Page 730 of 740 Results 36451 - 36500 of 36952
80 5990 Vries Emanuel de 1816 1875 80 5990 Vries Emanuel de 1816 1875
80 5990 Vries Emanuel de 1816 1875 80 5990 Vries Emanuel de 1816 1875
80/5990 Vries, Emanuel de (1816-1875). (The two-master S & C Hoop at sea on a sunny and windy day). Oil on canvas, 37x50,5 cm., signed in lower right corner, framed.

= SEE ILLUSTRATION PLATE CI.

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noimage
80/5991 Waldorp, A. (1803-1866). (Ships and vessels on a river). Drawing, pen and grey ink and watercolour, black framing line, 8,8x13,7 cm., signed "A. Waldorp. f." in red wash.

- Signature sl. faded (due to ink?); numb. "630" in contemp. hand on verso. = A fine river view.

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80 5992 Weele Herman van der 1852 1930 80 5992 Weele Herman van der 1852 1930
80/5992 Weele, Herman van der (1852-1930). (A farmer walking with a horse and cart on a dirt road). Oil on panel, 33x49 cm., signed "HJ vd Weele" in lower right corner, framed.
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80 5993 Weele Herman van der 1852 1930  attrib  80 5993 Weele Herman van der 1852 1930 attrib
80/5993 Weele, Herman van der (1852-1930) (attrib.). (A farmer walking beside a horsedrawn cart). Oil on panel, 36x53 cm., framed.
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80 5994 Weissenbruch Jan Hendrik 1824 1903 80 5994 Weissenbruch Jan Hendrik 1824 1903
80 5994 Weissenbruch Jan Hendrik 1824 1903 80 5994 Weissenbruch Jan Hendrik 1824 1903
80/5994 Weissenbruch, Jan Hendrik (1824-1903). (A small river passing under a bridge in a village at dusk). Oil on marouflé, 39x22,5 cm., signed "J.H. Weissenbruch f." in lower left corner, framed.

= SEE ILLUSTRATION PLATE CI.

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80 5995 Wicart Nicolaas 1748 1815 80 5995 Wicart Nicolaas 1748 1815
80/5995 Wicart, Nicolaas (1748-1815). "'t Dorp Gellcom [= Gellicum]". Watercolour, 23x34,8 cm., verso titled in pen and ink by the artist.

= M.W. Heijenga-Klomp, Nicolaas Wicart. Landschapstekenaar en porseleinschilder (2003), p.26. Verso w. printed owner's ticket of A.J. v.d. Poest Clement, Amsterdam, w. ms. annot. "Uit Auctie Frederik Muller & Co, te Amsterdam, 29 Nov: 1893. Catalogus No.863" and w. the orig. catalogue cllipping tipped on.

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80 5996 Wicart Nicolaas 1748 1815 80 5996 Wicart Nicolaas 1748 1815
80/5996 Wicart, Nicolaas (1748-1815). "'t Dorp Lekkerland [= Lekkerkerk] aan de Lek". Drawing, pen/ brush and ink and grey wash, 29,5x43,9 cm., signed "N: Wicart Del." below the image, titled on verso.

- Sl. yellowed.

= M.W. Heijenga-Klomp, Nicolaas Wicart. Landschapstekenaar en porseleinschilder (2003), p.105.

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80 5997 Winter Hendrik de 1717 1790 80 5997 Winter Hendrik de 1717 1790
80/5997 Winter, Hendrik de (1717-1790). (People in front of Brederode castle). Drawing, pen and brush and black ink, grey wash, 10,2x16,2 cm., signed "H. de Winter del: ad viv: 1744"and "'t Huijs Brederode" in pen on verso.

- Yellowed; restored/ closed tears in lower right corner.

= Provenance: the collection of A.M. van den Broek with his collector's mark on verso.

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80 5998 Zocher Jan David 1791 1870 80 5998 Zocher Jan David 1791 1870
80/5998 Zocher, Jan David (1791-1870). (House with neo gothic ornaments on a hill near a river). Drawing, watercolour, pen and black ink, 14,8x24,6 cm., signed "J.D. Zocher" in centre lower margin.

- Very vague unobtrusive waterstain near left edge; otherwise fine.

= Very rare drawing by the famous Dutch architect. Provenance: the estate of the architect and then the collection A.M. van den Broek, w. his collector's stamp on verso. SEE ILLUSTRATION PLATE CII.

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80 5999 Zon Jacques 1872 1932 80 5999 Zon Jacques 1872 1932
80/5999 Zon, Jacques (1872-1932). (Farm interior with a woman seated near the fire). Watercolour, 19x24,5 cm., signed and dated "J. Zon 05".

= SEE ILLUSTRATION PLATE CII.

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80 6000 Aelst Nicolaus van ±1527 1613 80 6000 Aelst Nicolaus van ±1527 1613
80/6000 Aelst, Nicolaus van (±1527-1613). Triumph of Galatea. Engraving after RAPHAEL and MARCANTONIO RAIMONDI, 39,3x38,2 cm., "Nic. van Aelst for" and "Apresso Giobatta di Rossi (...)" in the plate in the image.

- Cut just outside/ inside the borderline. Partly waterst. (especially upper half); some small tears, especially upper margin.

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80 6001 Altdorfer Albecht 1480 1538 80 6001 Altdorfer Albecht 1480 1538
80/6001 Altdorfer, Albecht (1480-1538). Abraham's sacrifice. Woodcut, 12,2x9,5 cm., monogrammed in upper left corner.

- Small hole in upper left blank corner; some foxing; verso traces of former mounting in corners. Copy with rounded corners (especially lower left corner).

= Verso w. collector's mark (partly visible) and "319" in pen and red ink. Hollstein 41.

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80 6002 Animals  Diderot D and d'Alembert J 80 6002 Animals Diderot D and d'Alembert J
80 6002 Animals  Diderot D and d'Alembert J 80 6002 Animals Diderot D and d'Alembert J
80 6002 Animals  Diderot D and d'Alembert J 80 6002 Animals Diderot D and d'Alembert J
80 6002 Animals  Diderot D and d'Alembert J 80 6002 Animals Diderot D and d'Alembert J
80/6002 [Animals]. Diderot, D. and d'Alembert, J. "Le Lion. Le Tigre" "Le Panthere. Le Léopard". Two handcol. copperengr. plates, from the folio edition of the Encyclopédie, ±1790, unif. framed. - AND 2 anonymous copies in reverse after Paulus POTTER, i.a. The cropped horse, both framed.
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80 6003 Anonymous 16th cent  80 6003 Anonymous 16th cent
80/6003 Anonymous (16th cent.). (Lion with her cub and two putti). Engraving after Tomaso VINCIDOR and Giovanni DA UDINE, 12,5x21,5 cm., "RA VR IN 1546" in the plate.

- Browned and soiled; tipped onto mount.

= Extremely rare, no other copies traced by us of this engraving. In 1537 monogrammist FG engraved the same composition but mirrored (cf. Nagler Monogrammisten, 2914, no.8), after which the present engraving was almost certainly copied. Nagler identifies FG as a German artist; our copy is possibly also from the German School. The composition is based on a design for a large series of tapestries "Giochi di Putti", commissioned by pope Leo X (for the Sala di Constantino in the Vatican) in Brussels around 1521. According to Vasari the designs are originally by Giovanni da Udine, leaving it unclear to what extent the designs of the series were based on a conception by Raphael (who died in 1520). The supervision of the project in Brussels, in the tapestry atelier of Van Aelst, lay in the hands of Tomasao Vincidor, who had been part of Raphaels workshop together with Giovanni da Udine. The tapestries and the cartoons are lost, but drawings of Vincidor have survived, including the drawing on which this composition was based (now in The British Museum).

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80 6004 Anonymous 16th cent  80 6004 Anonymous 16th cent
80/6004 Anonymous (16th cent.). (Portrait of Erasmus). Etching and engraving, 17,1x12,6 cm., "Eras Rote" in upper corners, 2 line Greek and Roman text in lower margin: "Imago ad vivam effigiem expressa 1530[?]".

- Dam. sectrion in right margin and small dam. spot upper in right corner; closed tears; a few tiny stains.

= Very rare, unrecorded portrait. On laid paper with unicorn watermark (probably Germany, ±1550). With the collector's stamp of A.P. van den Briel on verso (Lugt 407a). SEE ILLUSTRATION PLATE CIII.

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80 6005 Anonymous 16th cent  80 6005 Anonymous 16th cent
80/6005 Anonymous (16th cent.). (A village in winter with people on the ice in front of a castle, a walled city in the background). Engraving, 11,7x17,4 cm.

- Tiny repairs in upper margin; trimmed ±0,5 cm. outside the platemark.

= Slightly resembling the style of Hans Bol. Probably by a Flemish artist.

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80 6006 Anonymous 17th cent  80 6006 Anonymous 17th cent
80/6006 Anonymous (17th cent.). (The arrival of prince William III of Orange-Nassau in England in 1688). Four etchings w. engraving on one sheet, 34,7x45 cm. (platemark), 33,3x43,8 cm. (borderline), ±1689.

- Left margin w. sm. repairs on verso.

= Rare sheet showing four scenes of the arrival of the later king William III of Great Britain at Exmouth, at Exon, William meeting the Duke of Grafton and other nobles and finally arriving in Salisbury on 13th of December,1689. F.M. 2693-A. The start of the Glorious Revolution.

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80 6007 Anonymous 17th cent  80 6007 Anonymous 17th cent
80/6007 Anonymous (17th cent.). (The opening of the Synod of Dordrecht). Engraving (partly) after F. SCHILLEMANS, 32,5x37,2 cm., ±1618.

- Some brown staining, mostly in outer margins and lower part. = F.M. 134.

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80 6008 Anonymous early 18th cent 80 6008 Anonymous early 18th cent
80/6008 Anonymous (early 18th cent.) (A rabbit eating a cabbage, a lizzard and a bird praying on a butterfly in the background). Mezzotint printed in blue, w. engr. no. "3" in lower right corner and "No. 3 Med. fol." in lower left corner of the image.

- Closed tear in lower margin; trimmed to/ within plate mark.

= Remarkable mezzotint (not traced). With printed on verso a cropped optical view "Il Mercurio, quarta Pianeta, e'l suo influsso."

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80 6009 Anonymous late 18th/ 19th cent  80 6009 Anonymous late 18th/ 19th cent
80/6009 Anonymous (late 18th/ 19th cent.). (Sitting Dutch 'Kooiker' dog, with bells on his collar). Etching, 8,8x6,8 cm.

= Jan Huibert Prins (1756-1806) made a printdrawing of this same dog (Rijksmuseum RP-P-1882-A-5681), so perhaps by him.

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80 6010 Anonymous 19th cent  80 6010 Anonymous 19th cent
80 6010 Anonymous 19th cent  80 6010 Anonymous 19th cent
80/6010 Anonymous (19th cent.). "Die fröhliche Gesellschaft". Contemp. handcol and gommé lithograph within historiated borders, 29x39 cm., lithogr. captions below, Magdeburg, Fryntaschen Buch und Steindruckerei, ±1860.

- Browned and partly waterst. in blank margins; outer blank margins folded due to former framing.

= Borders showing numerous attributes linked to various professions of the seated men.

AND an embossed and contemp. dec. lithograph of a couple, laid down on velvet mount (browned; formerly framed).

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80 6011 Anonymous 19th cent  80 6011 Anonymous 19th cent
80 6011 Anonymous 19th cent  80 6011 Anonymous 19th cent
80/6011 Anonymous (19th cent.). (Male nude in the clouds). Lithograph, printed in brown, 51x37,5 cm., under passepartout (horizontal fold). - AND 6 anonymous drawings, mainly 19th/ early 20th cent., i.a. an academic pen and ink drawing of a male nude (foxing/ soiling) and an 18th cent. pen and black and brown ink drawing of a putto with a dolphin.
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80 6012 Appian Adolphe 1818 1898 80 6012 Appian Adolphe 1818 1898
80/6012 Appian, Adolphe (1818-1898). Bords d'un canal. Etching and drypoint, 17,8x25,4 cm., signed "Appian 1864" in the plate, w. "Sociéte des Amis des Arts de Lyon" in letterpress below the image, on chine collé.

= Curtis/ Prouté 47, 2nd and final state.

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80 6013 Appian Adolphe 1818 1898 80 6013 Appian Adolphe 1818 1898
80/6013 Appian, Adolphe (1818-1898). "Canal aux Martigues". Etching, 11x20,3 cm., "Appian 1872" in the image, "A. Appian pinxt. et sc." and titled in engr. captions below, w. the address of Widow A. Cadart, Paris.

= Curtis/ Prouté 41, the 2nd state (of 4).

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80/6014 Architecture  De Vyf Colom Orden met derzelver Deuren en Poorten in reverse 80/6014 Architecture De Vyf Colom Orden met derzelver Deuren en Poorten in reverse
80/6014 [Architecture]. "De Vyf Colom-Orden, met derzelver Deuren en Poorten" [in reverse]. Engraved copper printing plate for the title of S. BOSBOOM, De Vyf Colom-Orden (Amst., G.D. Bom, 1854), 27,5x17,5 cm.

- Verso with engr. text for another (unidentified) work, but largely worn off/ dam.

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80 6015 Baen Jan de 1633 1702 80 6015 Baen Jan de 1633 1702
80/6015 Baen, Jan de (1633-1702). (Burning of the Town Hall in Amsterdam in 1652). Etching, 26,1x33 cm., signed "J. d Baen fe" in the plate.

- With an 18th century manuscript caption below (partly vanished) "t Afbranden van van 't Oude Stadthuijs te Amsterdam (unread) 1652.

= On thick, sl. stiff 18th century laid paper, with watermark (prob. 'IV"(jean Villedary?)). Hollstein 1. FM 2027.

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80 6016 Bakhuizen Ludolf 1631 1708 80 6016 Bakhuizen Ludolf 1631 1708
80/6016 Bakhuizen, Ludolf (1631-1708). (A Man-of-war being repaired in the harbour).

Etching from the series of 10 Seascapes with views of the IJ and Amsterdam (...), 17,1x23 cm., signed "L Bak" and "1701" (in reverse) in the plate, with the address of the artist below.

- Fine. = Hollstein 7, 3rd state of 3.

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80 6017 Bakhuizen Ludolf 1631 1708 80 6017 Bakhuizen Ludolf 1631 1708
80 6017 Bakhuizen Ludolf 1631 1708 80 6017 Bakhuizen Ludolf 1631 1708
80/6017 Bakhuizen, Ludolf (1631-1708). (Rough seascape with ships near the shore).

Etching from the series of 10 Seascapes with views of the IJ and Amsterdam (...), 17x23,5 cm., signed [below image] "L. Bakhuizen fec: et exc" and [in the image in reverse] monogrammed and "1701" in the plate, framed.

- Good impression. = Hollstein 10, 3rd state of 3.

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80 6018 Bakhuizen Ludolf 1631 1708 80 6018 Bakhuizen Ludolf 1631 1708
80 6018 Bakhuizen Ludolf 1631 1708 80 6018 Bakhuizen Ludolf 1631 1708
80 6018 Bakhuizen Ludolf 1631 1708 80 6018 Bakhuizen Ludolf 1631 1708
80 6018 Bakhuizen Ludolf 1631 1708 80 6018 Bakhuizen Ludolf 1631 1708
80 6018 Bakhuizen Ludolf 1631 1708 80 6018 Bakhuizen Ludolf 1631 1708
80/6018 Bakhuizen, Ludolf (1631-1708). The Set of Seascapes with views of the IJ and Amsterdam, Rotterdam, Katwijk, etc.

Five (of 10) etchings from the series, all later (partly vaguely) handcoloured, 1701, each 17,2x23 cm., unif. framed.

- All fine.

= Hollstein 2-5 and 9, the 3rd state (of 3). Famous and very rare etchings by Holland's leading marine painter, etched when he was at the age of 71. SEE ILLUSTRATION PLATE CIII.

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80 6019 Bakhuizen Ludolf 1631 1708 80 6019 Bakhuizen Ludolf 1631 1708
80 6019 Bakhuizen Ludolf 1631 1708 80 6019 Bakhuizen Ludolf 1631 1708
80 6019 Bakhuizen Ludolf 1631 1708 80 6019 Bakhuizen Ludolf 1631 1708
80 6019 Bakhuizen Ludolf 1631 1708 80 6019 Bakhuizen Ludolf 1631 1708
80 6019 Bakhuizen Ludolf 1631 1708 80 6019 Bakhuizen Ludolf 1631 1708
80/6019 Bakhuizen, Ludolf (1631-1708).

The Set of Seascapes with views of the IJ and Amsterdam, Rotterdam, Katwijk, etc.

Five (of 10) etchings from the series, 3x w. modern handcolouring, 1701, each ±17x23 cm., on various kinds of 18th cent. laid paper.

- Occas. trifle yellowed (in blank margins); otherwise fine.

= Hollstein 1, 2, 6, 7 and 9, the 3rd state (of 3). The first etching without the six line verse by Backhuizen, printed from a separate plate. Famous and very rare etchings by Holland's leading marine painter, etched when he was at the age of 71. SEE ILLUSTRATION PLATE CIV.

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80 6020 Bas Jacques Philippe le 1707 1783 80 6020 Bas Jacques Philippe le 1707 1783
80 6020 Bas Jacques Philippe le 1707 1783 80 6020 Bas Jacques Philippe le 1707 1783
80/6020 Bas, Jacques Philippe le (1707-1783). The temptation of St. Anthony. Engraving after David TENIERS, 38,5x28 cm., 1735.

= Later impression on velin paper.

AND 4 others, all after David TENIERS, i.a. by the same and "La Lecture Diabolique" by F. BASAN.

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noimage
80/6021 Basire, James (1730-1802). Vor dem König. Etching after a drawing by Pietro DA CORTONA, 39,6x34x7 cm.

- Browned.

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80/6022 Batavian revolution and patriots  't Geheim committé der zaamgezwooren Oranje Friesen 80/6022 Batavian revolution and patriots 't Geheim committé der zaamgezwooren Oranje Friesen
80/6022 [Batavian revolution and patriots]. "'t Geheim committé der zaamgezwooren Oranje Friesen." Etching, 21x34,2 cm., "Went invenit", "H.W. Plettenberg delineavit" and "'s Hage bij P.F. Gosse (...)" and dedication (dated "Harlingen 1 October 1782") engr. below the image, engr. title above the image.

- Without the accomp. text leaf.

= F.M. 4486: "Vuile spotprent op de prinsgezinden. Eene zaal, waar in het midden de Prins achter de deur staat en P. Wierdsma, een: Plan om Friesland onder 't juk te brengen aan de op den grond liggende en met vrouwenzadels bedekte heeren: van Hambroick en Col. Plettenberg aanbiedt.(...) Met gefingeerd adres te 's Hage bij P.F. Gosse, en de namen Went en H.W. Plettenberg als teekenaar en graveur. Zeer zeldzaam."

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80 6023 Batavian revolution and patriots  Het geweldig aanranden en tegenhouden van haare koninglyk Hoogheid op de weg bij Haastrecht door een hoop Vrij Corporisten den 28 Junij 1787 Inhaaling va80 6023 Batavian revolution and patriots Het geweldig aanranden en tegenhouden van haare koninglyk Hoogheid op de weg bij Haastrecht door een hoop Vrij Corporisten den 28 Junij 1787 Inhaaling va
80 6023 Batavian revolution and patriots  Het geweldig aanranden en tegenhouden van haare koninglyk Hoogheid op de weg bij Haastrecht door een hoop Vrij Corporisten den 28 Junij 1787 Inhaaling va80 6023 Batavian revolution and patriots Het geweldig aanranden en tegenhouden van haare koninglyk Hoogheid op de weg bij Haastrecht door een hoop Vrij Corporisten den 28 Junij 1787 Inhaaling va
80/6023 [Batavian revolution and patriots]. "Het geweldig aanranden en tegenhouden van haare koninglyk Hoogheid op de weg bij Haastrecht door een hoop Vrij-Corporisten, den 28. Junij 1787". "Inhaaling van haare koninglyk Hoogheid en de Vorstelijke Telgen getrokken wordende (...)". Two attractively handcol. engravings, both ±19,5x29,5 cm., Augsb., G.B. Probst, ±1790.

= Cf. F.M. 4834 and 4940.

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80 6024 Batavian revolution and patriots  Plechtige optocht door de werklieden van de 1 Oost Indische Compagnies werf  2 Admiraliteits scheeps timmer werf  3 Stads Schuitemaakers werf binnen A80 6024 Batavian revolution and patriots Plechtige optocht door de werklieden van de 1 Oost Indische Compagnies werf 2 Admiraliteits scheeps timmer werf 3 Stads Schuitemaakers werf binnen A
80/6024 [Batavian revolution and patriots]. "Plechtige optocht door de werklieden van de [1] Oost Indische Compagnies werf, [2] Admiraliteits scheeps timmer werf, [3] Stads Schuitemaakers werf binnen Amsteldam. By gelegentheid der gelukkige omwending van zaaken in den jaare 1787". Complete set of 3 very large copperengrs. by J.C. SCHULTSZ., 53x63 cm. each, publ. by J.H. Trap, Amsterdam, all w. engr. "Proefdruk".

- All w. vertical and horizontal middle-fold; some imperfections in blank margins.

= F.M. 5054: "Ze stellen de groote optogten, allen by avond, met lampions en fakkellicht, van Wittenburg en het Admiraliteits-Magazijn uitgaande, voor, met alle zinnebeelden, werktuigen, insigniën, enz. en zijn daardoor zeer curieus voor de geschiedenis van dien tijd."

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80/6025 Batavian revolution and patriots  Staat en Regeering Kundigen Boom Schetzende de Algemeene Staat en Regeeringsvorm der Vereenigde Nederlanden 80/6025 Batavian revolution and patriots Staat en Regeering Kundigen Boom Schetzende de Algemeene Staat en Regeeringsvorm der Vereenigde Nederlanden
80/6025 Batavian revolution and patriots  Staat en Regeering Kundigen Boom Schetzende de Algemeene Staat en Regeeringsvorm der Vereenigde Nederlanden 80/6025 Batavian revolution and patriots Staat en Regeering Kundigen Boom Schetzende de Algemeene Staat en Regeeringsvorm der Vereenigde Nederlanden
80/6025 [Batavian revolution and patriots]. "Staat- en Regeering-Kundigen Boom, Schetzende de Algemeene Staat en Regeeringsvorm der Vereenigde Nederlanden." Etching by J. SCHULTSZ after A. RESINGER, 43,5x31 cm., with engraved caption above and 4-line verse below the image, published by J. Kok Pz. (Amst., 1787). - WITH the (often lacking) separately printed letterpress Verklaaring (ibid., 1786).

- Both slightly foxed (mainly) in blank margins

= F.M. 4756: "Een groote boom met 7 wortels (De Provinciën) staat op eene kaart van de Nederlanden; de stam duidt de Algemeene Staaten, de takken de verschillende Collegiën aan. (...) De Patriottische geest van deeze schets der Regeeringsvorm blijkt daaruit dat het Stadhouderschap bovenaan een der uiteinden van den boom is geplaatst, afhankelijk van den Souverein, de Staten." The 4-line verse in lower margin reads: "Tracht Batoos edel kroost! tracht dezen Boom te kennen/ En zo ge ontaarding ziet in Wortel, Tak of Vrucht;/ Spoor vlijtig de oorzaak na, en zoek hem zo te wennen/ Dat hij door Eendracht bloeije in uwe vrije lucht!"

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80 6026 Batavian revolution and patriots  De van de Storm beschermde Oranje Boom of Zinnebeeldig gedenkteeken der gelukkige Omwenteling in de Vereenigde Nederlanden  80 6026 Batavian revolution and patriots De van de Storm beschermde Oranje Boom of Zinnebeeldig gedenkteeken der gelukkige Omwenteling in de Vereenigde Nederlanden
80/6026 [Batavian revolution and patriots]. "De van de Storm beschermde Oranje Boom of Zinnebeeldig gedenkteeken der gelukkige Omwenteling in de Vereenigde Nederlanden (...)." Attractively handcol. engraving by S.H. ROOSING after J. VITEZ, 41,5x27,5 cm., with engr. title and dedication below.

- Slightly frayed.

= F.M. 4986a (chapter "Zinneprenten op het herstel des stadhouders", 1787): "De Oranjeboom, waaraan de portretten in medaillon van den Stadhouder, Gemalin en drie kinderen en onderaan die zijner vier voorouders, wordt door den Pruissischen adelaar beschermd."

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80 6027 Batavian revolution and patriots  De vrijheid zittende op haren troon  80 6027 Batavian revolution and patriots De vrijheid zittende op haren troon
80 6027 Batavian revolution and patriots  De vrijheid zittende op haren troon  80 6027 Batavian revolution and patriots De vrijheid zittende op haren troon
80 6027 Batavian revolution and patriots  De vrijheid zittende op haren troon  80 6027 Batavian revolution and patriots De vrijheid zittende op haren troon
80 6027 Batavian revolution and patriots  De vrijheid zittende op haren troon  80 6027 Batavian revolution and patriots De vrijheid zittende op haren troon
80 6027 Batavian revolution and patriots  De vrijheid zittende op haren troon  80 6027 Batavian revolution and patriots De vrijheid zittende op haren troon
80 6027 Batavian revolution and patriots  De vrijheid zittende op haren troon  80 6027 Batavian revolution and patriots De vrijheid zittende op haren troon
80/6027 [Batavian revolution and patriots]. "De vrijheid zittende op haren troon (...)". Engraving by Jeremias SNOEK, 28x18 cm., w. engr. text in the image, Rott., J. Groenewoud, 1795.

- Fine. = F.M. 5425.

"De moedige Batavieren." Engraving by Gaspar BOUTTATS(?), 16x16 cm. (incl. captions), with Dutch and French caption/ legend in 3 columns below, ±1763.

- Fine. = F.M. 2514.

AND 4 others, mainly on the same subject.

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80/6028 Batavian revolution and patriots  De wakkre Franschen en manhafte Batavieren Zijn vlijtig werkzaam om met krakende laauwrieren 't Bekoorlijk standbeeld vande Vrijheid op het best te Cier80/6028 Batavian revolution and patriots De wakkre Franschen en manhafte Batavieren Zijn vlijtig werkzaam om met krakende laauwrieren 't Bekoorlijk standbeeld vande Vrijheid op het best te Cier
80/6028 Batavian revolution and patriots  De wakkre Franschen en manhafte Batavieren Zijn vlijtig werkzaam om met krakende laauwrieren 't Bekoorlijk standbeeld vande Vrijheid op het best te Cier80/6028 Batavian revolution and patriots De wakkre Franschen en manhafte Batavieren Zijn vlijtig werkzaam om met krakende laauwrieren 't Bekoorlijk standbeeld vande Vrijheid op het best te Cier
80/6028 Batavian revolution and patriots  De wakkre Franschen en manhafte Batavieren Zijn vlijtig werkzaam om met krakende laauwrieren 't Bekoorlijk standbeeld vande Vrijheid op het best te Cier80/6028 Batavian revolution and patriots De wakkre Franschen en manhafte Batavieren Zijn vlijtig werkzaam om met krakende laauwrieren 't Bekoorlijk standbeeld vande Vrijheid op het best te Cier
80/6028 Batavian revolution and patriots  De wakkre Franschen en manhafte Batavieren Zijn vlijtig werkzaam om met krakende laauwrieren 't Bekoorlijk standbeeld vande Vrijheid op het best te Cier80/6028 Batavian revolution and patriots De wakkre Franschen en manhafte Batavieren Zijn vlijtig werkzaam om met krakende laauwrieren 't Bekoorlijk standbeeld vande Vrijheid op het best te Cier
80/6028 [Batavian revolution and patriots]. "De wakkre Franschen en manhafte Batavieren, Zijn vlijtig werkzaam, om met krakende laauwrieren, 't Bekoorlijk standbeeld vande Vrijheid, op het best te Cieren (...)". Engraving by J.C. BENDORP after J. ARENDS, 38x31,2 cm., w. engr. verses by J. Arends in image, 1795.

- Fine. = F.M. 5423a.

"Vervloekte Tweedracht! Helsch gedrocht, van elk gedoemd; Zolang 't Gemeenebest op 's Hemels bijstand roemt (...)." Engraving, 27,5x20,5 cm., with engr. explanatory verse in 2 columns below, ±1787.

- Fine. Without the separate letterpress explanation in Dutch and French.

= F.M. 4993a (chapter "Zinneprenten op het herstel des Stadhouders", 1787): "Zinneprent, waar de prins op een hoeksteen naast de Nederl. Maagd staat. De Tweedracht tracht de hoeksteen door een hefboom te verplaatsen, doch wordt door den Pruissischen adelaar belaagd enz. (...)."

AND 2 others, i.a. (Vallende Oranjeboom) (anonymous engraving, 1795. F.M. 5304a).

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80 6029 Bega Cornelis 1620 1664 80 6029 Bega Cornelis 1620 1664
80 6029 Bega Cornelis 1620 1664 80 6029 Bega Cornelis 1620 1664
80/6029 Bega, Cornelis (1620-1664). A man caressing the young hostess. Etching, 19,4x16,6 cm.

- A (very) fine copy, trimmed on/ just outside the borderline.

= Hollstein 34, the 2nd state (of 2), without the name.

Idem. The Three Drinkers. Etching, 10,5x10 cm., tipped onto mount.

= Hollstein 29, probably the third and final state.

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80 6030 Beham Sebald 1500 1550 80 6030 Beham Sebald 1500 1550
80 6030 Beham Sebald 1500 1550 80 6030 Beham Sebald 1500 1550
80 6030 Beham Sebald 1500 1550 80 6030 Beham Sebald 1500 1550
80 6030 Beham Sebald 1500 1550 80 6030 Beham Sebald 1500 1550
80/6030 Beham, Sebald (1500-1550). The Betrayal. Woodcut, 12,7x8,4 cm., monogrammed and "1535" in the block.

- Sl. agetoned; cut on/ just within the borderline.

= Part of the Passion series. Hollstein 820.

Altdorfer, Albrecht (1480-1538). Christ's entry in Jerusalem. Christ bearing the Cross. Two woodcuts, each 7,3x4,9 cm., monogrammed in the block.

= New Hollstein w.17 and w.27.

AND 10 other woodcuts, partly cut from or complete leaves from various works, i.a. by/ after Thomas GEMINI (skeleton) and 2 lvs. w. woodcuts by Michael WOHLGEMUT.

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80 6031 Beham Sebald 1500 1550 80 6031 Beham Sebald 1500 1550
80/6031 Beham, Sebald (1500-1550). The prodigal son wastes his fortune. Engraving, 5x9,2 cm., monogrammed and "1540" in the plate.

- Fine, trimmed 1 mm outside the borderline. = Pauli/ Hollstein 34, 5th state (of 5).

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80 6032 Bella Stefano della 1610 1664 80 6032 Bella Stefano della 1610 1664
80 6032 Bella Stefano della 1610 1664 80 6032 Bella Stefano della 1610 1664
80 6032 Bella Stefano della 1610 1664 80 6032 Bella Stefano della 1610 1664
80/6032 Bella, Stefano della (1610-1664). "Veue d'Amsterdam"."Veue d'Amsterdam". "Autre veue d'Amsterdam". Three etchings, each ±8,5x13,8 cm.

- View w. Haringpakkerstoren w. wide margins; sl. yellowed; other two prints cut to the image; 'autre veue' w. small dam spot in upper left corner and w. extended margins.

= Part of the series of 8 Vues de ports de mer. De Vesme 798, 799 and 800.

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80 6033 Bendixen Siegfried Detlev 1786 1864 80 6033 Bendixen Siegfried Detlev 1786 1864
80/6033 Bendixen, Siegfried Detlev (1786-1864). (Portrait of J.W. von Goethe). Lithograph on chine collé after C. VOGEL, 20,5x20,5 cm. (image), 56x38 cm. (entire leaf), w. lithogr. caption (incl. facsimile poem) on mount below image, Hamburg, J.M. Commeter (w. his blindstamp in lower right corner), 1826.

- Margins foxed/ duststained; leaf frayed and creased along edges.

= Contemporary portrait with a facsimile manuscript poem signed and dated 1825.

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80 6034 Berchem Nicolaes 1620 1683 80 6034 Berchem Nicolaes 1620 1683
80/6034 Berchem, Nicolaes (1620-1683). The Cow pissing. Etching, 20,8x26,4 cm., "C.P. Berchem inventer et fecit" in the plate.

- Trimmed on/just outside the platemark; fine impression.

= Hollstein 2, 2nd state of 5. With the manuscript collector's marks of Wilhelm Koller (died in 1871, Vienna. Lugt 1583), dated 1849 and "Molitor Reich" (?). Laid paper with a watermark showing a large heraldic crowned shield with the Agnus Dei bearing a cross.

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80 6035 Berchem Nicolaes 1620 1683 80 6035 Berchem Nicolaes 1620 1683
80/6035 Berchem, Nicolaes (1620-1683). The set of the sheep with the shepherdess and the sheep, the so-called Woman's Book. Complete set of 8 etchings, ±10x11,5 cm., w. the address of Clemendt de Jonge.

- Minor imperfections, fine copies.

= Hollstein 41-48, 5th state of 98. All with the collector's mark of Arenberg (Lugt 567).

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80 6036 Berge Pieter van den 1659 1737 80 6036 Berge Pieter van den 1659 1737
80/6036 Berge, Pieter van den (1659-1737). (The Entry of King Charles III of Spain in Madrid). Etching, 51,5x61 cm. (platemark).

- Margins browned; 2 sm. repairs on verso in central fold.

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80/6037 Bible prints  Lot of 40 engr plates from a Keur bijbel 80/6037 Bible prints Lot of 40 engr plates from a Keur bijbel
80/6037 Bible prints  Lot of 40 engr plates from a Keur bijbel 80/6037 Bible prints Lot of 40 engr plates from a Keur bijbel
80/6037 Bible prints  Lot of 40 engr plates from a Keur bijbel 80/6037 Bible prints Lot of 40 engr plates from a Keur bijbel
80/6037 [Bible prints]. Lot of 40 engr. plates from a Keur-bijbel, each w. 6 ills., from the Dordr./ Amst., 1702 ed.

- A few lvs. (vaguely) creased/ soiled/ (ink)stained.

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80/6038 Bible prints  Lot of ±80 engravings 80/6038 Bible prints Lot of ±80 engravings
80/6038 Bible prints  Lot of ±80 engravings 80/6038 Bible prints Lot of ±80 engravings
80/6038 Bible prints  Lot of ±80 engravings 80/6038 Bible prints Lot of ±80 engravings
80/6038 Bible prints  Lot of ±80 engravings 80/6038 Bible prints Lot of ±80 engravings
80/6038 [Bible prints]. Lot of ±80 engravings, all 35x21,5 cm., from Taferelen der voornaamste Geschiedenissen van het Oude en Nieuwe Testament (...) (The Hague, 1728).

- Several prints doubled; partly (sl.) yellowed, waterstained, frayed and fingersoiled.

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80 6039 Birds  Barraband Jacques 1767 1809  after 80 6039 Birds Barraband Jacques 1767 1809 after
80 6039 Birds  Barraband Jacques 1767 1809  after 80 6039 Birds Barraband Jacques 1767 1809 after
80/6039 [Birds]. Barraband, Jacques (1767-1809) (after). "La grande Perruche à collier et croupion bleu". "Le Perroquet Tavoua". Two col. etchings and engravings, 34x26,5 cm. and 33,5x27 cm., engr. captions, numb. "Pl. 55" and "Pl. 129", both printed by Langlois.

= The second print partly foxed.

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