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106 - 571     FINE and APPLIED ARTS, ART REFERENCE

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75 386 Photography Erwitt E 75 386 Photography Erwitt E
75/ 386 [Photography]. Erwitt, E. Personal Best. Kempen, TeNeues, 2006, 445,(3)p., num. (col./ full-p.) ills. by E. ERWITT, orig. cl. w. dustwr., folio. Koudelka, J. Chaos. London, Phaidon, 2005, 2nd ed., 109,(3)p., num. full-p. ills. by J. KOUDELKA, orig. cl. w. dustwr., obl. folio. - AND 1 other by G. CREWDSON.
€ (50-70) 80
75 387 Photography Evans W 75 387 Photography Evans W
75 387 Photography Evans W 75 387 Photography Evans W
75/ 387 [Photography]. Evans, W. American Photographs. With an Essay by Lincoln Kirstein. New York, Museum of Modern Art, (1938), 198,(3)p., 87 near full-p. photogr. ills. by WALKER EVANS, printed in 5000 copies, orig. cl. w. paper title-piece on spine, square 8vo.

- First and last few pages sl. foxed. Top of spine sl. worn and 2 chips from (browned) title-piece; corners showing.

= Parr/ Badger I, p.114f and passim.

€ (100-150) 150
75 388 Photography Evans W 75 388 Photography Evans W
75 388 Photography Evans W 75 388 Photography Evans W
75/ 388 [Photography]. Evans, W. Message from the interior. New York, The Eakins Press, (1966), (4),(3)textp., 12 photogr. plates by WALKER EVANS, orig. cl., square folio.

- Spine-ends sl. rubbed.

€ (100-150) 150
75 389 Photography Fanck A 75 389 Photography Fanck A
75/ 389 [Photography]. Fanck, A. Der Kampf mit dem Berge. Berlin, R. Hobbing, n.d. (1931), 143,(1)p., num. (full-p.) photogr. ills., orig. clothbacked boards, sm. 8vo.

- Covers sl. rubbed along edges.

= Arnold Fanck was a pioneering director in the mountain film genre, who helped launch the career of, among others, Leni Riefenstahl (her portrait on p.55). Contains striking images of the filming process at high altitudes.

€ (50-70) 50
75 390 Photography Foster A 75 390 Photography Foster A
75/ 390 [Photography]. Foster, A. Erwin Olaf. New York, Aperture Foundation, 2008, 111,(1)p., num. (full-p.) col. ills. by E. OLAF, with loosely inserted DVD on lower pastedown, orig. giltlettered cl. w. mounted plate on frontcover, 4to. Wanaverbecq, A.-L. and Esterik, C. van. Willem Diepraam. Amst., Focus, 2001, 208p., num. (full-p.) col. ills. by W. DIEPRAAM, orig. cl. w. dustwr., folio. Kop van Zuid. Rotterdam dynamic city. Ed. A. Speksnijder. Rott., DUO/DUO, 1997, 280,(6)p., num. (full-p.) col. ills. by i.a. C. OORTHUYS and F. ROTGANS, orig. cl. w. dustwr., 4to. - AND 2 others on Dutch photography, i.a. 1x SIGNED by A. KANDO.
€ (50-70) 130
75 391 Photography Friedlander L 75 391 Photography Friedlander L
75/ 391 [Photography]. Friedlander, L. Photographs. Frederick Law Olmsted Landscapes. New York, Distributed Art Publishers, 2007, 89,(1)p., num. ills., orig. cl. w. plate mounted on frontcover, 4to. d'Haenens, T. a.o. Flanders Port Area. N.pl., Unidia, 2009, 229p., richly illustrated, orig. boards w. dustwr., large 4to. - ADDED: 6 others, i.a. 3 by/ on Christo and U. STAHEL and H. VISSER, Peter Hujar. Eine Retrospektive (New York, 1994, num. ills., orig. boards w. dustwr., 4to).
€ (80-100) 90
75 392 Photography Fukuda K 75 392 Photography Fukuda K
75 392 Photography Fukuda K 75 392 Photography Fukuda K
75/ 392 [Photography]. Fukuda, K. Photokunst von Frauen. (Tokyo, ARS, 1937?), without pagination, Japanese text, 100 photogr. plates by KATSUJI FUKUDA, orig. cl., orig. board slipcase, sm. 4to.

- Sm. rectangle cut from title; (sl.) foxed; first few lvs. bumped in lower corner. Binding soiled/ sl. stained; slipcase worn and badly (water)stainedl and partly split/ dam. on edges.

€ (30-50) 30
75 393 Photography Girard G 75 393 Photography Girard G
75/ 393 [Photography]. Girard, G. Phantom Shanghai. Foreword W. Gibson. Introd. L. Rubinfien. Toronto, Magenta Foundation, 2010, 3rd ed., 221,(3)p., full-p. col. ills by G. GERARD, orig. pict. wr., obl. 4to.
€ (50-70) 60
75 394 Photography Goldblatt D 75 394 Photography Goldblatt D
75/ 394 [Photography]. Goldblatt, D. South African Intersections. Munich/ Berlin/ London/ New York, Prestel, 2005, 123p., num. col. full-p. ills. by D. GOLDBLATT, orig. boards w. dustwr., obl. folio. Forresta, M. a.o. (ed.). Perpetual Motif. The Art of Man Ray. New York/ Amst., Abbeville Press/ E. Wierda, n.d., 348p., num. (col.) ills. by MAN RAY, orig. cl. w. (worn) dustwr., 4to. Giloy-Hirtz, P. Olaf Otto Becker. Under the Nordic Light. Ostfilern, Hatje Cantz, 2011, 159,(1)p., num. col. full-p. ills. by O.O. BECKER, orig. cl. w. mounted col. ill. on frontcover, obl. folio. - AND 4 others on i.a. Annie Leibovitz and Snowdon.
€ (50-70) 70
75 395 Photography Gusinde M 75 395 Photography Gusinde M
75 395 Photography Gusinde M 75 395 Photography Gusinde M
75/ 395 [Photography]. Gusinde, M. L'Esprit Des Hommes De La Terre De Feu. Paris, Éditions Xavier Barral, 2015, 295,(4)p., num. (full-p.) photogr. ills., orig. cl. w. mounted plate on frontcover, 4to.

- Covers sl. soiled.

€ (30-50) 40
75 396 Photography Höfer C 75 396 Photography Höfer C
75/ 396 [Photography]. Höfer, C. On Kawara. Date Paintings in Private Collections. Cologne, W. König, 2009, 252,(4)p., richly illustrated, orig. cl. w. dustwr., 4to. Idem. Architecture of Absence. New York, Aperture Foundation, 2005, 111,(1)p., richly illustrated, orig. boards w. dustwr., 4to. - AND 4 others on the same, Louise Bourgeois and Esther Tielemans.
€ (50-70) 50
75 397 Photography Hütte A 75 397 Photography Hütte A
75/ 397 [Photography]. Hütte, A. Kontinente. Text C. Nooteboom. Munich, Schirmer/ Mosel, 2000, 155,(1)p., full-p. col. ills., orig. cl. w. dustwr., obl. folio.

= With AUTOGRAPH DEDICATION "Voor Armando en Tony" by Cees Nooteboom on first free endpaper.

Brasser, F. Water Towers. Watertorens. Wassertürme. Rott., 010, 2005, 152p., full-p. ills., orig. cl. w. dustwr., 4to.

= With AUTOGRAPH DEDICATION "Für Armando uw Fonsenman! 4/05" on htitle.

Diepraam, W. Foto's. Photographs. Text G. van Westerloo. Amst., Fragment, 1985, 119,(2)p., full-p. ills., printed in 2000 copies, orig. cl. w. mounted photogr. plate, 4to.

- Spine sunned.

= With AUTOGRAPH SIGNED DEDICATION by the photographer "Voor Armando Dank!" on first free endpaper.

AND 7 others, i.a. A. CORBIJN, Inwards and onwards. Text F. Hodgson (Munich, 2011, ills., orig. boards w. dustwr.) and M. COPPENS, Land van stilte (Eindh., n.d., ills., printed in 500 numb. copies, orig. cl. w. dustwr., 4to. Owner's entry of ARMANDO on first free endpaper).

€ (50-70) 100
75 398 Photography Kander N 75 398 Photography Kander N
75/ 398 [Photography]. Kander, N. Yangtze - The Long River. Text by Kofi A. Annan, J.-P. Tchand. Ostfildern, Hatje Cantz, 2010, no pagination, 76 full-p. col. ills. by NADAV KANDER, orig. boards w. col. plate mounted on frontcover, obl. folio.

- Frontcover partly sunned.

€ (120-150) 230
75 399 Photography Katz V and Streuli B 75 399 Photography Katz V and Streuli B
75/ 399 [Photography]. Katz, V. and Streuli, B. Beat Streuli. New York City. Ostfildern, Hatje Cantz, 2003, 215,(1)p., num. col. (full-p.) ills., orig. boards w. dustwr., 4to. Reuters staff. September 11. A testimony. New York, Pearson Education, 2002, 266p., num. col. ills., orig. boards w. dustwr., 4to. - AND 3 others, i.a. P. JONES, California Photographs (New York, 2001, num. ills., orig. cl. w. dustwr., 4to).
€ (50-70) 50
75 400 Photography Keuken J van der 75 400 Photography Keuken J van der
75 400 Photography Keuken J van der 75 400 Photography Keuken J van der
75/ 400 [Photography]. Keuken, J. van der. Wij zijn 17. Introd. S. Carmiggelt. Bussum, C.A.J. van Dishoeck, n.d. (±1955), 1st ed., without pagination, photogr. plates and orig. wr. by J. VAN DER KEUKEN.

- Owner's entry on upper pastedown. Wrapper trifle worn along extremities; sm. dent in backcover.

= Parr/ Badger I, p.244: "In 1955, the 17-year old Joan van der Keuken caused a stir in Dutch publishing with his book Wij zijn 17 (We are 17), prefiguring the even greater furore that would greet the publication of Ed van der Elsken's Een liefdesgeschiedenis in Saint Germain des Prés (Love on the Left Bank) a year leater. Van der Keuken's book was as innovative as Van der Elsken's in its treatment of a section of society - not a class exactly, but a societal group - that was beginning to be regarded as a class apart. (...) The Beat Generation, the Beatnik movement, James Dean - the original rebel without a cause - and a pouting, gyrating phenomenon called Elvis Presley, drew the world's attention to the fact that, since the war, a new alien species seemed to have been dropped on to the planet - the teenager. Van der Keuken's two books, Wij zijn 17 and Achter Glas (Behind Glass, 1957), caught this mood perfectly. Whilst perhaps not stream-of-consciousness in style, they certainly are in terms of attitude, capturing a moment's experience in which nothing much happens except for the moment itself (...)."

€ (50-70) 60
75 401 Photography Keuken J van der 75 401 Photography Keuken J van der
75 401 Photography Keuken J van der 75 401 Photography Keuken J van der
75/ 401 [Photography]. Keuken, J. van der. Wij zijn 17. Introd. S. Carmiggelt. Bussum, C.A.J. van Dishoeck, n.d. (±1960), 4th ed., no pagination, photogr. plates and orig. wr. by J. VAN DER KEUKEN.

- Wrappers trifle worn. = Parr/ Badger I, p.244 (1st ed., 1955).

Eisenstadt, A. Witness to our time. New York, Viking Press, 1966, 343p., richly illustrated, orig. cl. w. (defective) dustwr., 4to. - AND 10 others, i.a. R. CAPA, Grote fotografen (Amst., 2011, ills., orig. wr., folio) and FACES AND FACADES. Introd. P.C. Bunnell (Cambridge, 1977, ills., orig. boards w. dustwr., 4to).

€ (60-80) 60
75 402 Photography Keyzer C de 75 402 Photography Keyzer C de
75/ 402 [Photography]. Keyzer, C. de. Trinity. Amst., Mets & Schildt, 2008, XXXI,(1),151p., num. full-p. col. ills. by C. DE KEYZER, orig. cl. w. dustwr., obl. 4to. Idem. Zona. Siberian Prison Camps. London, Trolley, 2003, no pagination, 99 full-p. col. ills. by C. DE KEYZER, orig. boards w. dustwr., obl. 4to. Idem. Moments before the Flood. Introd. D. Van Reybrouck. Tielt, Lannoo, 2012, 271p., num. full-p. col. ills. by C. DE KEYZER, orig. hcl. w. dec. boards, folio. - AND 1 other by the same photographer: Higher Ground (Ibid., 2016, orig. hcl., folio).
€ (50-70) 60
75 403 Photography Klein W 75 403 Photography Klein W
75/ 403 [Photography]. Klein, W. Life is Good & Good for You in New York. Trance Witness Revels. Paris, Éd. du Seuil, 1956, 1st ed., 181,(11)p., num. (full-p.) photogr. ills. by W. KLEIN, orig. cl., 4to.

- Without dustwr. and without the separately published booklet; binding w. some fading (esp. backstrip).

= Album Petite Planète 1. Parr/ Badger I, p.243: (...) Robert Frank's The Americans is usually regarded as the epitome of the Beat photobook. But William Klein's magnum opus, Life is Good and Good for You in New York (...), a book with a Beat mantra for a title, surely has the edge in this regard. This is partly because it was the earlier model, partly because it is less political and more exuberant, and, importantly, because its conception is so complete - photographs, layout, design, topography, 'found' ephemera coalescing into what is in effect one of the first great 'Pop' books. (...)."

€ (150-250) 150
75 404 Photography Kousbroek R 75 404 Photography Kousbroek R
75/ 404 [Photography]. Kousbroek, R. Opgespoorde wonderen. De fotosyntheses verzameld. Amst./ Antw., Augustus, (2010), 1st coll. ed., 414p., photogr. ills., orig. boards, 4to. Gierstberg, F. Exposure. Introd. J.N.A. van Caldenborgh. Rott., Caldic Collection, 1996, 196p., photogr. ills., orig. boards, 4to. Kaufhold, E. Berliner Interieurs 1910-1930. Photographien von Waldemar Titzenthaler. Berlin, Nicolai, 1999, 143p., photogr. ills., orig. cl. w. dustwr., 4to. - AND 5 others, i.a. on BREITNER.
€ (50-70) 60
75 405 Photography Krauss R and Livingston J 75 405 Photography Krauss R and Livingston J
75/ 405 [Photography]. Krauss, R. and Livingston, J. L'amour fou. Photography & Surrealism. New York, Abbeville Press, 1985, 243,(1)p., num. ills., orig. cl. w. dustwr., 4to. Brancusi Photographe. Introd. P. Hulten. Paris, Centre Pompidou, 1979, 124p., richly illustrated, orig., stiff wr., 4to. - AND 4 others, i.a. ROBERT RAUSCHENBERG PHOTOGRAPHS (Amst., 1981, ills., orig. boards w. dustwr., 4to) and G. OVENDEN, Alphonse Mucha Photographs (London, 1974, ills., orig. boards w. dustwr., 4to).
€ (60-80) 60
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