132 - 915     FINE AND APPLIED ARTS AND COMMERCIAL ART

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69/ 132 Abramovic, M. and Ulay. The Lovers. Amst., Stedelijk Museum, 1989, 204p., (col.) ills., orig. wr., 4to.

= With AUTOGRAPH SIGNED DEDICATION by Marina Abramović.

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69/ 133 Acker, N. A.R. Penck. Menschen und Tiere nach der Öffnung. Übermalungen 1889-91. Wiesbaden, Galerie Frank Hänel, 2003, 358p., num. col. ills., orig. wr. w. dustwr., 4to. Pettibon, R. Raymond Pettibon. V-boom. Heidelberg, Kestnergesellschaft, 2007, without pagination, num. col. ills., orig. boards, 4to. Altmann, A. a.o. Cees Andriessen. Das Auge unsichtbar. Leipsic, Kerber Verlag, 2008, 111,(1)p., num. col. ills., orig. boards, 4to.
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69 134 Albers J 69 134 Albers J
69/ 134 Albers, J. Homages to the square als Wechselwirkung der Farbe. Introd. J. Wissmann. Recklinghausen, A. Bongers, 1977, 53p., 9 silkscreen plates by JOSEF ALBERS (each 20,5x20,5 cm.), orig. cl., sq. 8vo.

- Covers sl. soiled.

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69 135 Alcopley = A L Copley  Grohmann W 69 135 Alcopley = A L Copley Grohmann W
69/ 135 [Alcopley (= A.L. Copley)]. Grohmann, W. Alcopley - Voies et traces. Wuppertal, Galerie Parnass, 1961, (20)p. [incl. blanks], 32 plates by ALCOPLEY, printed in 140 numb. copies (65), loose as issued in col. wr. by ALCOPLEY, orig. cl. slipcase.

= One of 65 Roman numb. copies signed by the author and the artist.

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69 136 Alechinsky P 69 136 Alechinsky P
69/ 136 Alechinsky, P. Communication. 16 Manifestations d'hypertrophie calligraphique. La Louvière, Daily-Bul, 1967, (4)p., 16 lithogr. plates by P. ALECHINSKY, printed in 550 numb. copies (500), orig. marbled boards, 4to.

- Top of spine trifle dam. = Copy marked "H.C.", SIGNED by the artist on the colophon.

AND 1 other by the same.

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69/137 Alechinsky P  Alechinsky First One Man Show in New York 69/137 Alechinsky P Alechinsky First One Man Show in New York
69/ 137 [Alechinsky, P.]. Alechinsky. First One Man Show in New York. New York, Lefebre Gallery, 1962, (8)p., ills. and fold. wr. w. 4 orig. (col.) lithographs by P. ALECHINSKY, square 8vo.

= Rare invitation booklet. Contains a long poem ("in beautiful, brutal Ting's English") that Walasse Ting dedicated to Alechinsky.

Pierre Alechinsky. Chicago/ Minnesota/ New York, The Arts Club/ The University Gallery/ The Jewish Museum, 1965, (20)p., ills. and orig. lithogr. wr. (recto in black, verso col.) by P. ALECHINSKY, square 8vo. Dessins et gravures de Pierre Alechinsky. Jerusalem, Musée d'Israël, 1970, (20)p., ills. and orig. col. lithogr. wr. by P. ALECHINSKY, square 8vo.

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69/138 Alechinsky P  Alechinsky Recent works 69/138 Alechinsky P Alechinsky Recent works
69/ 138 [Alechinsky, P.]. Alechinsky. Recent works. New York, Lefebre Gallery, 1967, (12)p., ills. and orig. (col.) lithogr. wr. by P. ALECHINSKY, square 8vo.

= Contains texts by Alechinsky ("Three pillories, a key to an image") and Jacques Putman.

Alechinsky. First One Man Show in New York. Ibid., idem, 1962, (8)p., ills. and fold. wr. w. 4 orig. (col.) lithographs by P. ALECHINSKY, square 8vo.

= Rare invitation booklet. Contains a long poem ("in beautiful, brutal Ting's English) Walasse Ting dedicated to Alechinsky.

AND 2 others by/ on the same.

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69/ 139 [Alechinsky, P.]. Ionesco, E. Pierre Alechinsky. Paintings and writings. Paris, Yves Rivière Arts et Métiers Graphiques, 1977, 258,(2)p., num. (full-p.) col. ills., printed in 300 signed by ALECHINSKY and numb. copies (100), orig. cl. w. dustwr., 4to.

- Lacks the orig. lithograph.

= One of the 100 signed copies that should contain an orig. coloured lithograph (lacking in our copy).

Abadie, D. Alechinsky. Sources et résurgences. Ibid., Hazan, 2006, 157,(2)p., num. col. ills., orig. boards w. dustwr. - AND 8 others, i.a. P. ALECHINSKY, Tussen de regels. Ed. E.-G. Güse. Dutch transl. B. Ruijsenaars (The Hague, 1997, num. col. ills., orig. wr., 4to); D. ABADIE and W. VAN DEN BUSSCHE, Pierre Alechinsky (Antw., 2000, num. (col.) ills., orig. boards, 4to); R. VAN DE VELDE, Pierre Alechinsky. Noire sur blanc (Antw., 1999, num. (col.) ills., orig. boards, 4to); H. CLAUS a.o., Pierre Alechinsky: middelpunt en kantlijn (Brussels, 1988, num. (photogr.) ills., orig. boards) and H. CIXOUS, Gare d'Osnabrück à Jerusalem (Paris, 2016, ills., orig. wr.).

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69 140 Alechinsky P  Jaguer E  text 69 140 Alechinsky P Jaguer E text
69/ 140 [Alechinsky, P.]. Jaguer, E. (text). 7e Biennale de São Paulo: participation belge. Alechinsky, Reinhout, Marchoul. Brussels, Ministère de l'Education Nationale et de la Culture, 1963, (40)p., 2 orig. lithogr. plates (printed on both sides) and col. lithogr. wr. by P. ALECHINSKY, sm 4to. Reynard, J.-M. Maint corps des chambres. (Paris), Maeght, 1981, 67,(4)p., ills. by P. ALECHINSKY, printed in 670 numb. copies (500), orig. wr. (Collection Argile). - AND 6 others by/ on the same, i.a. P. ALECHINSKY, Far Rockaway (Montpellier, 1977, 750 copies, orig. wr.) and IDEM, Vieux papiers. Aquarelle 1977-1978 (Munich, 1978, ills., 500 copies, orig. wr.).
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69 141 Alechinsky P  Jaguer E  text 69 141 Alechinsky P Jaguer E text
69/ 141 [Alechinsky, P.]. Jaguer, E. (text). 7e Biennale de São Paulo: participation belge. Alechinsky, Reinhout, Marchoul. Brussels, Ministère de l'Education Nationale et de la Culture, 1963, (40)p., 2 orig. lithogr. plates (printed on both sides) and col. lithogr. wr. by P. ALECHINSKY, sm 4to. Solo de sculpture et divertissement arrangé pour peinture à quatre mains. Reinhoud, Alechinsky et Ting. Paris, Galerie de France, 1963, (8)p., ills., printed in 2200 numb. copies, orig. wr. w. a double-p. orig. col. lithograph by P. ALECHINSKY and W. TING on the inside, folio. - AND 3 others by/ on the same, i.a. ALECHINSKY À LA LIGNE, Avec Prédelle de Joyce Mansour (Paris, 1973, (col.) ills., orig. wr., sm. folio).
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69/142 Alechinsky P  Solo de sculpture et divertissement arrangé pour peinture à quatre mains Reinhoud Alechinsky et Ting 69/142 Alechinsky P Solo de sculpture et divertissement arrangé pour peinture à quatre mains Reinhoud Alechinsky et Ting
69/142 Alechinsky P  Solo de sculpture et divertissement arrangé pour peinture à quatre mains Reinhoud Alechinsky et Ting 69/142 Alechinsky P Solo de sculpture et divertissement arrangé pour peinture à quatre mains Reinhoud Alechinsky et Ting
69/ 142 [Alechinsky, P.]. Solo de sculpture et divertissement arrangé pour peinture à quatre mains. Reinhoud, Alechinsky et Ting. Paris, Galerie de France, 1963, (8)p., ills., printed in 2200 numb. copies, orig. wr. w. a double-p. orig. col. lithograph by P. ALECHINSKY and W. TING on the inside, folio. Jaguer, E. (text). 7e Biennale de São Paulo: participation belge. Alechinsky, Reinhout, Marchoul. Brussels, Ministère de l'Education Nationale et de la Culture, 1963, (40)p., 2 orig. lithogr. plates (printed on both sides) and col. lithogr. wr. by P. ALECHINSKY, sm 4to. - AND 4 others by/ on the same, i.a. ALECHINSKY and P. BURY, Le dérisoire absolu (La Louvière, 1980, ills., orig. wr., 4to).
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69 143 Andre C 69 143 Andre C
69/ 143 Andre, C. Shooting a Script. N.pl., the artist, 2000, (4),96,(1)lvs., orig. cl., obl. folio.

= Rare work by the minimalist Carl Andre after his novel length poem which contains a series of stories reporting a shooting that took place in Waco, Texas on April 1, 1898. One of 78 copies, SIGNED in felt-tip pen by the artist on title-page. SEE ILLUSTRATION PLATE II.

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69 144 Antes H  Trier E 69 144 Antes H Trier E
69/ 144 [Antes, H.]. Trier, E. Horst Antes. XXXIII Biennale di Venezia 1966. Padiglione delle Germania. Venice, Kulturabteilung des Auswärtigen Amtes, 1966, (16)p., (col.) ills., orig. wr., square 8vo.

= With an ORIGINAL ETCHING as frontispiece, signed "Antes 6" and "4/50" in pencil, and with SIGNED DEDICATION by the artist in pen and ink on title.

Horst Antes. Keramiken, Bilder, Zeichnungen, Grafik. Munich, Galerie Stangel, 1965, without pagination, 4 ORIGINAL LITHOGRAPHS (2 double-p.) by H. ANTES, (col.) ills., orig. wr.

- Loosening, but fine.

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69/ 145 Anthonioz, M. L'Album Verve. Paris, Flammarion, 1987, 394,(4)p., num. col. ills., orig. cl. w. dustwr., plain slipcase, folio. - AND 5 others, i.a. J. LEYMARIE, Balthus (Geneva, 1978, num. tipped-in col. plates, orig. cl. w. dustwr., folio); B. CONTENSOU, L'Atelier la Courière-Frelaut ou 50 ans de gravure et d'imprimerie en taille-douce 1929-1979 (Paris, 1979, (col.) ills., orig. wr.).
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69 146 Apostool C  69 146 Apostool C
69/ 146 (Apostool, C.). Catalogus der schilderijen, oudheden, enz. op het Koninklijk Museum te Amsterdam. Ams., Gebr. van Cleef, 1809, (2),109p., orig. boards, a.e.g.
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69/ 147 Appel, K. Océan Blessé. Poèmes et dessins. Paris, Galilée, 1982, 369,(6)p., ills., orig. wr.

= SIGNED in black ballpoint on title-page.

Ecrits sur Karel Appel. Ibid., idem, 1983, 407,(1)p., ills., orig. wr.

= SIGNED in black ballpoint on first free endpaper.

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69 148 Appel K 69 148 Appel K
69/ 148 Appel, K. A Sunny Day with Loving Car. N.pl., Mercedez-Benz, (1986), (28) (transparent) lvs. w. (full-p.) col. ills., printed in 700 numb. copies, orig. cl., sq. folio.

= Contains facs. texts by Karel Appel and a series of col. photogr. ills. of Appel painting over a Mercedes car.

WITH an extensive AUTOGRAPH TEXT by the artist, black felt-tip writer, 14 large lvs. (mainly ±43x32 cm.), numb. 1-14, recto only.

- The last leaf formerly laid down, w. gluestains on verso and repaired tear in lower margin (penetrating the text).

= A remarkable manuscript in which Karel Appel extensively comments on his painting of the car, thus giving a detailed insight in his ideas. Only a very few lines have been used in the above bookpublication.

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69/149 Appel K  Ariel 4 69/149 Appel K Ariel 4
69/ 149 [Appel, K.]. Ariel 4. Paris, Galerie Ariel, 1966, (15)p., ills., loose as issued, printed in 750 numb. copies, double-p. col. lithograph and col. lithogr. wr. by KAREL APPEL, large 4to. Ariel 44. Ibid., idem, 1977, (32)p., double-p. silkscreen plate, tipped-in col. plates and orig. wr. by KAREL APPEL, printed in 1000 copies, large 4to. - AND 2 exhibition catalogues on the same, i.a. Karel Appel. Peinture Acrylic/ Acrylic Paintings (Zurich and London, Gimpel, 1969, fold. col. silkscreen folder in sleeve).
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69 150 Appel K  Lambert J C 69 150 Appel K Lambert J C
69 150 Appel K  Lambert J C 69 150 Appel K Lambert J C
69/ 150 [Appel, K.]. Lambert, J.-C. Karel Appel. Eloge de la folie. Paris, Y. Rivière, 1977, no pagination, printed in 175 numb. copies (110), SIGNED by the author and artist, ills., orig. wr. Morin, E. and Appel, K. New York. Ibid., Galilée, 1984, 71p., ills., orig. wr.

= SIGNED by the artist in pencil on htitle.

Appel, K. a.o. Propos en liberté. Ibid., idem, 1985, 198p., plates, orig. wr.

= SIGNED in pencil onfirst free endpaper.

Ariel 4. Appel. Ibid., Galerie Ariel, 1966, (11)p., printed in 750 numb. copies, loose as issued, double-p. col. lithograph and orig. col. lithogr. wr. by K. APPEL, large 4to. - AND 1 other on the same.

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69 151 Appel K  Ragon M 69 151 Appel K Ragon M
69/ 151 [Appel, K.]. Ragon, M. Karel Appel, Schilderijen 1937-1957. Amst., Meulenhoff/ Landshoff, 1988, 547p., num. (full-p.) col. ills., orig. cl. w. dustwr., folio.
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