3097 - 3283     FINE ARTS - PHOTOGRAPHS

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Page 7 of 10 Results 121 - 140 of 187
74 3217 Olaf E b 1959 74 3217 Olaf E b 1959
74/3217 Olaf, E. (b.1959). Het beest in mij (Remco Campert as a cat). C-print, 28,9x41,8 cm.

- Sm., unobtrusive crease.

= Photograph commisioned by the periodical Hollands Diep on occasion of the Boekenweek 2009, which had the animal as its main theme. With accompanying computer printed letter by Brenda van der Haak (on leaf w. printed letterhead of Erwin Olaf: "Beste Remco [Campert], Bij deze het portret en de groetpsfoto gemaakt voor Hollands Diep. Bedankt voor uw medewerking (...)".

€ (250-350) 375
74 3218 Portraits Anonymous 19th cent 74 3218 Portraits Anonymous 19th cent
74 3218 Portraits Anonymous 19th cent 74 3218 Portraits Anonymous 19th cent
74 3218 Portraits Anonymous 19th cent 74 3218 Portraits Anonymous 19th cent
74 3218 Portraits Anonymous 19th cent 74 3218 Portraits Anonymous 19th cent
74/3218 [Portraits]. Anonymous (19th cent.). (Group portrait of students of Exeter College, Oxford, in 1873 and 1874). Two albumen prints, laid down on recto and verso of mount, each 20,5x26,5 cm. - AND 2 others similar probably taken from the same album: a group portrait of the Oxford Univerity Musical Club (±1870) and students of a private boys school.
€ (60-80)
74 3219 Portraits Anonymous late 19th cent 74 3219 Portraits Anonymous late 19th cent
74/3219 [Portraits]. Anonymous (late 19th cent.). (Portrait of a seated woman and standing man in a lavishly decorated interior). Albumen print, 37,5x30 cm., mounted on board.

- Slightly frayed; some vague ofsetting from former passepartout. = A remarkable portrait.

€ (80-100)
74 3220 Portraits Brandseph F 1826 1916 74 3220 Portraits Brandseph F 1826 1916
74 3220 Portraits Brandseph F 1826 1916 74 3220 Portraits Brandseph F 1826 1916
74/3220 [Portraits]. Brandseph, F. (1826-1916). (Full-length portrait of a man). Albumen print, heightened w. black and white, 28,5x22 cm., signed and "1861" in the plate, mounted on board.

- Damaged edges; nevertheless an interesting photograph, skillfuly touched by the photographer.

AND 1 similar photograph by the same, a portrait of a woman.

€ (200-300)
74 3221 Portraits Elnain A 1877 1945 74 3221 Portraits Elnain A 1877 1945
74 3221 Portraits Elnain A 1877 1945 74 3221 Portraits Elnain A 1877 1945
74 3221 Portraits Elnain A 1877 1945 74 3221 Portraits Elnain A 1877 1945
74 3221 Portraits Elnain A 1877 1945 74 3221 Portraits Elnain A 1877 1945
74 3221 Portraits Elnain A 1877 1945 74 3221 Portraits Elnain A 1877 1945
74/3221 [Portraits]. Elnain, A. (1877-1945). (Portrait of a gentleman). Saltprint, 22,5x16,7 cm., signed "Elnain" and "1922" in pencil, loosely inserted in photographer's letterpress paper chemise.

= Adolf Elnain was befriended with artists such as Wassily Kandinsky and Alexej Jawlensky.

AND 15 other miscell. portraits, mostly group portraits, ±1900-1930, various sizes.

€ (70-90)
74 3222 Portraits Leba = J L Bargignac 1816 1858 74 3222 Portraits Leba = J L Bargignac 1816 1858
74/3222 [Portraits]. Leba (= J.L. Bargignac) (1816-1858). (Portrait of Henri Jean Louis Leyssius). Handcol. albumen print, 1858, 20,3x17 cm., in brass passepartout, photographer's ticket on verso, contemp. oval laqcuered frame.

- Frame w. repaired cracks. = Identified in 20th cent. handwriting on verso frame.

€ (50-70)
74 3223 Portraits Mannes H late 19th/ early 20th cent 74 3223 Portraits Mannes H late 19th/ early 20th cent
74/3223 [Portraits]. Mannes, H. (late 19th/ early 20th cent.). (Portrait of the French architect Georges Ernest de Larabrie). Photograph, 22,5x14,5 cm., signed by the photographer, framed.

= With a SIGNED dedication in pen and ink by Georges de Larabrie (1848-1953) to Louise Evrard-Flignot, wife of Leonce Evrard. De Larabrie settled eventually in Brussels and designed i.a. houses in Brussels, the mansion Mont Rival in Rochefort. He is largely forgotten, except for his design of the funeral monument of the couple Evrard and Flignot on the cemetery of Laeken, Brussels. Not so much the design stands out but the fact that on Midsummer's day the light shines into the tomb and makes a heart on the wall.

€ (40-60) 50
74 3224 Portraits Mayall J J E 1813 1901 74 3224 Portraits Mayall J J E 1813 1901
74 3224 Portraits Mayall J J E 1813 1901 74 3224 Portraits Mayall J J E 1813 1901
74 3224 Portraits Mayall J J E 1813 1901 74 3224 Portraits Mayall J J E 1813 1901
74/3224 [Portraits]. Mayall, J.J.E. (1813-1901). (Portrait of an lady). Handcoloured salt (?) print, half plate, under gilt metal passepartout, leather covered case w. bussiness trademark on verso, inside frontcover lined w. ochre velvet.

= On verso part of a different partly handcoloured portrait with annotations: "M.L.W. 1 1/4 hour M.L.W. 3/4 of an h".

AND a small painted miniature portrait, within leather covered case.

€ (60-80) 60
74 3225 Portraits Mechanicus P 1936 2005 74 3225 Portraits Mechanicus P 1936 2005
74 3225 Portraits Mechanicus P 1936 2005 74 3225 Portraits Mechanicus P 1936 2005
74/3225 [Portraits]. Mechanicus, P. (1936-2005). (Albert Alberts). Gelatin silver print, 25,2x16,5 cm., photographer's stamp in blue and red on verso.

- Vague crease in lower left corner.

Idem. (Louis Th. Lehmann). Gelatin silver print, 25,4x20,4 cm.

€ (100-150)
74 3226 Portraits Mechanicus P 1936 2005 74 3226 Portraits Mechanicus P 1936 2005
74 3226 Portraits Mechanicus P 1936 2005 74 3226 Portraits Mechanicus P 1936 2005
74/3226 [Portraits]. Mechanicus, P. (1936-2005). (Jan Hanlo). Gelatin silver print, 20,3x22,3 cm.

- Sm. crease in lower left corner.

= Published in Pose der natuurlijkheid. Schrijvers (1981). Van Sinderen p.248: "'Niets mooier dan het zorgvuldig afgebakende grijs, gemarkeerd door een basis van dominerend zwart en waar nodig geaccentueerd door het hoge wit', verwoordde Philip Mechanicus ooit zijn voorliefde voor de zwartwitfotografie. (...) Als fotograaf heeft Mechanicus zich altijd voornamelijk toegelegd op het portret - 'foto's van een neus met omgeving'. Zijn benadering is sober: hoofd, schouders en een deel van het bovenlichaam scherp afgebeeld tegen een egale studioachtergrond".

Idem. (Bert Voeten). Gelatin silver print, 25,5x16 cm.

€ (100-150) 110
74 3227 Portraits Mechanicus P 1936 2005 74 3227 Portraits Mechanicus P 1936 2005
74 3227 Portraits Mechanicus P 1936 2005 74 3227 Portraits Mechanicus P 1936 2005
74/3227 [Portraits]. Mechanicus, P. (1936-2005). (Simon Vinkenoog). Gelatin silver print, 25,4x16,2 cm., photographer's stamp in blue and red on verso.

- Slightly creased in top margin and right blank margin.

= As used in Een cursus fotografie. SEE ILLUSTRATION PLATE.

AND 1 other gelatin silver print by A. AKERMAN, "Bert S. leest uit eigen werk op 31-1 j.l. in de Wetering Galerie bij de presentatie v.h. boek dat hij maakte met Dieter Haack (...)" (17,6x24 cm., with mounted photographer's label on verso and with description of the scene in ballpoint signed "Betty v. G." on verso).

€ (120-150)
74 3228 Portraits Mentzel V b 1945 74 3228 Portraits Mentzel V b 1945
74/3228 [Portraits]. Mentzel, V. (b.1945). (Bertus Aafjes in front of castle Hoensbroek). Gelatin silverprint, 1971, 16,5x24,5 cm. (image), w. the photographer's stamp on verso.
€ (50-70)
74 3229 Portraits Nieuwenhuys V E b 1944 74 3229 Portraits Nieuwenhuys V E b 1944
74/3229 [Portraits]. Nieuwenhuys, V.E. (b.1944). (The artist Jan Sierhuis in his atelier). Gelatin silverprint, 18,5x25 cm., photographer's copyright stamp on verso.
€ (50-70) 50
74/3230 Portraits Portrait of the painter Emile Wauters 74/3230 Portraits Portrait of the painter Emile Wauters
74/3230 Portraits Portrait of the painter Emile Wauters 74/3230 Portraits Portrait of the painter Emile Wauters
74/3230 [Portraits]. (Portrait of the painter Emile Wauters). Albumen carte-de-visite, Brussels, Géruzet frères, ±1865.

= With a SIGNED dedication by Wauters in pen and ink.

AND 5 other cartes-de-visite of the artists Horace Vernet (2x, Bingham and Disderi), A.E. Descamp, H.J. Burgers and the last king of Hannover, Georg V (by Nadar), all 1860. - ADDED ±40 other cartes-de-visite and ±20 cabinet size portraits, ±1860-1920, mostly by Belgian photographers (a few signed, i.a. by the sopranoes Berthe Briffaux and Octavie Belloy).

€ (50-70) 120
74 3231 Portraits Lot of ±50 photographic portraits 74 3231 Portraits Lot of ±50 photographic portraits
74 3231 Portraits Lot of ±50 photographic portraits 74 3231 Portraits Lot of ±50 photographic portraits
74 3231 Portraits Lot of ±50 photographic portraits 74 3231 Portraits Lot of ±50 photographic portraits
74 3231 Portraits Lot of ±50 photographic portraits 74 3231 Portraits Lot of ±50 photographic portraits
74 3231 Portraits Lot of ±50 photographic portraits 74 3231 Portraits Lot of ±50 photographic portraits
74 3231 Portraits Lot of ±50 photographic portraits 74 3231 Portraits Lot of ±50 photographic portraits
74 3231 Portraits Lot of ±50 photographic portraits 74 3231 Portraits Lot of ±50 photographic portraits
74/3231 [Portraits]. Lot of ±50 photographic portraits, ±1880-1920, various sizes, Dutch and foreign photographers.
€ (60-80) 210
74 3232 Portraits Physionotraces Queneday E 1756 1830 74 3232 Portraits Physionotraces Queneday E 1756 1830
74 3232 Portraits Physionotraces Queneday E 1756 1830 74 3232 Portraits Physionotraces Queneday E 1756 1830
74/3232 [Portraits. Physionotraces]. Queneday, E. (1756-1830). (Portrait of a man). Circular physionotrace, w. some very vague crayon colouring, Ø 6,3 cm., w. engr. "Dess: au physionotrace et Gravé par Quenedey rue neuve-des-petits-champs no 15 a Paris 1811", in gilt wooden frame. - AND 1 similar handcol. physionotrace by another(?) (framed).

= In these rare physionotraces an engraved profile portrait was made with the use of the light of a lamp, which cast the profile of a sitter onto a glass plate, from where it was copied by a mechanical engraving apparatus onto a copper plate. Because of their realism, physionotraces are seen as precursors of photographs. The etching of the lady has an old annotation in pencil identifying(?) her as "Rochebrune". SEE ILLUSTRATION PLATE IX.

€ (200-300)
74 3233 Portraits Verne J 1820 1910 74 3233 Portraits Verne J 1820 1910
74/3233 [Portraits. Verne, J.]. (1820-1910). (Portrait of Jules Verne). Carte-de-visite, ±1870.

- Lower margin cut short, w. sl. loss of photographer's address. = Rare.

€ (60-80) 130
74 3234 Post W b 1955 74 3234 Post W b 1955
74/3234 Post, W. (b.1955). (Female nude standing in an interior next to a pile of empty cans). Large gelatin silver print, 74x101 cm., signed "Post" and "1989" in black marker on verso.
€ (80-100)
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2 74/3235 Railways Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2
74/3235 [Railways]. (Locomotive électrique expérimentale Auvert & Ferrand type 2B+B2). Lot of 22 mounted gelatin silverprints, ±1910, ±15x22,5 to 21x27,5 cm.

- Some sl. foxing/ soiling; one print sl. scratched; incl. 1 duplicate but of diff. size.

= One of the earliest electrical locomotives in France and Switzerland, built by the Alioth company. It was used by the PLM, on the line between Cannes and Grasse. And another type with engines of the Alioth company on the small line of Chamonix between Saint Gervais and Vallorcine on the Swiss and French border. Showing views along the line, but also an interior view of the cockpit and views of the factory. Photographs probably taken for promotional or commemorative purposes.

€ (100-150)
74 3236 Rieder J B b 1931 74 3236 Rieder J B b 1931
74/3236 Rieder, J.B. (b.1931). (A naked woman bending over, seen on her back). Gelatin silver print, 49x32 cm., signed "Jac. B. Rieder" and "1989" in black pen in blank margin, w. the artist's blindstamp.
€ (60-80) 90
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