1980), Bill Viola (1995. With photograph by Kira Perov), Carel Visser (1973, 1985, 1978 and 1992), G. Sebastiaan Vos (Galerie Mercuur, n.d.), Lex Wechgelaar (1975), Günter Weseler (1975).
SOME TITLES: KunstLichtKunst (1966), Holanda. Ad Dekkers, Jan Schoonhoven, Peter Struycken (1967 Biennale São Paulo), Yvon Lambert - Actualité d'un bilan (1972), Film als beeldend medium (±1975), Ad Dekkers, Martin Rous, Schoonhoven, P. Struycken (1976), Einerseits - Andrerseits. 5 Hefte mit Zeichnungen von Oskar Schlemmer, Wuppertal 1938-42 (±1977. Contents loose(ning)), Oosteuropese konkrete en visuele poëzie (1978), Over wandelingen en reizen/ On Walks and Travels (1979), Croisées. Rencontres Internationales avec Gérard Verdijk - Acindino Quesada - Jean Mauboulès - Daniel Dezeuze - Jochen Gerz (1979), Die Seefahrt und der Tod (1981, 6 catalogues in orig. wrap-around band), World Wide Video Festival (1983); Eugène Dodeigne Beelden en tekeningen (1990. Plates loose).
= Friendly and very interesting letters by DICK HIGGINS (1938-1998), American artist, composer, poet, publisher, printmaker, co-founder of Fluxus and theorist of the concept "Intermedia" (describing various inter-disciplinary art activities that occurred between genres in the 1960s), all to JAN VAN TOORN (b.1953), founder of Slowscan Records/ Editions, an independent label dedicated to publishing audiovisual art in small editions. The letters i.a. deal with health, income, publications, recordings, contacts, activities etc.
"(...) These are very anti-intellectual times, times in which money is equated with quality but expertise is very rare (in spite of all the fancy degrees of the Herr Doktors) -- right? (...). Charlie Morrow made a splendid recording of Filliou reading his WHISPERED HISTORY OF ART. I have a cassette but Charlie has the master tapes; perhaps you shoud consider including it? I called Charlie Morrow (...) and he promised he would look for the WHISPERED HISTORY OF ART, but it is in a box somewhere, -- that is the trouble when artists have archives: the archiver can never be the artist's priority. (...) As for the STACKED DECK, it was the first opera with an electronic score, so far as I know. But after Maxfield's death I was unable to find any reasonably good tapes of it; so finally I gave up and Pauline Oliveros made a new score, which we are now trying to get performed again (it was done once in Los Angeles in late 1981) (...)" [30/11/1989]. "(...) Right now I'm finishing a residence in Canada. Here I've finished typesetting & designing a rather large book by Giordano Bruno (425 pages), has almost finished a graphic work - a BESTIARY - and am working on a hörspiel, STORM RIDERS. Keeping quite busy so I don't worry too much about silly things (how to pay the fuel bill when I get home) etc. (...)" [06/11/1990]. "(...) Please don't send me an International Money Order -- it only enriches the banks (and they benefit from the war). And I'd hate to take money from a fellow artist/artworker -- you need it for your publishing -- especially since you, like me, have to hold a factory job, etc. (...)" [09/02/1991]. "(...) Oh, that is wonderful that Shiomi is with you -- she is a very fine fluxartist. Be sure that Kuniharu Akiyama hears about your CD, since he is the main critic in Japan for Fluxus, was a friend of Maciunas, etc. (...)" [31/10/1991]. "(...) Allison and I are fresh back from a Fluxconcert at Santa Barbara where they did my Twenty Six Mountains for Viewing the Sunset From. The piece went very well, in spite of horrendous problems. (...) Next big thing is an orchestral performance in November - biggest ensemble I have ever had: a hundred voice chorus, forty strings and tubular bells. It's called Saint Columba, which is the name of a favorable old hymn. It starts in chaos, and gradually the parts of a traditional-type harmonization are heard until, at the end the hymn is heard clearly. Maybe some things are like that as we figure them out (...)" [18/10/1994]. SEE ILLUSTRATION PLATE V.
- Folder foxed and sl. soiled. = Kalejdoskop 3. Rare.
- Stained from the proces of oxidation: the plate was entirely covered w. rust, but inevitably the rust has started to come off, leaving empty spaces.
= "(...) Jürgen Freund hat jede einzelne Buchseite[sic] mit Rost belegt, indem er Eisenspëne und Salzsäure zusammengebracht hat. Diesen Oxidationsvorgang kann er jedoch nicht beeinflussen, daher entsteht Seite für Seite ein unverwechselbare Bildfläche. Der aufgeklappte Buch- bz. Bildbogen besteht somit aus verschiedenen Rostfeldern; ein Feld erhält einen farblichen Kontrast (...)" (introd.).
Rätz, M. &u.& +&. Text by R. Geissbühler. Bern, Kunsthalle, 1977, (1),LXVI,(1),(9 advert)lvs., ills. by MARKUS RÄTZ, orig. wr. - AND 4 others, i.a. C. ANDRE, (Tischläufer) (fold. table cloth, 400x16 cm., exhibit. cat. Mönchengladbach, 1968. Lacks the textleaf; plastic lid of orig. box dam.) and M.-L. PLESSEN and D. SPOERRI, Heilrituale an bretonischen Quellen (Casti, n.d. (1980), ills., printed in 3000 numb. copies,signed by both authors, orig. cl.).
= With SIGNED dedication by the artist in blue pen on htitle.
Jan van Munster. Amersf., Amersfoortse Culterele Raad, 1992, tipped-in col. plates, printed in 400 numb. copies, orig. wr. w. pyrography.
= SIGNED by the artist on colophon and with his atelier stamp on back wr.
AND 9 others, incl. a few signed by the artist, i.a. by BEN AKKERMAN, JAN DIBBETS and FRANCISCO ZUÑIGA.
- Trifle foxed. Spines sl. discol.; rubbed along extremities; spine-ends sl. worn.
Macquoid, P. A History of English furniture. London, Lawrence & Bullen, 1905/ 1908, 2 (of 4) vols., chromolithogr. plates, num. ills., contemp. hvellum/ orig. gilt cl., t.e.g., folio.
- Sl. foxed/ browned. Covers sl. soiled.
= Arntzen/ Rainwater P186. II. The Age of Walnut; IV. The Age of Satinwood.
AND 3 others.
- Owner's entry on first free endpaper. Fine copy. = Co-founder of Tecno. Rare monograph.
AND 11 others, mostly sales catalogues by Tecno, i.a. Disegni (Milan, 1993, full-p. (col.) ills.); Sistema Graphis (n.pl. (Milan), n.d., (full-p.) (double-p.) (fold.) col. ills.); Collezione ABV (Milan, 1991, (double-p.) (col.) ills., orig. boards) and Seating by design (n.p. (Milano), 1984, double-p. ills.).
- Both vols. sl. foxed; second vol. lower hinge weak. Covers sl. soiled/ discol.
Litchfield, F. Illustrated History of Furniture From the Earliest to the Present Time. Ibid., Truslove and Hanson, 1907, 6th ed., 358p., col. frontisp., num. (full-p.) ills., orig. gilt red cl., large 8vo.
- Trifle foxed (mostly endpapers); upper hinge weak. Spine-ends sl. rubbed.
- Vol. I two lvs. loose; endpaper sl. browned. Bindings sl. (dust)stained; dustwrappers dam.
= Arntzen/ Rainwater P187. The second and best edition.
- Middle-fold; some marginal tears/ creases. = SEE ILLUSTRATION PLATE VI.
AND 5 other similar drawings attributed to/ after the same, all designs for tubular chairs, i.a. "Stoel Villa Allegonda Katwijk 1927 J.J.P. Oud. Nieuwe opmeting juni 1978".
= Provenance: the collection of Betty van Garrel and Jan van Geest.
- A few sm. stains on frontcover, backstrip sunned. Internally fine.
= Arntzen/ Rainwater P163, the best edition.
Ysselsteyn, G.T. van. Geschiedenis der tapijtweverijen in de Noordelijke Nederlanden. Leyden, Leidsche Uitgeversmaatschappij, 1936, 2 vols., X,314,(2); XIII,(1),554p., 198 ills. on plates, orig. unif. giltlettered cl., 4to.
- Fine. = Extensive work. With summary in English.
Sluyterman, K. Oude binnenhuizen in Nederland. The Hague, 1907, (4),21,(3)textp., 100 photogr. plates, loose as issued in orig. cl. portfolio w. ties, folio. Idem. Alte Innenräume in Belgien. Leipsic, K.W. Hiersemann, 1913, (4),32textp., 100 photogr. plates, loose as issued in orig. cl. portfolio w. ties, folio.
- First quire foxed.