80 5890 Niwael Jan Rutgersz van 1595 1674 
- Various small repairs and repainted areas, most noticable along the lower edge; revarnished (prob. in the 19th cent.), w. craquelure, causing tiny spots of paint to blister off.
= Provenance: the baronial family Van Hackfort tot Terhorst (residing at castle Ter Horst in Loenen, near Apeldoorn). The last member of this family, Maria Eugenia Antonia Olivia Victoria barones Hackfort tot Ter Horst (1854-1939), married a baron van Wijnbergen and eventually sold the castle and took the painting to their new residence in Arnhem. One of her daughters (in Amsterdam) inherited the painting and after she died, a cousin or nephew in Voorhout. On the prominent Persian carpet in the centre covering the table in front of the Holy Virgin, cf. O. YDEMA, Carpets and their datings in Netherlandish Paintings (Zutphen, 1991), p.185, no.800 (showing this painting). SEE ILLUSTRATION PLATE XC.
80 5891 Noorde Cornelis van 1731 1795 
- Trifle foxed.
= On paper with watermark of a coat of arms with a central double bend. From the collection of A.M. van den Broek, with his collector's mark on verso.
80 5892 Noorde Cornelis van 1731 1795 
- Slightly foxed.
= From the collection of A.M. van den Broek, with his collector's mark on verso.
80 5893 Noorde Cornelis van 1731 1795 
- Fine.
= Showing the entrance to country estate De Rijp on the left and in the background the Voorbuurt in Bloemendaal. From the collection of A.M. van den Broek, with his collector's mark on verso.
80 5894 Noorde Cornelis van 1731 1795 
- Small fold in lower left corner in the border.
= On paper with a large "Pro Patria" watermark. From the collection of A.M. van den Broek, with his manuscript collector's annot. on verso.
80 5895 Noorde Cornelis van 1731 1795 
- Trimmed 2 mm. outside the framing line; very fine.
= On laid paper with a watermark reading "D. & G. Blauw". Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE XC.
80 5896 Noorde Cornelis van 1731 1795 after 
- Laid down on modern paper mount.
= After a drawing and engraving by C. VAN NOORDE with this title. Conform cat. Harlemia Illustrata 586. On paper with a fleur-de-lis watermark. Provenance: the collection A.M. van den Broek with his collector's mark on verso mount.
80 5897 Oberman Anthony 1781 1845 
- Slightly faded.
80 5898 Oltmans Alexander 1814 1853 
80 5898 Oltmans Alexander 1814 1853 
80 5898 Oltmans Alexander 1814 1853 
80 5898 Oltmans Alexander 1814 1853 
80 5898 Oltmans Alexander 1814 1853 
= Provenance: the collection A.M. van den Broek, all with his collector's mark on verso.
80 5899 Overbeek Leendert 1752 1815 after 
80 5899 Overbeek Leendert 1752 1815 after 
- Drawing trimmed to the framing line.
= After the engraved view by Overbeek with this title, from the series of 6 landscapes in the neighbourhood of Haarlem. Cat. Harlemia Illustrata 684-686
AND a similar drawing by an unidentified draughtsman (late 18th cent, on laid paper w. a large crowned watermark with a fleur-de-lis).
= Provenance: the collection A.M. van den Broek, both with his collector's mark on verso.
80 5900 Pannebakker Jan 1755 ±1830 
80 5900 Pannebakker Jan 1755 ±1830 
= Provenance: the collection A.M. van den Broek, both with his collector's mark on verso.
80 5901 Pannebakker Jan 1755 ±1830 
80 5901 Pannebakker Jan 1755 ±1830 
80 5901 Pannebakker Jan 1755 ±1830 
80 5901 Pannebakker Jan 1755 ±1830 
- Both drawings trimmed to the framing line
AND 2 similar by the same, showing the breakdown of the Zijlklooster and a view of the Popelingstraat.
= Provenance: the collection A.M. van den Broek, with his collector's marks and annotation on verso.
80 5902 Pannebakker Jan 1755 ±1830 attrib 
80 5902 Pannebakker Jan 1755 ±1830 attrib 
- Both drawings trimmed to the framing line.
= Provenance: the collection A.M. van den Broek, both with his collector's mark on verso.
80 5903 Picart Bernard 1673 1733 
- A few vague soiled spots; vaguely waterstained in margins.
= On paper with watermark of double-headed eagle with crown.
80 5904 Picart Bernard 1673 1733 attrib 
- A few (partly closed) tears in right margin; sm. portion of upper right corner lacking and upper right corner sl. creased; sl. duststained in lower right corner.
= On paper with fleur-de-lys watermark.
80 5905 Poussin Nicolas 1594 1665 after 
= On 17th/ 18th century laid paper.
80 5906 Praetorius Marie Louisa 1821 1850 
80 5906 Praetorius Marie Louisa 1821 1850 
80 5906 Praetorius Marie Louisa 1821 1850 
80 5906 Praetorius Marie Louisa 1821 1850 
= Daughter of the artist Pieter Praetorius (1791-1876).
80 5907 Praetorius Marie Louisa 1821 1850 
80 5907 Praetorius Marie Louisa 1821 1850 
- A few tiny foxed spots.
Idem. (Study of poppies). Watercolour, 23,5x19,2 cm. (partly sl. foxed). - AND 1 similar watercolour by the same of a poppy, runnerbean and honeysuckle.
= Daughter of the artist Pieter Praetorius (1791-1876).
80 5908 Praetorius Pieter 1791 1876 
80 5909 Praetorius Pieter 1791 1876 
80 5909 Praetorius Pieter 1791 1876 
- Yellowed/ sl. browned. = Drawing in the style of Egbert van Drielst.
80 5910 Praetorius Pieter 1791 1876 
80 5911 Praetorius Pieter 1791 1876 
= Drawing after an earlier study by Praetorius made in 1818.
80 5912 Praetorius Pieter 1791 1876 
- Scratch in centre and a few smaller ones and worn spots along the edges (caused by a former frame).
80 5913 Praetorius Pieter 1791 1876 
80 5914 Praetorius Pieter 1791 1876 
- Small foxed spot. Left margin laid down on mount.
80 5915 Praetorius Pieter 1791 1876 
80 5916 Praetorius Pieter 1791 1876 
= The Amsterdam city archive holds a drawing by the artist with the same view. SEE ILLUSTRATION PLATE LXXXIX.
80 5917 Praetorius Pieter 1791 1876 
80 5918 Praetorius Pieter 1791 1876 
80 5919 Praetorius Pieter 1791 1876 
80 5920 Praetorius Pieter 1791 1876 
- In need of cleaning and new varnish.
80 5921 Prins Johannes Huibert 1756 1806 
- Sl. yellowed, but fine.
= Verso frame w. printed label of Paul Brandt Ventes Publiques and w. pencil annot. "Collectie Schimmelpenninck van Duyvenvoorde". SEE ILLUSTRATION PLATE XCI.
80 5922 Professions Anonymous early 19th cent 
80 5922 Professions Anonymous early 19th cent 
80 5922 Professions Anonymous early 19th cent 
- Numbering on verso not succesive.
= Almost all showing people engaged in their profession or activity, i.a. a bird catcher, a washer woman, elderly lady reading, a resting huntsman, a resting lumberjack with his dog, a garderner, a poultry seller seated on a bridge with a church tower in the background and a seated huntsman. SEE ILLUSTRATION PLATE XCI.
80 5923 Pronk Cornelis 1691 1759 
= Pronk drew a watercolour of the same composition, dated 1701, with some small different details (in the collection of the Rijksmuseum). SEE ILLUSTRATION PLATE XCII.
80 5924 Pronk Cornelis 1691 1759 
- A few foxed spots.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
80 5925 Pronk Cornelis 1691 1759 
- Drawing trimmed to the framing line; small closed tear in lower left corner, touching the signature; trifle yellowed.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE XCII.
80 5926 Pronk Cornelis 1691 1759 
80 5926 Pronk Cornelis 1691 1759 
80 5926 Pronk Cornelis 1691 1759 
- Drawing trimmed to the framing line; a few foxed spots.
= A splendid preparatory drawing for the engraving by Cornelis Pronk. Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE XCI.
AND 2 others, i.a. an etching by Abraham RADEMAKER after the drawing by Cornelis PRONK.
80 5927 Pronk Cornelis 1691 1759 
- Drawing trimmed to the outer framing line.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE XCIII.
80 5928 Pronk Cornelis 1691 1759 
- A few foxed spots; unobtrusive fold on lower framing line.
= Provenance: the collection A.M. van den Broek, with his collector's mark and the collector's mark of H. Lempertz sr. (Lugt 1337) on verso.
80 5929 Rademaker Abraham 1675 1735 after? 
- Drawing trimmed to the framing line; partly laid down on mount; a few foxed spots; trifle yellowed.
= Probably after the print in Kabinet van Nederlandsche en Kleefsche outheden (1727-1733). Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
80 5930 Rademaker Abraham 1675 1735 style of 
= Possibly after prints in A. Rademaker, Kabinet van Nederlandsche Outheden en Gezichten (±1730). Sold at auction: Van Stockum in November 1925, lot 809. Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso.
80 5931 Rassenfosse Armand 1862 1934 
80 5931 Rassenfosse Armand 1862 1934 
80 5932 Ravenzwaay Jan van 1789 1869 
80 5932 Ravenzwaay Jan van 1789 1869 
- Traces of former tipping-in on verso.
Idem (attrib.). (Small farmhouse on a lake with resting cows near a small wood). Drawing, pen and brown ink and watercolour, 11,3x19 cm., within framing line in pen and brown ink.
80 5933 Rietschoof Hendrik 1687 1746 
80 5933 Rietschoof Hendrik 1687 1746 
= SEE ILLUSTRATION PLATE XCIII.
80 5934 Robertson Suze 1855 1922 
80 5935 Rochussen Charles 1814 1894 
- Drawing trimmed to the framing line; some offsetting from forming mount(?).
= On wove paper with part of a watermark "C& (...)" (probably by Honig). Provenance: the collection A.M. van den Broek, w. his collector's stamp on verso.
80 5936 Rochussen Henri 1812 1894 
80 5937 Roelofs Willem 1822 1897 
80 5937 Roelofs Willem 1822 1897 
80 5937 Roelofs Willem 1822 1897 
80 5938 Rousseau H 19th cent 
80 5938 Rousseau H 19th cent 
- Laid down on stiff paper mounts. Both w. pencil annot. "Dequisitie IISG nov.2016" on verso mount.
80 5939 Royer Henri Paul 1869 1938 