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3097 - 3283     FINE ARTS - PHOTOGRAPHS

Page 1 of 10 Results 1 - 20 of 187
74 3097 Abbé J E  1883 1973 74 3097 Abbé J E 1883 1973
74 3097 Abbé J E  1883 1973 74 3097 Abbé J E 1883 1973
74 3097 Abbé J E  1883 1973 74 3097 Abbé J E 1883 1973
74 3097 Abbé J E  1883 1973 74 3097 Abbé J E 1883 1973
74 3097 Abbé J E  1883 1973 74 3097 Abbé J E 1883 1973
74/3097 Abbé, J.E. (1883-1973). "Serie Mistinguett". Gelatin silver print, 23,5x17,5 cm., w. the stamp "Photographie par Abbe Paris" and title supplied in pen on verso.

= Showing the actress Jeanne Florentine Bourgeois, better knwown as Mistinguett during a scene with a male actor. SEE ILLUSTRATION PLATE IV.

Idem. (Mistinguett sitting amidst a large group of people). Albumen print, 19,2x24,5 cm., signed "Abbé" in red crayon. - AND 3 photographs, 2 acting scenes with Mistinguett by the same and a double portrait by J.H. CONNELLY.

= All from the Mistinguett sale of 1994 at auction house Binoche with its stamp on verso.

€ (500-700)
74 3098 Aby 19th cent  74 3098 Aby 19th cent
74 3098 Aby 19th cent  74 3098 Aby 19th cent
74 3098 Aby 19th cent  74 3098 Aby 19th cent
74/3098 Aby (19th cent.). (Full-length portrait of a woman). Handcol. albumen print, 26x13,8 cm., signed "Aby Paris" in blue. - AND 2 photographs of a little girl on a chair (both gelatin silver print, 60x37,5 cm.).
€ (100-150)
74/3099 Album for cabinet photographs 74/3099 Album for cabinet photographs
74/3099 Album for cabinet photographs, late 19th cent., 18 chromolithogr. stiff board lvs. w. openings for photographs, handpainted embossed leather w. a motif of plants and animals, frontcover w. large brass heraldic onlay on a velvet ground, brass lock, a.e.g., 34x27 cm.

- Empty, without photographs; a few lvs. sl. dam. and occas. w. names in ballpoint. Trifle rubbed along extremities.

€ (30-50) 40
74 3100 Ambrotypes  Anonymous mid 19th cent  74 3100 Ambrotypes Anonymous mid 19th cent
74/3100 [Ambrotypes]. Anonymous (mid 19th cent.). (Double portrait of a woman and her child). Ambrotype, whole plate (21x15 cm.), ±1860, under contemp. oval board passepartout, within wooden frame.

- Small dam. spot in lower left part. = SEE ILLUSTRATION PLATE IV.

€ (100-150) 100
74 3101 Ambrotypes  Anonymous mid 19th cent  74 3101 Ambrotypes Anonymous mid 19th cent
74 3101 Ambrotypes  Anonymous mid 19th cent  74 3101 Ambrotypes Anonymous mid 19th cent
74 3101 Ambrotypes  Anonymous mid 19th cent  74 3101 Ambrotypes Anonymous mid 19th cent
74 3101 Ambrotypes  Anonymous mid 19th cent  74 3101 Ambrotypes Anonymous mid 19th cent
74 3101 Ambrotypes  Anonymous mid 19th cent  74 3101 Ambrotypes Anonymous mid 19th cent
74 3101 Ambrotypes  Anonymous mid 19th cent  74 3101 Ambrotypes Anonymous mid 19th cent
74 3101 Ambrotypes  Anonymous mid 19th cent  74 3101 Ambrotypes Anonymous mid 19th cent
74 3101 Ambrotypes  Anonymous mid 19th cent  74 3101 Ambrotypes Anonymous mid 19th cent
74/3101 [Ambrotypes]. Anonymous (mid 19th cent.). (Portrait of a seated gentleman with his top hat on the table). Ambrotype, (prob.) quarter plate, ±1850, w. sm. commemmorative string of hairs below plate, leather covered case w. opening side panels and a support on verso. Anonymous (mid 19th cent.). (Portrait of a seated adolescent boy). Ambrotype, quarter plate, ±1860, richly engr. gilt passepartpout, leather covered case, inside frontcover lined w. burgundy red velvet. - AND 10 other ambrotypes, i.a. a double ambrotype portrait of a gentleman and a lady (in a leather covered case, both sixth plate, ±1850 (spine broken)), ambrotype portrait of a mother and her two children (sixth plate, without case or frame, dated in pencil on verso "Bruges le 15 Mai 1876") and 3 ambrotype portraits of ladies (all ninth plate, in (embossed) leather covered cases, ±1855).
€ (200-300) 210
74 3102 America  Anonymous late 19th cent  74 3102 America Anonymous late 19th cent
74 3102 America  Anonymous late 19th cent  74 3102 America Anonymous late 19th cent
74/3102 [America]. Anonymous (late 19th cent.). (The Palmer House, Chicago). Albumen print, ±1890, 19,1x24,3 cm., laid down.

= This second Palmer House, built in 1871, was replaced in 1923-25 by the third Palmer House, which is still in use as a hotel.

AND 1 other: a gelatin silverprint showing two men in front of a frontier merchandise store "J.A. Wickett".

€ (50-70) 70
74/3103 America  Portrait of Jefferson Davis in later life 74/3103 America Portrait of Jefferson Davis in later life
74/3103 [America]. (Portrait of Jefferson Davis in later life). Cabinet photograph, by Howell, New York, ±1880.

- Sl. duststained.

= Portrait of the former Confederate president Jefferson Davis (1808-1889).

AND a carte-de-visite portrait of the same, publ. by E. Anthony (New York, ±1865), w. an erroneous identification on verso ("Lincoln").

€ (80-100) 80
74 3104 Amsterdam  Oosterhuis P  1816 1885 74 3104 Amsterdam Oosterhuis P 1816 1885
74 3104 Amsterdam  Oosterhuis P  1816 1885 74 3104 Amsterdam Oosterhuis P 1816 1885
74/3104 [Amsterdam]. Oosterhuis, P. (1816-1885). (Statue of Naatje on the Dam). Mounted albumen stereophotograph, 7,3x14 cm., published as frontispiece in: Praktische Volks-Almanak. Jaarboekje ter Verspreiding van Kennis der Toegepaste Wetenschapen onder alle Standen der Maatschappij 1859. Haarlem, A.C. Kruseman, (1859), XVI,176p., orig. lithogr. wr.

- Three lvs. dam. in lower corner w. sl. loss of text; last 2 lvs. frayed in fore-edge margin. Loose(ning), lacks backstrip, wr. a few chips.

= The first(?) publication of a (stereo)photograph in a Dutch book. Contains a contribution "Bij de titelplaat" by "Ln." on p.163-171, i.a. identifying the photographer and subject. "(...) Het zetten en drukken is ongetwijfeld eene kunst; maar even zeker is het maken van een goede negatieve photographie en het doen worden van eenen goeden positieven afdruk daarvan, eenen veel grootere kunst (...). En als men in plaats van enkele photographische afdrukken er duizenden maken moet, als de kunst der photographie als 't ware fabriekmatig moet worden gedreven, dan wordt de moeijelijkheid daarvan vertienvoudigd. Het was dus zeker een eenigermate vermetel denkbeeld van een Engelschen schrijver en zijnen uitgever, toen zij in het begin van dit jaar een boek met stereoskopische dubbel-photographien het licht deden zien. (...) De uitgever van dit boekje besloot, korten tijd na het verschijnen der reisbeschrijving van Prof. Piazzi Smijth en het daarop volgende stereoscopic magazine, om ook hierin Nederland niet achter te doen blijven, om, vóór dat dit nog in andere landen was nagevolgd, ons land een photographiedruk te doen verschijnen, en wel om dadelijk met het moeijelijkste, met eene stereoskopische figuur te beginnen (...)" (p.167-168).

€ (40-60) 325
74 3105 Amsterdam Nadar  Vezy E 74 3105 Amsterdam Nadar Vezy E
74/3105 [Amsterdam. Nadar]. Vezy, E. Beschrijving en geschiedenis van den monsterballon Le Géant, die te Amsterdam den 11 September zal Opstijgen. Broadside (?), w. large woodengr. illustration, 44,5x28,5 cm., printed by C.A. Spin, Amst., 1865.

- Sl. frayed and creased; folded.

= Le Géant was the hot air balloon of the French photographer Nadar, who made several demonstration flights with this ballloon in Europe. After displaying the balloon in the Paleis voor Volksvlijt, the flight in Amsterdam was planned on September 11, 1865, but due to heavy wind, it was postponed to the 14th. The balloon drifted dangerously towards the North Sea, so Nadar decided to land in the Haarlemmermeer polder. With a contemporary annotation in pen and ink on recto "Opgestegen 14 Sept. 1865".

€ (60-80) 350
74 3106 Andriesse E  1914 1952 74 3106 Andriesse E 1914 1952
74 3106 Andriesse E  1914 1952 74 3106 Andriesse E 1914 1952
74 3106 Andriesse E  1914 1952 74 3106 Andriesse E 1914 1952
74 3106 Andriesse E  1914 1952 74 3106 Andriesse E 1914 1952
74/3106 Andriesse, E. (1914-1952). (Flags hanging from a window). Vintage silverprint, 16,8x11,3 cm. Lievegoed, T. (20th cent.). (Market scene with caged birds and kittens in a box). Original photograph, 18x12,2 cm. Idem. (People in a train compartment). Original photograph, 18x12,4 cm.

- Both photographs w. remants from former tipping-in on verso.

= Tony Lievegoed was the assistant to the designer/ photographer Gerrit Kiljan.

ADDED: 6 miscell. photographs, modern prints, partly of The Hague architecture.

€ (40-60) 40
74 3107 Anonymous 19th cent  74 3107 Anonymous 19th cent
74 3107 Anonymous 19th cent  74 3107 Anonymous 19th cent
74 3107 Anonymous 19th cent  74 3107 Anonymous 19th cent
74/3107 Anonymous (19th cent.). (Portrait of a woman standing next to a table with plants). Albumen print, 38x32 cm., oval cut, tipped under a passepartout (causing some fading). - AND 2 other portraits, i.a. a circular portrait of a young woman by "Phoute(?)".
€ (80-100) 80
74 3108 Anonymous 19th cent  74 3108 Anonymous 19th cent
74 3108 Anonymous 19th cent  74 3108 Anonymous 19th cent
74 3108 Anonymous 19th cent  74 3108 Anonymous 19th cent
74/3108 Anonymous (19th cent.). (Two painters portraying a seated man in an atelier). Mounted albumen print, ±1880, 12x17,8 cm. - AND 4 others, all late 19th cent., i.a. Turkish carpet seller, two (Dutch?) maids, a breadseller with a dog cart.
€ (50-70) 80
74 3109 Anonymous late 19th cent  74 3109 Anonymous late 19th cent
74/3109 Anonymous (late 19th cent.). (Portraits of a boy and his mother in various poses). Oval albumen print on board, 59x49 cm., 1x signed "Sam de Vijver" and "19" in pencil.

- One portrait mounted on the print; sl. yellowed.

= Early variation of photomontage, showing 8 portraits on one board.

€ (70-90)
74 3110 Anonymous early 20th cent  74 3110 Anonymous early 20th cent
74 3110 Anonymous early 20th cent  74 3110 Anonymous early 20th cent
74/3110 Anonymous (early 20th cent.). (Early x-rays showing broken bones). Two mounted photographs, ±1910, each 17x11,8 cm.

- One mount foxed; other fingersoiled. = Rare, early (Dutch?) x-ray photographs.

€ (50-70) 70
74 3111 Anonymous 1st half 20th cent  74 3111 Anonymous 1st half 20th cent
74 3111 Anonymous 1st half 20th cent  74 3111 Anonymous 1st half 20th cent
74/3111 Anonymous (1st half 20th cent.). (A couple in front of a grocer's store with a double portrait of the woman). Gelatin silver print, 8,5x5,5 cm., ±1930.

= Perhaps an experiment by the photographer. Shop with de name "de Frankrijker" on the door.

AND 1 other similar photograph of the same shop front.

€ (50-70) 50
74 3112 Anonymous 20th cent  74 3112 Anonymous 20th cent
74/3112 Anonymous (20th cent.). (Nude model and a well-dressed man caught together in a limousine). Cibachrome print, 31,5x20,6 cm., framed.

= In the style of Helmut Newton, ±1972.

€ (100-150)
74 3113 Anonymous 20th cent  74 3113 Anonymous 20th cent
74/3113 Anonymous (20th cent.). "Zonder titel". C-print mounted on plastic, 39x39 cm., signed illegibly, 'titled', "1/1" and "1989" in pencil on verso.

= Showing a naked woman partly covered in coconuts, bending over with a frame around her crotch and upper legs.

€ (60-80)
74/3114 Autochrome diascope viewer with an autochrome plate 74/3114 Autochrome diascope viewer with an autochrome plate
74/3114 Autochrome diascope viewer with an autochrome plate, ±1920, w. insert for holding autochromes 13x18 cm.

- Minor imperfections, otherwise fine.

= The autochrome shows a Belgian or French art nouveau style beach house with the word "M'as tu vu" on the façade.

€ (60-80) 160
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74 3115 Baumont 19th cent  74 3115 Baumont 19th cent
74/3115 Baumont (19th cent.). (View of the Baia do Porto Grande on the island Sao Vincente). Albumen print, ±1880, 21,5x29,7 cm., photographer's stamp on mount, tipped onto contemp. mount.

= Attractive view of various anchored ships, i.a. three-masters, seen from the harbour of Mindelo, with Monte Cara on the left. The island became a coal deposit for the ships of the British East India company and in 1850 for the Royal Mail Steam Packet Company. In the centre of this photograph one sees two boats loaded with coal.

ADDED: ±70 other miscell. photographic views, i.a. albumen prints, various sizes, ±1870-1900, i.a. of Pompey's Pillar at Alexandria (Egypt) (±1880), Balaclava Harbour on the Crimea Peninsula (±1870), 10 albumen views of Norway (i.a. by K. KNUDSEN and HENRY ROSLING), Japan, Lourenço Marques, a canyon in Peshawar (by R.B. HOLMES & CO.) and ±20 views of South Africa (i.a. Boven and Onder Waterval).

€ (200-300) 450
74/3116 Belgian Congo  Album containing ±80 photographs 74/3116 Belgian Congo Album containing ±80 photographs
74/3116 Belgian Congo  Album containing ±80 photographs 74/3116 Belgian Congo Album containing ±80 photographs
74/3116 Belgian Congo  Album containing ±80 photographs 74/3116 Belgian Congo Album containing ±80 photographs
74/3116 Belgian Congo  Album containing ±80 photographs 74/3116 Belgian Congo Album containing ±80 photographs
74/3116 [Belgian Congo]. Album containing ±80 photographs, all gelatin silver prints, ±1960, 5,2x5,7 to 16,3x22,8 cm., loosely inserted in modern ringbinder, 4to.

= Collection of photographs taken in the time right before and after Congo's independence, showing people making music, broadcasting radio, performing rituals and views in Congolese cities.

ADDED: a modern album w. ±140 miscell. photographs and picture postcards.

€ (80-100) 130
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