80 6140 Gheyn II Jacques de 1565 1629

- Cut just outside the borderline, lower margin up to the caption; a few closed tears and holes; somewhat soiled and agetoned.

= From the series Christ, the twelve apostles and St Paul with the Creed (14 engravings).

80 6141 Gheyn II Jacques de 1565 1629

- Trimmed on/ just within the borderline; vague brown spot in upper part.

= Filedt Kok 24; New Hollstein 104, only state: "Probably impression of a silver medallion."

80 6142 Gheyn II Jacques de 1565 1629

= Vincent Jacobsz. Coster, alias Sente Peylder, born about 1553, was an official city wine gauger (for collecting excise on wine). New Hollstein 242.

80 6143 Gheyn II Jacques de 1565 1629

80 6143 Gheyn II Jacques de 1565 1629

80 6143 Gheyn II Jacques de 1565 1629

- Partly waterst. in lower blank margin (not affecting image); title duststoiled and reattached; sl. fingersoiled; a few prints trifle yellowed and foxed; 2 heraldic bookpates on upper pastedown; binding w. minor imperfections.

= Hollstein 340b and 341-457; cf. Cockle 79 (English ed., 1607); cf. Lipperheide Qb18 (Dutch ed. 1607); Jähns p.1005ff. The famous manual on handling muskets and pikes by Jacob de Gheyn (1565-1629). For the complex history of publication of the various (Dutch, German, English, French and Danish) editions in the years 1607-1608, see catalogue Le héraut du dix-septième siècle. Dessins et gravures de Jacques de Gheyn II et III, no.37 (Paris, Institut Néerlandais, 1985, with literature).

80 6144 Gheyn II Jacques de 1565 1629 after

80 6144 Gheyn II Jacques de 1565 1629 after

80 6144 Gheyn II Jacques de 1565 1629 after

- Trimmed on/ just inside the bordeline. Hollstein 86 yellowed. = New Hollstein 86, 88, 89, 95 and 99, all the first state (of 2); Hollstein Dolendo 30ff.

80 6145 Gheyn II Jacques de 1565 1629 after

- Agetoned; sl. soiled; w. paper flaw.

= New Hollstein 176 copy a: "Engravings in same direction, same size and with the same text of the complete set, published by Assuerus Londerseel, before 1595."

80 6146 Gheyn II Jacques de 1565 1629 after

80 6146 Gheyn II Jacques de 1565 1629 after

80 6146 Gheyn II Jacques de 1565 1629 after

80 6146 Gheyn II Jacques de 1565 1629 after

- Mostly fine, a few w. sm. defects.

= New Hollstein 340, 4th state of 4 (French edition), 341, 342, 348, 358, 359, 361, 363, 365, 377, 379, 385, 386, 388, 389, 399, 409, 413, 422, 427, 431, 435, 438, 439, 445, 450, 452, 454, 457.

80 6147 Gheyn II Jacques de 1565 1629 atelier of

- One print "Sforza" lower right corner torn off, repaired and entirely redrawn; 2x trimmed on the platemark; (partly) trimmed to the borderline.

= New Hollstein 234-237, 1st state of 2.

80 6148 Ghisi Giorgio 1520 1582

- Vague horizontal fold; tipped onto mount.

= Bartsch 38; Lewis & Lewis 36, the third state (of 4). From a series of 7 designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau.

80 6149 Ghisi Giorgio 1520 1582

- Doubled. Trimmed just inside the borderline.

= Bartsch 42; Lewis & Lewis 42, the 7th and final state. With the collector's stamp of Winfield Robbins of verso (not in Lugt).

80 6151 Girtin Thomas 1775 1802

80 6151 Girtin Thomas 1775 1802

80 6151 Girtin Thomas 1775 1802

80 6151 Girtin Thomas 1775 1802

80 6151 Girtin Thomas 1775 1802

80 6151 Girtin Thomas 1775 1802

80 6151 Girtin Thomas 1775 1802

80 6151 Girtin Thomas 1775 1802

- All w. ample margins; occas. trifle frayed/ soiled in blank margins; mostly fine.

= This complete series with splendid views is the only etched work by Thomas Girtin. The aquatint additions were made by several contemporary artists, such as Joseph Constantine Stadler and Frederick Christian Lewis. SEE ILLUSTRATION PLATE CXIV.

80 6152 Goltzius Hendrick 1558 1617

- Cut on/ just within the borderline; sm. waterstain in lower left corner; paper flaw/ crease in right part.

= Rare. With the manuscript collector's mark of "Jo: Schwarzenbold, pictor Augspurg 1813" (not in Lugt). Perhaps Joseph Schwarzenbold (1786-after 1860?). New Hollstein 335.

80 6153 Goltzius Hendrick 1558 1617

- Trimmed to the image; sl. fingersoiled and agetoned.

= New Hollstein 14, 5th state of 6 (with the outlines still visible). SEE ILLUSTRATION PLATE CXIV.

80 6154 Goltzius Hendrick 1558 1617

- Trimmed just outside the platemark; a few closed holes in upper part and sm. tear in right margin; agetoned.

= New Hollstein 14, 6th state of 6 (all outlines removed).

80 6155 Goltzius Hendrick 1558 1617

- Fingersoiled; trimmed 1 mm. outside the borderline.

= Rare. New Hollstein 127, only state. SEE ILLUSTRATION PLATE CXIV.

80 6156 Goltzius Hendrick 1558 1617

- Doubled; sm. restoration in pen to borderline in lower right corner; trifle foxed. Otherwise fine.

= F.M. 627; New Hollstein 203: "Attributed to Goltzius by Bartsch. Rejected by Hirschmann as 'random attribution' (p.166) and by Strauss and TIB. Attribution to Goltzius confirmed by a document of 1580 according to which the city council of Haarlem payed Dirck Volkertsz. Coornhert as publisher and Hendrick Goltzius as engraver for this plate: 'zeekere plaet in coper gesneden nopende de clachte der laste van Haerlem aen den Prince van Orangien.'" Rare print.

80 6157 Goltzius Hendrick 1558 1617

- Lower margin w. the caption repaired and strengthened along the edge on verso: lower left corner lacks portion (incl. the printed number "1"), repaired w. later paper and sm. section of image replaced in pen and ink; sm. closed tear (next to the monogram) in upper edge; trimmed 1-2 mm outside the borderline; lower margin trimnmed short, just within the caption.

= Rare. New Hollstein 144.

80 6158 Goltzius Hendrick 1558 1617

= New Hollstein 275. Rare. With the collector's mark of Albert Pieter van den Briel (Lugt 407a) and the doublette mark of the Albertina, Vienna (Lugt 5g), and the manuscript collector's mark of Pierre Mariette II (1634-1716), dated 1669 (Lugt 1790).

80 6159 Goltzius Hendrick 1558 1617

- Second print trimmed to the image, lacking the caption; first print trimmed just outside/ on the borderline, sl. yellowed.

= New Hollstein 129, 2nd or 3rd state of 4 and 131, 2nd state.

80 6160 Goltzius Hendrick 1558 1617

- Doubled; trimmed to/ just outside the borderline. Sl. grey impression.

= Strauss 344; Hollstein 218, 2nd state (of 3). The famous "Goltzius dog".

80 6161 Goltzius Hendrick 1558 1617

- Cut to/ just outside the borderline w. the caption cut off; upper right corner w. a repair; tiny closed tear in left margin, ±0,5 mm within the image; overall sl. fingersoiled. Good strong impression

= Hollstein 255 ; New Hollstein 288. With the doublette stamp of the print cabinet of Leyden University (Lugt 700b) on verso. SEE ILLUSTRATION PLATE CXV.

80 6162 Goltzius Hendrick 1558 1617

- Sl. foxing, mostly in lower part; vague horizontal crease, w. 2 tiny holes. On thick laid paper.

= New Hollstein 13, 3rd state of 3; Hollstein 14, the 3rd state (of 5), the number "6" added, before the address of C.J. Visscher. Strauss 317: "this "Holy Family" is counted among Goltzius' "master engravings"". From the series of 6 engravings depicting the life of the virgin, the so-called Master pieces. SEE ILLUSTRATION PLATE CXV.

80 6163 Goltzius Hendrick 1558 1617

= Hollstein 34, the second state (of 2).

80 6164 Goltzius Hendrick 1558 1617

- A few specks; trimmed on/ just outside the border line; a few brown stains on verso.

= New Hollstein 31, 2nd state of 2. SEE ILLUSTRATION PLATE CXV.

80 6165 Goltzius Hendrick 1558 1617

- Grey impression; cut just outside the borderline. = New Hollstein 234.

80 6166 Goltzius Hendrick 1558 1617

80 6166 Goltzius Hendrick 1558 1617

- First print trimmed on/ just within the borderline; 2nd print somewhat unevenly browned; trimmed just outside the borderline.

= New Hollstein 130, 3rd state of 3 (numb. 63) and 131, 2nd state of 3 (numb. 3).

80 6167 Goltzius Hendrick 1558 1617

- Trimmed outside the border line, prob. on the platemark.

= Dark, strong impression. Rare. Hollstein 168; New Hollstein 170. Plate 7 (of 8) of the series of Roman Heroes. SEE ILLUSTRATION PLATE CXV.

80 6168 Goltzius Hendrick 1558 1617

- Closed tears/ repaired sections near centre and in lower left corner; foxed spots, mostly in lower part; unevenly browned; a few worn/ nibbled spots; trimmed on/ just within the borderline.

= (Very) rare. New Hollstein 311, 1st state of 3.

80 6169 Goltzius Hendrick 1558 1617

- Trimmed to the borderline.

= Rare. New Hollstein 149, possibly part of an unfinished series of the Seven planets.

80 6170 Goltzius Hendrick 1558 1617 after

= From the series of the Four Elements. New Hollstein 653, 3rd state of 3. With the collector's mark of Friedrich II August of Saxony (Lugt 971) on recto.

80 6171 Goltzius Hendrick 1558 1617 after

- Dam. (repaired) spot in upper margin. = Hollstein 731 copy a/I; Bartsch 84.

80 6172 Goltzius Hendrick 1558 1617 after

- Cut on/ just within the platemark; some parts strengthened on verso; a few sm. tiny closed marginal tears; sl. fingersoiled.

= New Hollstein 398, attributed to Jan SAENREDAM. From the series of The Wives of Patriarchs.

80 6173 Goudt Hendrick 1585 1630

- Narrow paper strip on verso outer edges (from former mount/ passepartout); trimmed to the image.

= On contemporary laid paper. With 19th century manuscript collectors mark not found in Lugt ("A. W...?" and "847") and a collectors's mark "PMMH" (Pieter Hoogeweegen?, not in Lugt) and Albert Pieter van den Briel (Lugt 407a); Hollstein 2. SEE ILLUSTRATION PLATE CXVI.

80 6174 Goya Francisco de 1746 1828

- Some small marginal tears; verso upper margin traces of former mounting.

= Delteil 16; Harris13, 3rd edition.

80 6175 Groenewegen Gerrit 1754 1826

80 6175 Groenewegen Gerrit 1754 1826

80 6175 Groenewegen Gerrit 1754 1826

- First two and final etching (badly) browned; a few etchings w. some smudgy colouring; sl. fingersoiled; partly printed eskew. Sold w.a.f.

= Series A, no.10-12; series B, no.1-12 (complete); series C, no. 3-6 (or 7) and 8-12; series D, no.1-4 and 8-12; series E, no.1, 4-7 and 10-12; series F, no.1-11; without series number, no. 1-4.

80 6176 Groenewegen Gerrit 1754 1826

80 6176 Groenewegen Gerrit 1754 1826

- Three plates w. sm. brown stain in lower (blank) margin. A good/ fine copy.

= Complete set of all 7 series (marked A to F, the last series without letter), each print w. series letter, number (1 to 12) and title engr. in caption. The 2nd state (of 3) of this fine series of Dutch sailing vessels. See De Groot/ Vorstman p.8 ("The most specialized artist in the field at the end of the eighteenth century was Gerrit Groenewegen, with his views of the port of Rotterdam and his series of eighty-four ship types, which was published in instalments"), p.20ff and no.191-202.

80 6177 Groenewegen Gerrit 1754 1826

80 6177 Groenewegen Gerrit 1754 1826

80 6177 Groenewegen Gerrit 1754 1826

- Rebacked; binding browned and sl. rubbed. A fine copy.

= Complete set of all 7 series (marked A to F, the last series without letter), each print w. series letter, number (1 to 12) and title engr. in caption. The 2nd state (of 3) of this fine series of Dutch sailing vessels. See De Groot/ Vorstman p.8 ("The most specialized artist in the field at the end of the eighteenth century was Gerrit Groenewegen, with his views of the port of Rotterdam and his series of eighty-four ship types, which was published in instalments"), p.20ff and no.191-202.

80 6178 Groenewegen Gerrit 1754 1826

80 6178 Groenewegen Gerrit 1754 1826

80 6178 Groenewegen Gerrit 1754 1826

80 6178 Groenewegen Gerrit 1754 1826

80 6178 Groenewegen Gerrit 1754 1826

80 6178 Groenewegen Gerrit 1754 1826

- Two engravings very vaguely waterst.; otherwise fine.

= See De Groot/ Vorstman p.8: "The most specialized artist in the field at the end of the eighteenth century was Gerrit Groenewegen, with his views of the port of Rotterdam and his series of eighty-four ship types, which was published in instalments".

80 6179 Gunst Pieter Stevens van 1658/59 1731

80 6179 Gunst Pieter Stevens van 1658/59 1731

80 6179 Gunst Pieter Stevens van 1658/59 1731

80 6179 Gunst Pieter Stevens van 1658/59 1731

80 6179 Gunst Pieter Stevens van 1658/59 1731

- Each sl. foxed.

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

80 6181 Hogenberg Frans 1535 1590 a o

- Occas. sl. grey impressions; a few leaves restored w. Japanese or paper strip along outer or upper margin; a few leaves sl. browned in upper/ lower margin. Very fine copy.

= A fine collection of Hogenberg's Geschichtsblätter, rarely found thus complete. The series contains 2 extra unnumb. plates and 1 extra (unnumb.) portrait. The plate numbering skips one plate (no.184). F.M. 413: "Prentwerk (...) over de gebeurtenissen in Nederland, Frankrijk, Duitschland, enz., van 1558-1610, ook over het jaar 1535, en eenige platen over 1611-1632; te zamen 375 à 400 platen (...) Iedere plaat met een 12- of 16 reg. Duitsch vers (...). Dit uiterst belangrijke en vrij zeldzame werk is voor de kennis der Nederl. geschiedenis van groot gewigt, daar het ten tijde der gebeurtenissen zelve vervaardigd en uitgegeven is. (...) de meeste Exemplaren bevatten 375 à 400 platen; doch al die verschillende platen bijeengenomen wordt het een getal van 482, die zeker nooit bijeen te vinden zijn, en waarvan vele slechts in 1 of 2 Exemplaren werden gevonden. (...)." SEE ILLUSTRATIONS PLATE CXVII.

80 6182 Hogenberg Frans 1535 1590

80 6182 Hogenberg Frans 1535 1590

80 6182 Hogenberg Frans 1535 1590

= Showing the events during the Dutch Revolt in the southern and northern Netherlands: the siege of Steenwijk, the battle near Aumale and The fall of Kinsale to the English in 1602.

80 6185 Hollar Wenzel 1607 1677

- Small closed split on the plate mark near lower left corner.

= New Hollstein 1034, 3rd state (of 4). The letterpress Dutch commentary reads: "De Toorn van Antwerpen is in alle deelen een wonderlijk werk van het menschelijk vernuft, ende een groot gedenkteken van oude magt en Rijkdom, op het werk is in den jare 1518, het kruys geset."

80 6186 Hollar Wenzel 1607 1677

- Horizontal fold in centre, strengthened on verso; ample margins.

= New Hollstein 1034, 2nd state of 4. Parthey/ Pennington 824.

80 6187 Hollar Wenzel 1607 1677

- Some foxing in upper part. = Pennington 598.

80 6188 Hollar Wenzel 1607 1677

- Vague vertical fold in left part; trimmed just outside the borderline.

= Originally the frontispiece of T. SPRAT, The History of the Royal Society of London (1667). New Hollstein 1966 and Pennington 459.

80 6189 Hondius Hendrick 1573 1650

- Some creases in (ample) blank margins; image fine. = New Hollstein 7.