1 - 672 FINE AND APPLIED ARTS, ART REFERENCE
- Upper hinge weak; checkmarks in color pencil in the table of content; some offsetting from ills. Wr. soiled; tear in frontcover.
= With woodcut ills. printed from the original blocks by i.a. J. CANTRÉ, W. GRAMMATÉ, W. KLEMM, G. MARCKS, F. MASEREEL, J. MINNE, G. SCHRIMPF, H. VAN STRATEN and J. WIEGERS.
Boom, A. van der. De moderne houtsnede in Nederland. Introd. R.N. Roland Holst. Amst., Kosmos, n.d. (1928), 38,(1)p., 165 (full-p.) ills., orig. dec. cl. by FOKKO MEES, sm. folio.
- Endpapers partly browned; sl. foxed. Covers trifle soiled.
- Dustwr. w. some marginal tears and occas. chipped (mainly along spine-ends).
= With AUTOGRAPH SIGNED DEDICATION to JAN VAN KRIMPEN in pen and ink on free endpaper: "For my dear friend Jan van Krimpen in admiration & in memory of a long association. John Buckland Wright. Oct. 1953". And with two manuscript corrections (1x monogrammed) in margin on p.229 and 236. With the bookplate of Ger Brouwer on upper pastedown. SEE ILLUSTRATION PLATE VI.
= Facs. reprint of the ed. Paris 1906-1907.
Boom, A. van der. De moderne houtsnede in Nederland. Introd. R.N. Roland Holst. Amst., Kosmos, (1928), 38,(1)p., 165 (full-p.) ills., orig. dec. cl. by FOKKO MEES, sm. folio.
- Sl. foxed as usual.
AND 1 other: G. SLUYTER, De moderne grafiek in Nederland en Vlaanderen (Amst., 1928, plates, orig. gilt cl., folio).
- Sl. creased in outer inner corner throughout. Wrappers faded; spine discol.; top of spine sl. dam.
AND 5 others, i.a. E.G. KENNEDY, The Etched Work of Whistler (San Francisco, 1978, num. ills., orig. hcl. w. dustwr., 4to) and M. MELOT, L'Oeuvre gravé de Boudin, Corot, Daubigny, Dupré, Jongkind, Millet, Théodore Rousseau (Paris, 1978, num. ills., orig. cl. w. dustwr., 4to).
- Occas. unobtrusive penmarks. Spine sl. rubbed.
- Sl. foxed. Wr. sl. frayed/ discol.
Greshoff, J. Jozef Cantré houtsnijder. Amst./ Mechelen, De Spieghel/ Het Kompas, 1933, 27p., 14 woodcut plates by J. CANTRÉ (1x col.), orig. wr.
- Sl. browned (incl. covers). Owner's entry on frontwr.
Poortenaar, J. Etskunst, techniek en geschiedenis. Amst., J.H. de Bussy, 1930, 1st ed., XVI,216p., 6 orig. etchings signed in pencil by J. POORTENAAR, tipped-in samples of paper etc., 174 ills. on plates, 19 textills., printed in 375 numb. copies (350), orig. gilt hcl., 4to.
- (Sl.) foxed. Covers sl. fingersoiled.
= "Der ursprüngliche Bestand des Lindenau-Museums, die 1994/95 erworbene Sammlung Hoh und die Erwerbungen seit 1995." (titile-p.). Standard work.
- Only the first vol.; pastedowns and endpapers sl. browned/ stained. Without dustwr.
= Facs. reprint of the eds. Paris 1906-1907.
AND 4 others, i.a. S. SABARSKY, Druckgraphik des deutschen Expressionismus (Wien, 1984, num. ills., orig. pict. wr., large 8vo) and M.M. MOELLER, Ernst Ludwig Kirchner. Meisterwerke der Druckgraphik (Stuttgart, 1990, num. ills., orig. pict wr., 4to).
- Sm. rubbed spot on first free endpaper; one leaf w. brown stain. = The standard catalogue.
Zilcken, Ph. H.W. Mesdag. Etsen naar schilderijen. Leyden, A.W. Sijthoff, (1896), (8),42,(1)p., etched portrait and 10 etched plates on chine collé by PH. ZILCKEN after H.W. MESDAG, 4 plates, ills., orig. gilt cl. w. mounted plate on frontcover, a.e.g., folio.
- Sl. foxed. Covers soiled; spine-ends sl. dam.
AND 6 others, most w. owner's entry, i.a. W.F. DUPONT, Pieter Dupont. Een Nederlandsch graveur (Oisterwijk, 1947, portr., 168 ills. on plates, orig. (sl. foxed) gilt cl., 4to); P. ZILCKEN, Marius Bauer (Amst., 1912, portrait, plates, orig. (sl. waterstained) wr., 4to) and IDEM, Peintres Hollandais Modernes. Avec (...) un essai de catalogue descriptif des eaux-fortes d'Israels, de J., M. et W. Maris et de Mauve (ibid., n.d. (1899), new ed., helio-engr. plates, (full-p.) ills., facs. ills., orig. giltlettered pict. cl., a.e.g., 4to).
- Occas. sl. foxed. Binding neatly strengthened along margins and on backstrip w. cl. tape.
= With orig. woodcuts by i.a. HENRI VAN STRATEN (18x), FRANS MASEREEL (5x), JORIS MINNE (22x), J. CANTRÉ (14x), J.F. CANTRÉ (11x) and G. DE SMET (2x).
- Two w. waterstain.
= I.a. on censorship, the right to own printing presses, taxation on foreign prints, copyright and training.
- Sl. foxed; some offsetting from plates. Spine-ends dam.; top of spine loose; corners showing.
= I.a. on "sujets réligieux", "démons", "imprimerie", "grant danse macabre" and "ecusson".
Geffroy, G. Les musées d'Europe. La Hollande. Ibid., Libraire Nilsson, n.d. (±1900), IV,160p., 54 (of 57) plates, num. textills., later gilt boards, orig. wr. pres., 4to.
- Lacks 3 plates; library stamp on htitle; sl. browned. Rebound w. use of old backstrip.
AND 4 others, i.a. M.W. EVANS, Medieval Drawings (London a.o., 1969, num. (full-p.) ills., orig. cl. w. dustwr., 4to. Bookplate on first free endpaper; sl. dam. dustwr.).
= DELUXE edition, printed in 400 numb. and signed copies, containing an orig. pop-up plate by Red Grooms, tipped onto last free endpaper.
- Spines sl. sunned.
Vallées du Niger. Paris, Réunion des musées Nationaux, 1993, (22),573,(4)p., num. (col.) (photogr.) ills., orig. boards w. dustwr., large 4to. - AND 2 others.
= With SIGNED dedication in pencil w. incorporated drawings by the artist on title-p.: "Veel [drawings of a bottle of wine, two glasses, a heart, a plate with fork and knife] kunst en nog veel meer in 1996. Heleen Klaas."
Hakkens, A. (introd.). Marcel Broodthaers projecties. Eindh., Sted. Van Abbemus., 1992, 140p., num. (col.) ills., orig. clothbacked dec. boards. - AND 2 others: C. BLOTKAMP, Pyke Koch (Amst., 1972, ills., orig. cl. w. (sl. dam.) dustwr., 4to) and H. RUHÉ, Het beste van Wim T. Schippers (Utr., 1997, ills., orig. board, large 8vo).