= With texts by i.a. Samuel Beckett, Paul Celan, Jean-Paul Sartre a.o
AND 2 others, i.a. M.-P. FOUCHET, Wilfredo Lam (Barcelona, 1989, 2nd ed., num. ills., orig. cl. w. dustwr., 4to).
- Dustwrapper torn/ creased along edges; spine ends bumped. Contents fine.
Ehmann, A. (ed.). Anselm Kiefer. Maria durch das Dornwald ging. Salzburg, Galerie Thaddaeus Ropac, 2008, 129,(7)p., (full-p.) (double-p.) (col.) ills., orig. boards w. dustwr., large 4to.
- Boards sl. sunned along lower edges. Contents fine.
AND 9 others on the same, i.a. M. CACCIARI and G. CELANT, Anselm Kiefer (Milan, 1997, num. ills., pict. wr., 4to).
= From the library of ARMANDO.
- Frontwr. w. unobtrusive scratch and w. sm. fold in upper corner.
= One of 27 numb . copies of the DELUXE edition, SIGNED by both artists, marked "Isis" and "19/27" in thick black marker on htitle, in orig. board box w. mounted and numb. title label on lid, together w. a loosely inserted paper cross (30x21 cm.) titled "Seelensaal am Hain" in black marker on recto and "19/27" in blue ballpoint on verso and w. loosely inserted original photograph (17,5x25 cm.), verso w. stamp "EK" and numb. "19/27" in pencil. SEE ILLUSTRATION PLATE VIII.
= Lemmens/ Stommels 1985-09 and 1986-04. Rare periodical of the artist collective Knust, who now are renowned for their stencil art. Knust was an initiative of Jan Dirk de Wilde and were a group of artists, squatters and anarchists connected through the Westland squatters building in Nijmegen.
- Occas. sl. foxed, mainly vol. II.
- Fine. = Vol. V of the catalogues raisonnés.
- Fine.
= "Circle, square, triangle, rectangle, trapezoid and parallelogram in red, yellow and blue, on red, yellow and blue"
- Vague stain on front- and backcover along joints. = Braches 1046.
- Covers rubbed along extremities and backcover a few scratches. Paint on 2 coats of arms on frontcover partly rubbed away. Good copy.
= Braches 1056.
- First few lvs. loose(ning); title w. pencil underlinings.
= With manscript dedication to Armando by Tony [Swaanswijk], Lucebert's widow.
Lucebert. Verzamelde gedichten. Amst., De Bezige Bij, 2002, 912p., ills., orig. wr., slipcase. Idem. Van de maltentige losbol. Ibid., idem, 1994, 1st ed., 134,(9)p., full-p. col. ills., orig. wr., 4to.
= In slipcase together with the booklet "Op bezoek bij Lucebert" by J.C. JENSEN and K. SZÉKESSY (col. ills., orig. wr., obl. 4to).
AND 3 others by the same, i.a. Ernten im Irrgarten. German transl. R. Still (Münster, 1990, ills., orig. boards, 4to).
- First vol. bookplate on upper pastedown; hinges weak; 2nd vol. owner's dedication on htitle. Covers sl. soiled.
= Arntzen/ Rainwater C27.
- Spine of portfolio partly worn/ dam.
= Incl. lithographs by i.a. F. Everbag, H. van der Pol, K. Heynsius, H. Krop, C.J. Maks, G. Rueter, H. Luns, H. IJkelenstam and J. Sluijters.
AND 1 other.
- Page 2 w. stamp of the Nederlandse Informele Groep. Sl. surface dam. to lower edge of frontwr.
= Rare early catalogue of the artist's first exhibition of multiples at his own Azimut gallery. SEE ILLUSTRATION PLATE VIII.
- Two prints sl. yellowed/ foxed. Slipcase sl. worn.
= This suite was produced for the deluxe edition of the catalog for the exhibition of the artist at Stedelijk Museum Amsterdam, Museum Wiesbaden, Westfälisches Museum für Kunst und Kulturgeschichte, Münster and Musée d'Art Moderne de la Ville de Paris, 1991/1992. SEE ILLUSTRATION PLATE IX.
- Owner's entry of first free endpaper. Binding stained. Inside fine.
- Fore-egde margin of bookblock sl. foxed (very sl. affecting outer edge of some of the lithographs). Spine-ends and joints rubbed/ sl. worn.
= Verve. Revue artistique et littéraire, vol.IX, no.35/ 36. SEE ILLUSTRATION PLATE IX.
- Title-p. trifle foxed. A fine copy.
= One of 300 numb. DELUXE copies, bound in orig. giltlettered vellum portfolio w. bone clasps and vellum catches and with brown silk folding flaps, kept in (worn/ dam.) orig. board box.
= SIGNED by the author on title-p.
WITH: Hughes, N. The Paintings of the Bay of Natal. A Selection of Works dating from 1845 to 1982. Ibid., idem, 2001, 196p., col. ills., printed in 1000 numb. copies, orig. cl. w. dustwr., t.e.g., obl. 4to.
= With AUTOGRAPH SIGNED DEDICATION on title-p.
= Cramer 34.
AND 3 other issues on the same: no. 29/30, 139/140 and 151/152 (ibid., 1950-1965, 3 vols., col. ills., orig. not unif. wr., folio).
= Cramer 83.
Derrière le Miroir, no. 203. Ibid., idem, 1973, 22,(2)p., 3 double-p. col. lithographs (incl. wr.) by J. MIRÓ, folio (fine).
= Cramer 167.
AND 2 other issues on the same: no.14/15 and 169 (ibid., 1948/ 1967, col. ills., orig. wr., folio).
= Cramer 167.
AND 3 other issues on the same: no.14/15, 29/30 and 169 (Paris, 1948/ 1950/ 1967, 3 vols., 1 double-p. col. lithograph, (col.) ills., orig. (not unif.) col. wr. by J. MIRÓ, folio).
- Htitle sl. foxed. Wrappers sl. foxed and faded along upper margin and backstrip; foot of spine nibbled by silverfish.
= Cramer 168.
- Frontwr. chipped in upper margin; spine-ends of dustwr. sl. chipped and yellowed/ browned.
- Covers loose; dam. along margins; backcover chipped; frontcover w. sharp creases.
= Bauhausbücher 8, ed. W. Gropius and L. Moholy-Nagy. Lang 84; Parr/ Badger p.92: "The book, published in 1925, was immediately successful and highly influential (...). In this theoretical treatise in text and pictures Moholy-Nagy condemns the subjectivity of pictorialism (...), and sets out the framework of what he calls the 'New Vision', featuring his own work and that of others". SEE ILLUSTRATION PLATE IX.
- Fine.
- Closed tear in backwr. of vol.1.
= Aetas Aurea XXII. Catalogue raisonné of the paintings and drawings.
= The standard monograph.
- Dustwr. worn. = The standard monograph.
- Occas. sl. foxed.
Illustrierter Katalog der IX. internationalen Kunstausstellung im Kgl. Glaspalast zu München 1909. Ibid., Verlag des Zentralkomitees der X. Internationalen Kunstausstellung, 1909, "provisorische Ausgabe", XXIV,218,(8),41(advert.)p., 1 double-p. plan, frontisp. and 64 full-p. ills., orig. pict. wr. sm. 8vo.
- Foxed; 1 quire loose.
Courthion, P. Soutine. Peintre du déchirant. Lausanne, Edita S.A. and P. Courthion, 1972, 298,(1)p., num. ills., orig. gilt cl. w. (dam. and discol.) dustwr., folio. - AND 7 others, all richly illustrated, i.a. D.D. DUNCAN, Picasso und Jaqueline (Stutt., 1988, orig. gilt and blindst. cl. w. (dam.) dustwr., folio); COULEURS DES MAITRES. PICASSO (Paris, 1946, orig. cl., 4to, from the library of ARMANDO w. his owner's entry on title-p.) and K. GALLWITZ, Picasso Laureatus. Die späten Jahre 1945-1973 (Munich/ Lucern, 1985, orig. boards w. dustwr.).
- Sl. yellowed along margins.
- Leather dried and sl. deteriorated as usual. = Standard work.
- Dustwr. trifle rubbed; slipcase rubbed.
- (Sl.) foxed; weak hinges; without the errata leaf. Covers soiled; spine-ends dam.; edges wr. frayed.
= The rare exhibition catalogue of the important and legendary exhibition at the Theatre Pigalle in Paris, organized by Pierre Loeb, Charles Ratton and Tristan Tzara. With 425 pieces from the collections of i.a. Georges Braque, Louis Carré, André Derain, Félix Fénéon, Paul Guillaume, Joan Miró, Pablo Picasso, G. de Miré, Tristan Tzara, Charles Ratton, J. Lipchitz and Anfré Lhote. From the library of the Dutch artist Dirk Filarski with his owner's entry (dated March 14, 1930!) on first free endpaper.