80 5840 Koekkoek Barend Cornelis 1803 1862

= Fine delicate drawing. Provenance: the collection of A.M. van den Broek, w. his collector's stamp on verso.

80 5841 Koekkoek Barend Cornelis 1803 1862

= Provenance: the collection of A.M. van den Broek, w. his collector's stamp on verso.

80 5842 Koekkoek Barend Cornelis 1803 1862 attrib

80 5842 Koekkoek Barend Cornelis 1803 1862 attrib

- Both drawings trimmed to the outer framing line; the 2nd drawing on 3 attached pieces of paper.

= Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.

80 5843 Koop Daniel late 18th cent

- Surface sl. nibbled by silverfish near left edge; closed tear in image in upper edge.

= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.

80 5844 Koster Anthonie Louis 1859 1937

80 5844 Koster Anthonie Louis 1859 1937

80 5844 Koster Anthonie Louis 1859 1937

80 5844 Koster Anthonie Louis 1859 1937

80 5844 Koster Anthonie Louis 1859 1937

80 5844 Koster Anthonie Louis 1859 1937

= Provenance: the collection A.M. van den Broek, each w. his collector's stamp on verso.

80 5845 Koster Everhardus 1817 1892

- A few foxed spots. = Provenance: the collection of A.M. van den Broek.

80 5846 Koster Everhardus 1817 1892

- A few foxed spots.

= Provenance: the collection of A.M. van den Broek, w. his collector's stamp on verso.

80 5847 Laan Adolf van der 1684 ±1755

- Neatly restored in upper right corner; extended margins. = SEE ILLUSTRATION PLATE LXXXIII.

- Varnish yellowed; worn spots/ sm. scratches along edges.

= View of the alley nowadays called Achter de Kerk towards the small gate in one of the buttresses. The original design drawing is in the Rijksmuseum (RP-T-1900-A-4438). Lamberts changed the design slightly. The buttress on the left was probably added for the sake of the composition.

80 5850 Lamberts Gerrit 1776 1850 after

- Lower left corner bunmped/ restored; trimmed to the framing line.

= The original drawing is in the Rijksmuseum (RP-T-FM-80). Provenance: the collection A.M. van den Broek, with his collector's mark on verso.

80 5851 Langendijk Dirk 1748 1805 attrib

80 5851 Langendijk Dirk 1748 1805 attrib

= From the collection of the artist Francina Schot (1816-1894).

80 5853 Liender Paulus van 1731 1797

= SEE ILLUSTRATION PLATE LXXXIV.

80 5855 Liender Paulus van 1731 1797 attrib

80 5855 Liender Paulus van 1731 1797 attrib

80 5855 Liender Paulus van 1731 1797 attrib

= Provenance: the collection A.M. van den Broek.

80 5856 Liender Paulus van 1731 1797 attrib

- Drawing trimmed to the framing line; very vague oblique fold.

= Provenance: the collection A.M. van den Broek, with his collector's marks and attribution on verso. Previously attributed to Jan de Beijer.

80 5857 Liender Pieter Jan van 1727 1779 attrib

- Drawing trimmed to the outer framing line; a few foxed spots; trifle yellowed.

= In the early 18th century, the church was restored at the expense of Paulus Loot, master craftsman of Zandvoort. In 1728 he had the burial chapel built for his family, which is clearly visible in this drawing. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.

80 5858 Liender Pieter Jan van 1727 1779 attrib

- Drawing trimmed to the framing line.

= On paper with a fleur-de-lis watermark. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.

80 5859 Loo Pieter van 1731 1784

- Laid down along upper margin on contemp. laid paper mount (w. drawn frame).

= On paper w. a part of a "Pro Patria"(?) watermark. Provenance: the collection A.M. van den Broek, with his collector's mark on verso.

80 5860 Loo Pieter van 1731 1784

- Drawing trimmed to the framing line.

= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.

80 5861 Loo Pieter van 1731 1784

- Doubled, causing signature to be vaguely visible; drawing trimmed to the framing line.

= On laid paper with a watermark by "D. & C. Blauw". Sold with incorrect attribution to Paul van Liender at auction: Mak van Waay, 14-01-1974 (lot 1056). Provenance: the collection A.M. van den Broek, with his annots. and the collector's mark of Hans van Leeuwen on verso (Lugt 2799a).

80 5862 Loo Pieter van 1731 1784

- Drawing trimmed to the framing line.

= On paper w. the crowned part of a "Pro Patria"(?) watermark. Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE LXXXV.

80 5863 Loo Pieter van 1731 1784 school of

= On laid paper with a watermark showing "...ledary". Provenance: the collection A.M. van den Broek, with his collector's mark on verso.

80 5864 Looij I Pieter van 1823 1885

= Splendid allegorical drawing serving as a "souvenir" for the exhibition taking place from 24 June to 11 August, 1861. Showing an honorary arch incorporating "Souvenir", allegorical scenes, 12 coats of arms of the Dutch provinces and 2 larger coats of arms of Haarlem and The Netherlands. Under the arch a view of the exhibition space visible, with i.a. a statue of Laurens Janszoon Coster and many visiting people. Provenance: the colleciton A.M. van den Broek. SEE ILLUSTRATION PLATE LXXXII.

80 5865 Loon Pieter van 1801 1873

- Trifle yellowed.

80 5866 Looy Jacobus van 1855 1930

80 5866 Looy Jacobus van 1855 1930

= With AUTOGRAPH SIGNED POEM in pen and ink by A. Roland Holst on passepartout below: "*Ik zal de halmen niet meer zien,/ noch binden ooit de volle schoven/ maar doe mij in den oogst gelooven/ waarvoor ik dien." From his poem "De ploeger", first published in Voorbij de wegen (1920). Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE LXXXVI.

80 5869 Luiken Caspar 1672 1708

80 5869 Luiken Caspar 1672 1708

80 5869 Luiken Caspar 1672 1708

80 5869 Luiken Caspar 1672 1708

80 5869 Luiken Caspar 1672 1708

= With the engravings after the drawings from Historiae Celebriores Veteris Testamenti (Neurenberg, Christoph WEIGEL, 1708). Sold at auction Mak, Amsterdam, January 1941 (lot 866). With a blindstamped collector's mark "PL" (intertwined) on manuscript annotation on mount, not found in Lugt. SEE ILLUSTRATION PLATE LXXXVI.

80 5870 Lutgers Petrus Josephus 1808 1874

= Provenance: the collection A.M. van den Broek, w. his collector's stamp on verso.

80 5871 Maaten Jacob Jan van der 1820 1879

- A few small stains on verso shining through on recto; one closed tear.

80 5872 Maes Dirk 1659 1717

- Sl. foxed/ duststained. = SEE ILLUSTRATION PLATE LXXXVII.

= Attribution in contemp. hand in pencil on verso. Attractive scene.

80 5874 Matham Jacob 1571 1631

- Some parts worn away; waterstain in lower part along lower edge; somewhat soiled.

= With an annotation on recto mount: "Lord Hampden's Collection" and on verso "Coll Sir John (...?)". SEE ILLUSTRATION PLATE LXXXVII.

80 5875 Mauton M 19th cent

80 5875 Mauton M 19th cent

80 5875 Mauton M 19th cent

80 5875 Mauton M 19th cent

80 5875 Mauton M 19th cent

80 5875 Mauton M 19th cent

80 5875 Mauton M 19th cent

- One gouache w. sm. specks. All others fine.

= Views of "Napoli dal Carmine", "Napoli da Mare" (w. eruption in the background), "Albergo della Vittoria", "Isola di Nisita", "Isola di Procida", "Isola d'Ischia", "Isola di Capri". From the collection of the artist Francina Schot (1816-1894). SEE ILLUSTRATION PLATE LXXXVIII.

80 5876 Mauve Anton 1838 1888

- Laid down on board; yellowed; lacks sm. portion from blank lower right corner. Mount w. remants of former passepartout.

80 5877 Mertens Johannes Cornelis 1742 1823

- A few foxed spots.

= With a mounted 19th century annotation on passepartout with information on this drawing: "NB men berigt dat den heer van Citters deze tekening duyzent guldens gekost heeft. Het is een wonder van uytvoering". Provenance: present owner, Hans van Leeuwen (1911-2010) with his collector's mark on verso (Lugt 2799a), art gallery Deirkauf (Utrecht), sold in 1968; collection van Citters (probably Willem Arnoud Kien van Citters, 1756-1794).

80 5878 Mesdag Hendrik Willem 1831 1915

80 5878 Mesdag Hendrik Willem 1831 1915

80 5878 Mesdag Hendrik Willem 1831 1915

- With upper part of a collector's(?) monogram stamp in lower blank margin (the lower part of the stamp is supplied on verso of the frame); together the monogram reads as "SM" within a circle (not found in Lugt).

= SEE ILLUSTRATION PLATE LXXXVI.

80 5879 Mieris Willem van 1662 1747

= SEE ILLUSTRATION PLATE LXXXVIII.

80 5880 Milatz Franciscus Andreas 1764 1808

= Provenance: the collection A.M. van den Broek, with his annots. on verso. SEE ILLUSTRATION PLATE LXXXIX.

80 5881 Milatz Franciscus Andreas 1764 1808

80 5881 Milatz Franciscus Andreas 1764 1808

= Provenance: the collection A.M. van den Broek, both with his annots. on verso.

80 5882 Milatz Franciscus Andreas 1764 1808

= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.

80 5883 Moesman Johannes 1859 1937

- Sm. section of upper right corner torn.

80 5884 Monogrammist 'C v G ' late 17th cent

- Some soiling/ foxing.

= On laid paper with the watermark of the French papermaker Claude de George and the Dutch paper merchant Gillis van Hoven (sign of the Seven Provinces (rampant lion holding arrows within double circle) and the monogram "GVH" )(cf. Laurentius, Watermarks 784), dated late 17th century.

80 5885 Monogrammist 'J D G' 18th cent

- Trimmed just outside the framing line.

= Cartouche reading: "Pieter Mathijs zijn knegt genaamd Niebert Adriaensz heeft deze [illegible] Haerlem in Z. Sparend. 23 December Ao 1610". Provenance: the collection A.M. van den Broek, with his collector's mark on verso.

80 5886 Muller Jan Harmensz 1571 1628 after

- Cut on/ just within the drawn borderline; a few tiny holes and sm. tears in the image; some marginal tears affecting the image; part of paper strengthened in left edge; some vague stains.

= Provenance: Van der Willigen auction (1829). Cf. New Hollstein 92, 2nd state of 3.

- With various parts retouched or repainted and probably revarnished (w. craquelure). In need of some restoration.

= A good late 17th or 18th century copy in almost the same dimensions as the original in the Staatliche Sammlungen Dresden.

80 5889 Netscher Caspar 1639 1684 style/ surroundings of

= With the collector's mark of the French artist and collector Jean Gigoux (1806-1894) on recto. With an attribution to Caspar Netscher "Gasp. Netscher del." in pencil on verso. With annotation "Mestres Laene" (?) in brush and ink and in different smaller hand "Mestres (...) Laene" in black pen and ink on verso. The covering of the crown is an allusion to aiding king Charles II to escape after the battle of Worcester in 1651. His companion, Lord Henry Wilmot, was at nearby Bentley Hall, the home of Jane's brother, Colonel John Lane. Jane had obtained a travel pass to visit a pregnant family member in Bristol. Charles accompanied her disguised as her manservant. They eventually reached the coast at Trent, where Charles set sail for France. She fled to France later that year after her part in the escape was discovered, joining the Court in exile. She returned to England after the Restoration. The drawing is very similar to the (mirrored) portrait in the National Portrait Gallery by an anonymous artist showing her also covering the crown with a veil, although there are also various small differences, especially in the background. There is also a portrait of her with very similar features in the collection of Moseley Old Hall, Staffordshire (National Trust Collection). Charles II did invite Caspar Netscher to England, but it is uncertain whether Netscher ever went. SEE ILLUSTRATION PLATE LXXXIX.