- Both w. ample margins; trifle yellowed.
= Provenance: the collection A.M. van den Broek, both with his collector's mark on verso.
- Some small restorations and vague foxing.
= On fine thin 17th cent. laid paper, verso w. contemp. annot., i.a. "Gilles Sadeler" and w. collector's mark of Jacob de Vos Jacobszoon (1803-1882) (Lugt 1450). Cf. Hollstein 332, listing the engraving Spranger, Bartholomeus, and his wife, Christina Muller. SEE ILLUSTRATION PLATE XCIV.
= SEE ILLUSTRATION PLATE XCIV.
= An attractive scene. SEE ILLUSTRATION PLATE XCIV.
- Drawing trimmed to the framing line; tipped onto mount in upper left corner.
= Provenance: the collection A.M. van den Broek with his collector's mark on verso.
- Faded; sl. browned and heavily foxed.
= SEE ILLUSTRATION PLATE XCV.
- Rubbed spots in upper corners; sl. yellowed; some sl. occas. foxing/ browing, especially along margins.
= SEE ILLUSTRATION PLATE XCV.
- Drawing trimmed to the framing line; fine.
= Earlier sold as a drawing attributed to "J.H. Prins", at auction by Paul Brandt (14-12-1972). Current attribution by Van den Broek. Provenance: the collection A.M. van den Broek, with his annots. on verso. SEE ILLUSTRATION PLATE XCVI.
- Trifle yellowed. = Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- A few foxed spots/ tiny vague stains; nevertheless fine.
AND 2 others (probably) by the same: a detailed pencil drawing of tower mill 'De Adriaan' and a pen drawing of saw mill 'De Liefhebber'.
= Provenance: the collection A.M. van den Broek, all w. his collector's stamp on verso.
= Provenance: the collection A.M. van den Broek, all w. his collector's stamp on verso.
- A few foxed spots.
= One on paper w. part of a crowned watermark. Provenance: the collection A.M. van den Broek, w. his collector's stamp on verso.
- Partly cut short; a few vague folds.
= On laid paper with a watermark showing the coats of arms of Amsterdam (Churchill 64).
AND a smaller similar anonymous drawing.
= Provenance: the collection A.M. van den Broek, both with his collector's mark on verso.
- Colours faded; creased in left margin; a few restored weak spots in paper.
= The watermark strongly resembling Churchill 445 ("Dupuy 17th cent."). Artist and battle unidentified, but one of the Dutch ships has a sun surrounded by rays on its stern The sun on the stern of the Dutch battle-ship De Zon at the battle of Leghorn is not the same as the one on this ship; the flags on the other ships are too faded to identify with any certainty. SEE ILLUSTRATION PLATE XCVI.
- Drawing trimmed to the framing line.
= Provenance: the collection A.M. van den Broek, with his collector's mark and the mark of Hans van Leeuwen (Lugt 2799a) on verso.
- Drawing trimmed to the framing line; trilfe soiled in upper corners.
= On paper with large "Pro Patria" watermark. Provenance: the collection A.M. van den Broek, with his annotations and attribution on verso.
- Drawing trimmed to framing line; vertical fold; doubled.
= Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
- Drawing trimmed to framing line; sm. white paint(?) stain in centre.
= Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
- Both trimmed to the border.
= Showing the Eendjespoort and the mill Spaarn en Wind. One on paper with a part of a large crowned watermark. Provenance: the collection A.M. van den Broek, both with his collector's mark on verso.
- Drawing trimmed to the border; nevertheless fine.
AND 3 (small) 18th cent. pen drawings possibly from the same school, all showing city gates of Haarlem.
= Provenance: the collection A.M. van den Broek, all with his collector's mark and attribution on verso.
- With unobtrusive hairline cracquelure all-over. = SEE ILLUSTRATION PLATE XCVII.
- Fully laid down on mount; yellowed (sl. browned in outer left and right margin).
= Titled and with two captions in pen and ink below on mount.
AND 6 other miscell. pencil drawings and 1 small watercolour, mainly views in Germany, incl. 2 drawings of Bentheim by "Th. Soetens[?]".
- Drawing trimmed to the outer framing line; some vague greyish stains in upper right corner.
= On paper with a large watermark showing the coat of arms of Amsterdam. Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
= Old annot. in pen on verso (by the artist?) reading: "17 1/27 1762 oud 15 Jaar". Despite the fact that this drawing strongly resembles (but is not an exact copy of) the engraving that was printed in H. SPILMAN and C. VAN NOORDE, Aangenaame gezichten in de vermakelyke landsdouwen van Haarlem (...) (which is added to this lot), this was not the orig. model for the engraving. The explanation for the resemblance might be that the young Swertner accompanied Spilman and Van Noorde on their drawing trips in and around Haarlem and drew on the same spot as his two companions. The fact that he added "ad: viv. del. 1762" to his signature also points at the originality of the drawing.
- Somewhat foxed; tipped onto mount in upper left corner.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Both drawings trimmed to the framing line; 1x w. vertical fold.
= Provenance: the collection A.M. van den Broek, both with his collector's mark and 1x w. attibution on verso.
- Drawing trimmed to the outer framing line.
= View of the Wagenweg. Provenance: the collection A.M. van den Broek with his annots. and attibution on verso.
- Trifle dustsoiled. = Unfinished.
- A few neatly closed and unobtrusive small tears in left and right margins.
= SEE ILLUSTRATION PLATE XCVII.
- Both yellowed. = SEE ILLUSTRATION PLATE XCVIII.
- Trifle yellowed/ some fingersoiling.
= SEE ILLUSTRATION PLATE XCVIII.
- Backstrip and spine-ends worn/ dam.; covers scratched and chafed.
= Very accurate copies of contemporary caricatures by i.a. Rodolphe TÖPFFER ("Mr. Oldbuck") and John LEECH (i.a. caricatures from Punch).
- Sl. yellowed; sm. closed tear in lower margin; remnants of former mount on verso.
= Remarkable trompe l'oeil showing, apart from the portrait and 2 leaves from an almanac, as a surprising extra illusion: a deceptively real fly on the central leaf. SEE ILLUSTRATION PLATE XCIX.
- Waterstained and soiled. Sold w.a.f. = Trompe l'oeil with text leaves.
- Trifle duststained in outer margins; tape on verso used for tipping in vaguely visible on recto.
= With (small) collector's stamp "B.P." (Lugt 400C ("non identifiée")) in lower right corner recto. Attributed on verso in 19th cent. hand. SEE ILLUSTRATION PLATE XCIX.
= Drawing after a sketch by Cornelis VAN NOORDE after Reinier VINKELES. See B. Sliggers, Het schetsboek van Cornelis van Noorde (p.94/ 95 and p.102/ 103). On laid paper with a watermark showing "VI". Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Trifle yellowed.
= This drawing published in G.H. Kurtz, Beknopte geschiedenis van Haarlem (p.56, Haarlem, 1946, 3rd. rev. ed.). Drawing and mount w. paper showing large watermark of a crowned fleur-de-lis w. "LVG" or "WR." Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE C.
= SEE ILLUSTRATION PLATE C.
- Sm. (paint?) smudge in blank part.
= Identification of the view (by the artist?) on verso. Showing the Temple of Minerva (?) in the foreground and the skyline of Rome in the far distance.
- Some sl. foxing.
- A few sm. repaired tears in upper blank margin; sm. ink smudge in upper margin; vague brown stain in right part, num. sm. brown specks in margins and on verso.
- Some (vague) foxing.