4646 - 4918 FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
74 4806 Graeb C G A 1816 1884 
74 4807 Graff J A 1637 1701 attrib 
74 4807 Graff J A 1637 1701 attrib 
= Graff was the husband of the artist Maria Sibylla Merian (divorced after 1684). With the collector's mark of Christian Hammer (Lugt 1238). The Tintoretto painting adorns the Sala del Collegio of the Doge's Palace in Venice. Graff worked in Venice between 1658 and 1660.AND a 19th cent. drawing of a medical scene w. attribution to "Heijdeck" in pencil on passepartout (perhaps Johannes Heydeck (1835-1910)), with the collector's mark of H. Haendcke (Lugt 1228a) on verso.
74 4808 Groenewegen G 1754 1826 attrib 
- A few spots in sky area; sl. soiled; margin extended w. japanese along blank margin on verso.
= SEE ILLUSTRATION PLATE LXXXV.
74 4809 Grolman J P C 1841 1927 
- A few small (closed) tears in margins. Titled (by the artist?) on verso in pencil.
74 4810 Groux H de 1867 1930 
- Laid down; sl. soiled.
74 4811 Gruyter Jr W 1817 1880 
- Some craquelure; frame a few sm. imperfections. = SEE ILLUSTRATION PLATE LXXXVI.
74 4812 Gruyter Jr W 1817 1880 
- Vague stain in upper right corner (from glue on verso). = SEE ILLUSTRATION PLATE LXXXVI.
74 4813 Haarlem and surroundings Anonymous 1st half 18th cent ? 
= View through the entrance gate of the ruins of Brederode castle. Title supplied on mount in pen and ink.
74 4814 Haarlem and surroundings Barbiers Bz P 1772 1837 
- Sm. stained spot in sky-area. Signature on mount vague (due to rubbing).
= SEE ILLUSTRATION PLATE LXXXVII.
74 4815 Haarlem and surroundings Buys C 1745 1826 
= SEE ILLUSTRATION PLATE LXXXVII.
74 4816 Haarlem and surroundings Eymer A J 1803 1863 attrib 
74 4816 Haarlem and surroundings Eymer A J 1803 1863 attrib 
- Both w. traces of glue in centre of sky area on recto.
= Both w. another drawing of verso: (A dune-scape) (pencil and watercolour) and (A tree) (pencil).
74 4817 Haarlem and surroundings Kerkhoff D 1766 1831 
= SEE ILLUSTRATION PLATE LXXXVIII.
74 4818 Haarlem and surroundings Kerkhoff D 1766 1831 after 
= SEE ILLUSTRATION PLATE LXXXVIII.
74 4819 Haarlem and surroundings Lamberts G 1776 1850 
= SEE ILLUSTRATION PLATE LXXXIX.
74 4820 Haarlem and surroundings Milatz F A 1764 1808 
- Waterstain in lower margin (mainly visible on verso). = SEE ILLUSTRATION PLATE LXXXIX.
74 4821 Haen A de 1707 1748 circle of 
= SEE ILLUSTRATION PLATE LXXXIX.
74 4822 Henricus = H Jansen 1867 1921 
74 4822 Henricus = H Jansen 1867 1921 
- Yellowed; under simple passepartout.
AND 11 other drawings by i.a. J.J. DELVIN and A. GREVIN.
74 4823 Hoedt P L 1832 ±1893 
74 4824 Houel J 1735 1813 
- Doubled; mounted on paper along outer margins on verso; four pinholes in outer corners; outer right blank corners lack portion.
= "Jean Pierre Louis Laurent Houel (1735-1813), a landscape painter and engraver, studied architecture in Rouen before travelling to Paris. (...). Through the Marquis de Marigny he was sent to the French Academy in Rome in 1768, and the following year made his first trip to Napels and Sicily in the entourage of the Marquis d'Havrincourt. After his return to Paris in 1772 he exhibited his Italian views, which were well enough received that he determined on a second trip to Sicily. This he made from 1776 to 1779, including in his investigations Malta and Lipari. Here he assumed the role of observer, artist, and naturalist, amassing copious notes on new material. Claude-Henri Watelet and the director-general of the Gobelins Manufacture, d'Angivillers, were helpful in making this second trip possible. To finance it, Houel sold drawings that he had made in Italy when he returned to France. Forty-six were purchased by the king, and over five hundred by Catherine II of Russia. At this time he determined to publish the material he had accumulated on the voyage. (...) Houel was one of the first French artists to discover the antique ruins still visible in Sicily." (Millard, French Books, 80, note). SEE ILLUSTRATION PLATE XC.
74 4825 Houel J 1735 1813 
- Doubled; mounted on paper along outer margins on verso.
= "Jean Pierre Louis Laurent Houel (1735-1813), a landscape painter and engraver, studied architecture in Rouen before travelling to Paris. (...). Through the Marquis de Marigny he was sent to the French Academy in Rome in 1768, and the following year made his first trip to Napels and Sicily in the entourage of the Marquis d'Havrincourt. After his return to Paris in 1772 he exhibited his Italian views, which were well enough received that he determined on a second trip to Sicily. This he made from 1776 to 1779, including in his investigations Malta and Lipari. Here he assumed the role of observer, artist, and naturalist, amassing copious notes on new material. Claude-Henri Watelet and the director-general of the Gobelins Manufacture, d'Angivillers, were helpful in making this second trip possible. To finance it, Houel sold drawings that he had made in Italy when he returned to France. Forty-six were purchased by the king, and over five hundred by Catherine II of Russia. At this time he determined to publish the material he had accumulated on the voyage. (...) Houel was one of the first French artists to discover the antique ruins still visible in Sicily." (Millard, French Books, 80, note). SEE ILLUSTRATION PLATE XC.