80 6460 Velde Jacob van de 1744 1780 
80 6460 Velde Jacob van de 1744 1780 
= LNP 97; Van Huffel 35. Rare.
Labat, Gustave (1824-1917). (Rowing boats on the beach). Drawing, pen and ink and watercolour, 14,5x24,5 cm., signed "Gustave Labat" and "9 Juillet 1912" in lower right corner, under passepartout.
- Sl. yellowed; stain in outer left margin.
AND an anonymous 19th cent. black wash drawing (Man and child walking in a forest) (34x26,8 cm. Some marginal defects) and a brush and black ink drawing by Dirk Kerst KOOPMAN, "Scheene".
80 6461 Verboom Abraham ±1628 ±1670 
- Sl. agetoned, otherwise fine.
= On thin laid paper. Hollstein 1, the 2nd state (of 2). One of only five etchings known by Verboom, follower of Ruisdael.
80 6462 Vernet Charles 1758 1836 after 
- Strips of tape along edges (recto and verso).
= Rare and amusing print showing the inconvenience of wearing a wig whilst riding a horse. SEE ILLUSTRATION PLATE CXXXIII.
80 6463 Vernet Claude Joseph 1714 1789 after 
80 6463 Vernet Claude Joseph 1714 1789 after 
80 6463 Vernet Claude Joseph 1714 1789 after 
80 6463 Vernet Claude Joseph 1714 1789 after 
- All w. ample margins; occas. (sl.) yellowed/ trifle frayed/ trifle waterst. in blank margins; 1x browned and creased; 1x w. closed tear in centre.
= Comprises i.a. the ports of Languedoc, Marseille and Toulon. Under the title "peintre des marines de sa majesté", Vernet was commissioned by Louis XV in 1753 to paint fifteen views of the main ports of France. At that time the country was at war with England, and Louis specifically requested that the artist show off the economic activities and maritime strength of France. This rare series of engravings was created after those paintings. Despite its incompleteness, a desirable set. SEE ILLUSTRATION PLATE CXXXIII.
80 6464 Vinkeles Reinier 1741 1816 
- Tiny tear in outer upper blank margin.
= Splendid night piece. Provenance: the collection of A.M. van den Broek.
80 6465 Vinne Isaak van der 1665 1740 
80 6465 Vinne Isaak van der 1665 1740 
80 6465 Vinne Isaak van der 1665 1740 
80 6465 Vinne Isaak van der 1665 1740 
- Blank lvs. and backwr. w. 2 circular dents; otherwise contents fine. Wrappers worn along extremities.
= Extremely rare. Cf. Hollstein XXXVII, p.78, describing a similar album composed by Van der Vinne (1707) and p.80-222 listing the woodcuts in the album, also incl. woodcuts from the present album. See also C.H. Schuckman, "Gebruiksgrafiek bewaard: handelsmerken door Izaak Vincentsz van der Vinne", Doopsgezinde Bijdragen, nieuwe reeks nr.16 (1990), p.155-176. The marks are numbered by hand and have mottoes in a variety of European languages. The images show a large variety, with i.a. black people, Homer, a dancer, Atlas, a skater, town-views, ships, Jean Bart and a violin-player. The collection offers a fascinating view of the branche of Haarlem thread-merchants by the end of the 17th and the early 18th century. The variety of languages also gives an indication of the breadth of the trade. Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE CXXXIV.
80 6466 Visscher Claes Jansz 1586 1652 
80 6466 Visscher Claes Jansz 1586 1652 
80 6466 Visscher Claes Jansz 1586 1652 
- Sl. grey impression.
= Cf. Hollstein 165. Part of the series of Four castles. The original plate was copied and extended and used by Blaeu in his atlas of 1649.
Idem. The castle in Purmerend. Etching, 13x20 cm., signed "CJVisscher fecit et excu:" and "2" in the plate.
= Hollstein 166, 2nd state of 2.
AND 1 other by Simon FRISIUS, the Anthonis Poort in Amsterdam.
80 6467 Visscher Claes Jansz 1586 1652 
80 6467 Visscher Claes Jansz 1586 1652 
80 6467 Visscher Claes Jansz 1586 1652 
- Two folds.
= Cf. Hollstein 29, the reduced version in reverse of the heavily reworked state of the original print by Simon Frisius, depicting the defeat of the Arminians, 1618. F.M. 1330; Atlas van Stolk 1348.
Wit, Izaak Jansz. de (1744-1809). "Afbeelding van de eerste Algemeenen Vergadering (in de Luthersche Oude Kerk) van de Maatschappij Tot Nut van 't Algemeen (...)". Engraving after Jan BULTHUIS, 37,5x42,5 cm., with Dutch caption and "Proefdruk" below (F.M. 5134a). - AND 1 other attrib. to Jacob MATHAM: "Sic transit gloria mundi. Mors ultima line rerum."
80 6468 Visscher Cornelis 1586 1652 after 
- Upper and lower left corner cut-off, w. loss of the dec. borderline; formerly folded; some foxing.
= Cf. Hollstein XXXVIII,29, the 3rd state (of 5). The reduced version in reverse of the heavily reworked state of the original print by Simon Frisius, depicting the defeat of the Arminians, 1618. F.M. 1330; Atlas van Stolk 1348.
80 6469 Visscher Cornelis 1629 1658 
- Slightly foxed (mainly) in blank margins.
= Attractive print, with a fine profile of Haarlem in the background. The date tree symbolizes virtue. Hollstein 116, 2nd state (of 2). Rare. Provenance: the collection of A.M. van den Broek.
80 6470 Visscher Cornelis 1629 1658 
- Dark strong impression,
= Hollstein 50, 3rd state of 6. "The advice by [the engraver F.] Basan to young engravers, to copy the style of Cornelis Visscher, was widely followed, the rat-catcher favoured by many later engravers as the model for Visscher's oeuvre." (Hollstein).
80 6471 Visscher Johannes de 1633 after 1692 
80 6471 Visscher Johannes de 1633 after 1692 
80 6471 Visscher Johannes de 1633 after 1692 
- On paper with large Amsterdam coat of arms watermark. Tipped onto mount.
= Hollstein 50, 1st state (of 2). From the series Landscapes (four upright plates).
Vrijdag, Daniel (1765-1822). The rat-catcher. Large engraving after Cornelis VISSCHER, 30,6x35,4 cm., w. "d. Vrijdag na C. Visscher, 1787" engr. below, on thick wove paper.
- Vague diagonal fold; tipped onto mount. = Holstein 50, conform copy b.
Vliet, Johannes van (act. ±1628-1637). St. Jerome kneeling in prayer. Etching after REMBRANDT van Rijn, 36,2x28,7 cm., "RHL.v.Rijn inv. J.G.v.Vliet fec. 1631" in the plate.
- Attached to mount along right margin. Trimmed to/ just within the borderline; thin/ rubbed spots in lower right corner.
= Hollstein 13, 1st state (of 2).
AND 3 other miscell. prints.
80 6472 Vlieger Simon de 1601 1653 
80 6472 Vlieger Simon de 1601 1653 
80 6472 Vlieger Simon de 1601 1653 
- First print w. wide margins on 17th cent. laid paper w. crowned coat of arms watermark showing 2 opposing lions rampant; 2nd print trimmed just outside the platemark, somewhat grey impression; verso soiled; third print cut ±0,5 cm. outside the platemark, laid paper w. Amsterdam coat of arms watermark, leaf sl. soiled and w. shallow creases.
= Hollstein 11 and 12, first and only state, and 18, 3rd state of 3. First and 2nd print with the collector's mark of Albert van den Briel (Lugt 407a).
80 6473 Vliet Jan van active ±1628 1637 
80 6473 Vliet Jan van active ±1628 1637 
80 6473 Vliet Jan van active ±1628 1637 
80 6473 Vliet Jan van active ±1628 1637 
80 6473 Vliet Jan van active ±1628 1637 
- 19th cent. impression. = Hollstein 80, the 6th and final state.
AND 4 other etchings from the same series, all 6th and final state: Hollstein 74-77.
80 6474 Vos Maarten de 1532 1603 after 
- Folded once.
= Anonymous copy after Raphael Sadeler. Part of the series of 4 allegorical prints, also representing the Ages of Man. Janssen, Grijsaards in zwart en wit, p.98-100, ill. 38; cf. Hollstein (R. Sadeler) 209; Hollstein (De Vos) 1465.
80 6475 Vrolijk Jan 1845 1894 
80 6475 Vrolijk Jan 1845 1894 
80 6476 Wael Cornelis de 1592 1667 after 
= Hollstein 19. On 17th cent. paper w. a large watermark showing the coat of arms of Amsterdam(?).
80 6477 Wandelaar Jan 1690 1759 
80 6477 Wandelaar Jan 1690 1759 
- Both fine. = Wellcome II, p.26; Garrison-Morton 399.
80 6478 Waterloo Anthonie 1609 1690 
- Fine, well printed copy. = Hollstein 131, only state. SEE ILLUSTRATION PLATE CXXXIV.
80 6479 Waterloo Anthonie 1609 1690 
80 6479 Waterloo Anthonie 1609 1690 
80 6479 Waterloo Anthonie 1609 1690 
- Tipped onto mount; collector's mark of A. Hunter (Lugt 2306) on passepartout, just touching lower left blank margin of the print.
= Hollstein 62, the 2nd state (of 2).
Ruisdael, Jacob van (1628-1682). The three oaks. Etching, 12,8x14,5 cm., signed and dated in the plate, printed by John McCreery, 1816.
- Heavily repaired copy. Later impression.
AND 1 other by Johannes VAN CUYLENBURGH.