2934 - 3096 FINE ARTS - VARIA, CALENDARS, DEVOTIONALIA, HOLY PICTURES, PAPER, PICTURE POSTCARDS, POSTERS etc.
= SEE ILLUSTRATION PLATE II.
- Rolled. Otherwise a fine copy w. a few tiny imperfections in blank margins.
- Sl. yellowed; handling creases.
"G.T. Rietveld. Schröderhuis, 1925". Col. offset poster, 59,5x79,5 cm., Édition Hazan, n.d.
- Trifle frayed/ creased and vaguely dustsoiled in outer blank margins.
= With signed dedication by the artist in lower right blank corner, dated "1956".
AND 8 other miscell. posters, i.a. MIRANDA, "Viert uw bevrijdingsfeest waardig en stijlvol" (col. offset, 67x46 cm., 1955); ANONYMOUS, "Rekenschap 1946-1954. Hedendaagse beeldende kunst door het Rijk verworven" (col. offset, 46x62 cm., 1955); K. STAECK, "Die Kunst der 70er Jahre findet nicht im Salle statt" (col. offset, 84x59,5 cm., 1974).
- Corners strengthened on verso w. paper.
Idem. "Boekenweek. Europa en het boek". Col. lithogr. poster, 1963, 50x69,5 cm.
- With vertical central fold; two glue stains in left corners; upper right corner torn.
Brink, B. van den (20th cent.). "Couzijn". Silkscreen poster, w. hole, 72,5x46,5 cm., 1967.
- Formerly folded; rolled. = Exhibition poster for museum The Zonnehof in Amersfoort.
AND 10 other exhibition posters for the Zonnehof, 8x by the same, all 1960's, all w. similar defects.
- All rolled.
- Rolled; some minor imperfections.
Crouwel, W.H. (1928-2019). "Vijftig jaar zitten". Col. poster, 95x63,5 cm., ibid., Stedelijk Museum, 1966.
- Closed tear near upper left corner, otherwise fine.
Escher, G. (b.1945). "Studio Laren. Middeleeuwen en Renaissance" Col. silkscreen poster, cm., 1971, signed and "71" in ballpoint. - AND ±20 other (exhibition) posters, various sizes, i.a. by/ on G. ESCHER, B. LINDSTROM, JAMES ROSENQUIST, W. SANDBERG and ARNULF RAINER.
- Various (sm.) defects. Sold w.a.f.
- Lacks part of the lower caption w. the words "Paradis des enfants"; sm. (closed) tear in lower left corner; sl. frayed.
- Frayed, w. repairs and chipped along edges. Sold w.a.f.
- Rolled.
- Horizontal fold; pinholes in corners; pieces of paper on verso in corners.
AND 14 others by the same, w. (sm.) defects/ folds, i.a. "Op losse schroeven" (Stedelijk Museum, 1969. With folds and glue stains), "De Stijl" (Stedelijk Museum, 1982), "Always in the Stedelijk/ Altijd in het Stedelijk" (4 posters, 2 variants in English and Dutch), "Rik Wouters" (Zonnehof Amersfoort, 1961, rare), "Boekenweek 1962", "6.000.000 boeken" (Zonnehof Amersfoort), "Jorn" (Stedelijk Museum, 1964), "Amsterdam in zijn element" (Amsterdam Historisch Museum, 1967), "Binnen zonder kloppen" (Amsterdams Historisch Museum, 1965, central fold) and "Lucebert" (Amst., Stedelijk Museum, 1969, folded 3 times).
- All rolled.
= Both advertising Paul Guillemermet Lunetterie/ Opticien, Lyon/ Villefranche.
= SEE ILLUSTRATION PLATE II.
- First poster folded once horizontally; a few sm. creases along edges.
AND 7 exhibition posters by the same, all 1970's.
- All rolled.
- Rolled. = I.a. by MARINUS BOEZEM and ANTHON BEEKE.
- Pinholes in corners.
= Theatrical poster for the short movie "Aah Tamara" by Pim de la Parra with i.a. Kitty Courbois. Eli Gross was an Israeli designer who worked at Total Design Amsterdam for some years.
AND 3 others, i.a. "Bewaar het geheim van les Diaboliques".
- Rolled.
- Trifle creased in upper right corner; lower right corner sl. affected by silverfish; some vague foxing in upper margin. Otherwise fine.
= Dooijes/ Brattinga no.203. Cf. Purvis p.128; cf. Maan '82, p.25; cf. Maan/ Van der Ree '90, p.21; cf. Broos/ Hefting p.77 (all smaller size, w. sl. variant typography). SEE ILLUSTRATION PLATE II.