80 6320 Pencz Georg ±1500 1550 
- Cut on the platemark, upper margin cut sl. short and irregular w. sl. loss of the rim of the cartouche; somewhat soiled. = Hollstein 135.
80 6321 Pencz Georg ±1500 1550 
- Cut on/ just outside the platemark; sl. grey impression.
= From the series of the Works of Mercy. Hollstein 73.
80 6322 Pencz Georg ±1500 1550 
- Sl. grey impression. = Hollstein 36, 2nd state of 2. On laid paper, prob. 17th cent.
80 6323 Pencz Georg ±1500 1550 
80 6323 Pencz Georg ±1500 1550 
- Strong impression, cut on the platemark. = Partly after Michelangelo. Hollstein 18.
Idem. Susanna and the Elders. Engraving, 4,7x7,4 cm., monogrammed in the plate.
- Cut a few mm. outside the platemark; sl. grey impression.
= Hollstein 20. Both prints from a series of 9 Scenes from the Old Testament.
80 6324 Pencz Georg ±1500 1550 
80 6324 Pencz Georg ±1500 1550 
- Closed horizontal tear near left edge; cut a few mm. outside the platemark; printed from a sl. worn plate, w. grey areas.
= Hollstein 5.
AND 1 other by the same: Joseph explaining his dreams (Hollstein 73. professionally restored/ repaired copy).
80 6325 Picart Bernard 1673 1733 
- Sl. fingersoiled; sm. marginal tear; trimmed just outside the platemark.
= Proof or unused leaf without the central scene. Used as ornamental border for scenes depicted in Antoine DE LA BARRE DE BEAUMARCHAIS, Le Temple des Muses: orné de 60 tableaux où sont représentés les événemens les plus remarquables de l'antiquité fabuleuse (Amsterdam, 1733).
AND 3 other ornament prints showing various designs of stair railings, etched copies in reverse after Daniel MAROT (still cordbound).
80 6326 Piranesi Giovanni Battista 1720 1778 
- Dark impression. = Wilton-Ely 217; Hind 84, 1st state of 3; Focillon 770.
80 6327 Piranesi Giovanni Battista 1720 1778 
= Focillon 59; Wilton-Ely 121. From the series Alcune Vedute di Archi Trionfali ed Altri monumenti.
80 6328 Piranesi Giovanni Battista 1720 1778 
80 6328 Piranesi Giovanni Battista 1720 1778 
80 6328 Piranesi Giovanni Battista 1720 1778 
80 6328 Piranesi Giovanni Battista 1720 1778 
- Cut to the borderline; various repairs and closed holes; a few sections redrawn. = Wilton-Ely 4.
Idem. Ruine di Sepolcro antico poso dinanzi ad altre ruine d'une Acquedotto pure antico. Etching, 35x23 cm.
- Cut to the borderline; agetoned; some sm. closed tears and holes. = Wilton-Ely 6.
Idem. Mausoleo antico eretto per le ceneri d'un Imperadore Romano. Etching, 35x24,5 cm., "Gio.Batta.Piranesi Arch.o Veneto inv. ed. incise a Roma" in the plate.
- Cut to the borderline; sl. agetoned; sm. repairs w. sections redrawn in pen. = Wilton-Ely 7.
Idem. Ponte magnifico con Logge, ed Archi eretto da un Imperatore Romano (...). Etching, 23,6x35,5 cm.
- Cut to the borderline; closed hole (redrawn in pen) and tear near right edge. = Wilton-Ely 8.
80 6329 Piranesi Giovanni Battista 1720 1778 
= Focillon 60; Wilton-Ely 122. From the series Alcune Vedute di Archi Trionfali ed Altri monumenti.
80 6330 Piranesi Giovanni Battista 1720 1778 
80 6330 Piranesi Giovanni Battista 1720 1778 
80 6331 Piranesi Giovanni Battista 1720 1778 
- Sl. offsetting in margins from passepartout. = Hind 25, 2nd state of 5.
80 6332 Plonski Michel 1778 1812 
- Some (very) slight foxing; sm. gluestains in upper corners former tipping in shining through.
= Le Blanc 21, the 1st state: a central image of a the basket-seller, surrounded by various scenes and portraits. SEE ILLUSTRATION PLATE CXXV.
80 6333 Ploos van Amstel Cornelis 1726 1798 
80 6333 Ploos van Amstel Cornelis 1726 1798 
80 6333 Ploos van Amstel Cornelis 1726 1798 
= LNP 15, 5th state (of 5).
AND ±35 etchings, incl. later impressions, i.a. by/ after Nicolaes BERCHEM, Paulus POTTER and Marcus de BYE.
80 6334 Pool Matthijs 1676 1740 
80 6334 Pool Matthijs 1676 1740 
- Sm. (closed) tear in right margins of first mentioned print.
= Hollstein (Dusart), 68 and 69. Rare portraits, one of a one of a woman enjoying her drink and one of woman enjoying her pipe.
80 6335 Pool Matthijs 1676 1740 ? 
80 6335 Pool Matthijs 1676 1740 ? 
80 6335 Pool Matthijs 1676 1740 ? 
- Cut on/ just inside (±2 mm) the borderline; trifle foxed along caption.
= Rare. F.M. 3698b: "Latere uitgave van Schenk van oudere platen welligt (...) door [Matthijs] Pool [1670-1732] gegraveerd."
AND 2 other engravings w. animals, i.a. by Arthur VOLKMANN.
= Provenance: the collection A.M. van den Broek.
80 6336 Porporati Carlo 1741 1816 
80 6336 Porporati Carlo 1741 1816 
80 6336 Porporati Carlo 1741 1816 
80 6336 Porporati Carlo 1741 1816 
80 6337 Portraits Brussel Hermanus van 1763 1815 
80 6337 Portraits Brussel Hermanus van 1763 1815 
80 6337 Portraits Brussel Hermanus van 1763 1815 
80 6337 Portraits Brussel Hermanus van 1763 1815 
80 6337 Portraits Brussel Hermanus van 1763 1815 
80 6337 Portraits Brussel Hermanus van 1763 1815 
= Sliggers/ Van der Steur, Portretten van 100jarigen, portret b.
Noorde, Cornelis van (1731-1795). "Jacob de Bucquoy". Etching, 18,1x12,5 cm., signed "C.V. Noorde fecit 1758" and titled in the plate.
= Jacob de Bucqouy was a surveyor and map maker.
AND 6 engravings of famous Haarlemmers (18th/ 19th cent.), i.a. of Nicolaas Beets, Tako Jelgersma, Nicolaas van der Laan and Petrus Scriverius.
= Provenance: the collection A.M. van den Broek.
80 6338 Portraits Duval Marc ±1530 1581 after 
= The brothers De Coligny: cardinal Odet, admiral Gaspard (father-in-law of William of Orange) and general François. Formerly attributed to the Wierix Brothers. Copy after Robert-Dumesnil 5 (1579). Hollstein Dutch (Wierix rejects) R41, 3rd state; Van Someren 1158.
80/6339 Portraits Gerardus Mercator Iudocus Hondius 
- Yellowed/ foxing; creased along flattened middle fold (strengthened on verso); some small marginal tears.
= The famous double-portrait of Gerard Mercator and Jodocus Hondius. It was engraved by Coletta Hondius (born Van der Keere), in tribute to her late husband, who had died in 1612, and appeared in the Mercator/ Hondius atlas from 1613 onwards. Van der Krogt/ Koeman I, p.34-35.