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106 - 571     FINE and APPLIED ARTS, ART REFERENCE

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Page 20 of 24 Results 381 - 400 of 466
75 486 Schadee N ed 75 486 Schadee N ed
75/ 486 Schadee, N. (ed.). Rotterdamse Meesters uit de Gouden Eeuw. Rott./ Zwolle, Historisch Museum Rotterdam/ Waanders, 1994, 364p., num. (col.) ills., orig. cl. w. dustwr., 4to. Hecht, P. De Hollandse fijnschilders. Van Gerard Dou tot Adriaen van der Werff. Amst./ The Hague, Rijksmuseum, 1989, 294p., num. (col.) plates/ ills., orig. cl. w. dustwr., 4to. - AND 9 others, mainly on Dutch 17th cent. art, i.a. P. TAYLOR, Bloemstillevens in de Gouden Eeuw (Zwolle, 1995, richly illustrated, orig. cl. w. dustwr., 4to); R. BAARSEN, R.J. TE RIJDT and F. SCHOLTEN, Nederlandse Kunst 1700-1800 (Amst./ Zwolle, 2006, richly illustrated, orig. cl. w. dustwr., 4to) and M.C.C. KERSTEN a.o., Delftse Meesters, tijdgenoten van Vermeer (Zwolle, 1996, richly illustrated, orig. cl. w. dustwr., 4to).
€ (100-150) 100
75 487 Schama S 75 487 Schama S
75/ 487 Schama, S. De ogen van Rembrandt. Dutch transl. K. van Santen and M. Vosmaer. Amst./ Antw., Contact, 1999, (13),753p., num. (full-p.) (col.) ills., orig. boards w. dustwr., 4to. Jacques Callot. Das gesamte Werk. Handzeichnungen/ Druckgraphik. Introd. T. Schröder. Jacques Callot. Das gesamte Werk. Handzeichungen/ Druckgraphik. Munich, Rogner & Bernhard, 1971, 2 vols., 1673,(1)p., num. ills., orig. unif. cl. w. dustwr. - AND 4 others, i.a. J.R.J. VAN ASPEREN DE BOER a.o., Rogier van der Weyden The Master of Flémalle (Zwolle, 1992, ills., orig. cl. w. dustwr., sm. 4to) and F. BAUDOUIN, P.P. Rubens (Antw., 1970, richly illustrated, orig. cl. w. dustwr., slipcase, folio).
€ (50-70)
75 488 Scheen P A 75 488 Scheen P A
75/ 488 Scheen, P.A. Lexicon Nederlandse beeldende kunstenaars 1750-1880. Rev. ed. P. Scheen. The Hague, Uitgeverij Pieter Scheen, 1981, rev. ed., (14),686,(3)p., 889 (col.) ills. on plates, orig. giltlettered rexine, 4to (fine).

= Arntzen/ Rainwater E133: "An authoritative dictionary (...). Based on original research. Good bibliographies; excellent illustrations."

AND 2 others, i.a. M. SEUPHOR, De abstracte schilderkunst in Vlaanderen (Brussels, 1963, num. (tipped-in)(col.) plates, orig. hvellum, slipcase, large 4to).

€ (30-50) 60
75 489 Scheen P A 75 489 Scheen P A
75/ 489 Scheen, P.A. Lexicon Nederlandse beeldende kunstenaars 1750-1950. The Hague, Kunsthandel Pieter A. Scheen N.V., 1969/ 1970, 2 vols., VIII,751,(1); VII,(1),692,54,(2)p., 954 and 1017 (col.) ills. on plates, orig. unif. giltlettered rexine w. dustwr., 4to.

= Arntzen/ Rainwater E133: "An authoritative dictionary (...). Based on original research. Good bibliographies; excellent illustrations."

€ (50-70) 80
75 490 Schulman T 75 490 Schulman T
75/ 490 Schulman, T. Théodore Rousseau 1812-1867. Paris, the author, 1997, XV,372,(2)p., richly illustrated, orig. cl. w. dustwr., 4to.

= Contains a catalogue raisonné of his drawings and graphic art.

AND 3 others, i.a. 2 on French art, i.a. F. ROBICHON, L'Armée Française. Vue par les peintres 1870-1914 (ibid., 1998, richly illustrated, orig. cl. w. dustwr., obl. 4to).

€ (40-60) 60
75 491 Schwartz G and Bok M J 75 491 Schwartz G and Bok M J
75/ 491 Schwartz, G. and Bok, M.J. Pieter Saenredam. The Painter and His Time. Maarssen/ The Hague, G. Schwartz/ SDU, 1989, 344p., 259 (col.) ills., plans, orig. cl. w. dustwr., 4to. Bol, L.J. Aart Schouman. Ingenious Painter and Draughtsman. Doornspijk, Davaco, 1991, 134p., num. (col.) ills., orig. cl. w. dustwr., 4to. Slive, S. and Hoetink, H.R. Jacob van Ruisdael. Amst., Meulenhoff/ Landshoff, 1981, 271p., num. (col.) ills., orig. blindst. cl. w. dustwr., 4to. Held, J.S. Rubens. Selected Drawings. London, Phaidon, 1959, 2 vols., text vol.: XVI,(2),186p.; plate vol.: 179 plates, orig. unif. cl., 4to. - AND 1 other.
€ (50-70)
75 492 Schwartz G and Bok M J 75 492 Schwartz G and Bok M J
75/ 492 Schwartz, G. and Bok, M.J. Pieter Saenredam. The Painter and His Time. New York/ The Hague, Abbeville Press/ SDU, 1989, 344p., 259 (col.) ills., plans, orig. cl. w. dustwr., 4to. Welu, J.A., Biesboer, P. a.o. Judith Leyster. Schilderes in een mannenwereld. Zwolle/ Haarlem, Waanders/ Frans Halsmuseum, 1993, 387,(1)p., num. (full-p.) (col.) ills., orig. cl. w. dustwr., 4to. Kuile, O. ter. Adriaen Hanneman 1604-1671. Een Haags portretschilder. Alphen a/d Rijn, Canaletto, 1976, 192p., 88 ills., orig. cl. w. (frifle chipped) dustwr., 4to. - AND 11 others, i.a. T. LAURENTIUS, J.W. NIEMEIJER and G. PLOOS VAN AMSTEL, Cornelis Ploos van Amstel. Kunstverzamelaar en prentuitgever (Assen, 1980, num. col. plates, ills., orig. cl. w. dustwr., 4to) and A. RIBEIRO, Dress in Eighteenth-Century Europe 1715-1789 (New Haven/ London, 2002, num. (col.) ills., orig. boards w. dustwr., 4to).
€ (80-100)
75 493 Sculpture Boer C de ed 75 493 Sculpture Boer C de ed
75 493 Sculpture Boer C de ed 75 493 Sculpture Boer C de ed
75/ 493 [Sculpture]. Boer, C. de (ed.). Sjoerd Buisman 1967-1992./ Sjoerd Buisman. Groeiwerken 1967-1997. Amst./ The Hague/ Ingolstadt, Uffizi etc., 1992/ 1998, 2 vols., 174; 184p., num. (col.) photogr. ills., orig. unif. giltlettered cl. w. mounted plate, 4to.

= One of 50 numb. copies SIGNED by the artist and w. "original sheet with a pair of leaves collected in 1975 for the sun and shadow-leaf project" (not present in our copy). Without the matching cl. slipcase.

Pelsers, L. (introd.). Sjoerd Buisman. Sculpturen/ Sculptures. Enschede, Rijksmuseum Twenthe, 2002, 112p., num. (col.) photogr. ills., orig. blindst. boards, 4to.

- Spine sl. sunned. Contents fine.

Alphen, E. van. Ronald Ophuis. Zurich, JRP/ Ringier, n.d. (2008), 146,(6)p., (double-p.) (full-p.) col. ills., orig. wr., 4to.

= With dedication of the artist to ARMANDO on title-p.

AND 8 others on sculpture, i.a. L. PELSERS a.o., Piet Tuytel. Objecten 1980-2005 (Rott., 2005, ills., orig. boards, 4to) and P. HEFTING, Cornelius Rogge. Beelden. Een overzicht (Enschede, 1999, ills., orig. buckram, obl. 4to).

€ (60-80) 60
75 494 Sculpture Despiau A 75 494 Sculpture Despiau A
75/ 494 [Sculpture]. Despiau, A. Arno Breker. Paris, Flammarion, 1942, 115,(1)p., num. ills., orig. wr., 4to.

- Partly sl. wrinkled, caused by damp (not visible). Wrapper sl. dam. along extremities; back of wr. mouldy.

= SIGNED and with DEDICATION by the author "Arno Breker. Herr Armando in Erinnerung am 1. August 72".

Castieau-Barrielle, T. Amadeo Modigliani. Courbevoie, ACR Édition, 1987, 235p., num. (col.) ills., orig. giltlettered cl. w. (sl. discol.) dustwr., 4to. Ansenk, E., Wiesinger, V. a.o. Alberto Giacometti. Rott. etc., Kunsthal Rotterdam etc., 2008, 176p., num. (col.) (photogr.) ills., orig. boards, large 4to. - AND 5 others, all richly illustrated, all (near) fine, i.a H. SCHEERDER, Gijs Jacobs van den Hof 1889-1965. Beeldhouwer (Overveen, 1995, orig. wr.) and U. BERGER and J. GABLER, Hundert Jahre Bildgiesserei H Noack (Berlin, 1997, orig. wr.).

€ (80-100)
75 495 Seghers R 75 495 Seghers R
75/ 495 Seghers, R. Banden. Enschedé, the artist, n.d. (±1990), (11)lvs., col. leporello map (±20x415 cm.), loosely inserted "Bergroting" etc. (3 lvs.), orig. wr., 4to. - AND 2 others: P. DEN HOLLANDER, Les Pyramides du Nord (Breda, n.d., tipped-in photostat title and textp. [incomplete] and ± 60 (col.) photogr. plates (partly loose), plain wr., square sm. folio. Possibly the design/ dummy for the publication); a small archive concerning the publication of "Tekens & Teksten", w. text by HANS VLEK and col. photographs by FRANS DE LA COUSINE, incl. correspondence, orig. col. slides and photogr. plates).
€ (100-150)
75/496 Singular Vision Haboldt & Co 's Old Master Paintings and Drawings since 1983 75/496 Singular Vision Haboldt & Co 's Old Master Paintings and Drawings since 1983
75/ 496 Singular Vision. Haboldt & Co.'s Old Master Paintings and Drawings since 1983. Amst./ New York and Paris, Haboldt & Co., 2012, 429,(1)p., sumptuously illustrated, orig. cl. w. mounted plate on frontcover, slipcase, large 4to.

- Sl. discoloured spot on frontcover; slipcase restored.

AND 2 others, i.a. P.A. SCHEEN, Lexicon Nederlandse Beeldende Kunstenaars 1750-1880 (The Hague, 1981, num. (col.) ills., orig. cl., large 4to).

€ (70-90)
75 497 Situationists Berreby G ed 75 497 Situationists Berreby G ed
75/ 497 [Situationists]. Berreby, G. (ed.). Documents relatifs à la fondation de l'Internationale Situationniste, 1948-1957. Paris, Allia, 1985, 651p., (col.) plates, ills., orig. boards w. (sl. defective) dustwr., large 4to.
€ (40-60) 40
75 498 Slothouber J and Graatsma W 75 498 Slothouber J and Graatsma W
75/ 498 Slothouber, J. and Graatsma, W. Cubics. A cubic constructions compendium. Ed. P. Brand a.o. Deventer, Octopus Foundation, 1970, 428p., num. (col.) (full-p.) ills., opposite English and Dutch text, orig. stiff paper wr., small sq. 8vo. Struycken, P. Plons 1972/1974. Splash 1972/1974. Heerlen, Verfindustrie J. Eck/ Sikkens, (1974), textbook ((99)p., (col.) ills., orig. wr., square 8vo) and leporello (21x574 cm.) w. col. patterns, together in orig. (dam.) stiff paper chemise. - AND ±25 others by/ concerning J. SLOTHOUBER and W. GRAATSMA, incl. various sm. publications, a wooden retractable cubic calendar for 1968 and 2 calendars for 1969 and 1970, each consisting of 6 loose board lvs.
€ (150-250) 550
75 499 Sottsass E 75 499 Sottsass E
75/ 499 Sottsass, E. Catalogue for decorative furniture in modern style. 1978-1980. N.pl., the author and "Studio Forma / Alchimia", 1980, no pagination, introd. in Italian and English, num. (col.) ills., orig. wr., 4to.

- Browned. Sl. rubbed along extremities.

Munari, B. Discovery of the square. New York, G. Wittenborn Inc., 1965, 84,(4)p., num. ills., orig. wr., 8vo.

- Binding foxed/ stained; sm. tear in frontcover.

€ (50-70) 90
75 500 Soutman P Barrett K 75 500 Soutman P Barrett K
75/ 500 [Soutman, P.]. Barrett, K. Pieter Soutman. Life and oeuvre. Amst., John Benjamins, 2012, XXII,381p., num. (col.) ills., orig. boards w. dustwr., 4to.

- Fine. = Oculi. Studies in the Arts of the Low Countries, vol.12.

€ (100-150) 110
75 501 Steir P Drathen D von 75 501 Steir P Drathen D von
75/ 501 [Steir, P.]. Drathen, D. von. Installations./ Paintings. Milan, Edizione Charta, 2006/ 2007, 2 vols., 196,(1); 285,(1)p., num. full-p. col. ills. by PAT STEIR, orig. unif. cl. w. dustwr., 4to.

= Both SIGNED by the artist on first free endpaper.

AND 1 other on the same artist.

€ (60-80) 80
75 502 De Stijl 1 1917 1920/ 2 1921 1932 75 502 De Stijl 1 1917 1920/ 2 1921 1932
75/ 502 De Stijl. 1. 1917-1920/ 2. 1921-1932. Amst./ The Hague, Athenaeum, Bert Bakker, Polak & Van Gennep, 1968, 2 vols., (12),636; (12),666p., num. (full-p.) (col.) ills. and plates, orig. clothbacked dec. boards, 4to and obl. 4to.

= Facsimile reprint of one of the most important and influential modernist periodicals of the 20th century. Contributions by i.a. Th. van Doesburg (I.K. Bonset, A. Camini), J.J.P. Oud, P. Mondriaan, G. Vantongerloo, Anthony Kok, T. Brugman, H. Arp, and reproductions of works by i.a. P. Mondriaan, A. Archipenko, J.J.P. Oud, G. Rietveld, Man Ray, Th. van Doesburg, C. Domela.

€ (70-90) 90
75 503 Struycken P 75 503 Struycken P
75/ 503 Struycken, P. AUTOGRAPH LETTER SIGNED ("Peter Struycken") to "Beste Rudi" [Fuchs], undated (1969), black and blue ballpoint, 2 lvs. (3p.).

= Very interesting letter, written in response to Rudi Fuchs' essay "Peter Struycken, recente schilderijen", published in De Gids. "(...) Het is niet juist dat ik mij distancieer van onmeetbaarheden - juist zou zijn dat ik mij volledig distancieer van onervaarbaarheden. Wetmatigheid - of dat nu in de aspecten v.d. vorm of kleur gerealiseerd wordt is altijd onmeetbaar in de zin van rekenkundig of natuurkundig - al kun je er soms wel een gedeeltelijk gebruik van maken. (...) De ervaarbaarheid van de gebruikte wetmatigheden zijn voor mij de enige norm bij het beoordelen van het werkstuk. (...). In feite zijn al mijn beeldingen fragmenten van zich eindeloos voortzettende wetmatig geordende structuren. (...) Je analyse van het gebeuren van de kleur t.a.v. de vorm (...) vind ik voortreffelijk. Het is namelijk een merkwaardige eigenschap van de kleur dat zij zich op bepaalde momenten t.a.v. de begrenzing en opp. kan isoleren en deze volledig kan domineren. Het is - in de traditionele zin - een on-coloristies gebruik van kleur, de kleur wordt in feite als vorm gebruikt (...)".

AND a small stack of texts by (and a few on) Struycken, i.a. "Vorm- Kleur- Materiaal- Textuur" (1963-1968, 4 typescript (cyclostyled) lvs.), "Structuur 67" (1966-67, 3 typescript (cyclostyled) lvs.), "Kleurfunctie bij de reeks van 6 schilderijen uit 1972" (1973, 7 typescript (carbon copies) lvs., w. a few corrections in red ballpoint), "Algemene beeldinformatie" (1973, 24 typescript (cyclostyled) lvs., spiralbound), "Beeldruis" (n.d., 9 typescript (cyclostyled) lvs.), "Norm" (n.d., 3 typescript (cyclostyled) lvs.), "De leefbaarheid van onze woning" (n.d., 10 typescript (cyclostyled) lvs.). - WITH 5 other publications by/ on the same, i.a. Idem. Plons 1972/1974. Splash 1972/1974. Heerlen, Verfindustrie J. Eck/ Sikkens, (1974), textbook ((99)p., (col.) ills., orig. wr., square 8vo) and leporello (21x574 cm.) w. col. patterns, together in orig. stiff paper chemise and (sl. dam.) slipcase.

€ (200-300) 250
75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22 75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22
75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22 75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22
75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22 75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22
75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22 75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22
75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22 75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22
75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22 75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22
75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22 75/504 Der Sturm Halbmonatsschrift für Kultur und die Künste Year 6 no 9/10 13/14 15/16 17/18 and 21/22
75/ 504 Der Sturm. Halbmonatsschrift für Kultur und die Künste. Year 6, no. 9/10, 13/14, 15/16, 17/18 and 21/22. Berlin, H. Walden, 1915, 5 vols., orig. (double-p.) woodcut/ linocut ills. by F. BAUMANN, H. CAMPENDONCK (2x), J. VAN HEEMSKERCK (5x), E. MAETZL, WACHLMEIER and M. UHDEN and ills. by O. KOKOSCHKA and G. MÜNTER, folio.

- All issues folded once, resulting in (sl.) darkened fold in image on first page; occas. trifle folded; final issue strengthened on verso frontwr. Otherwise contents fine.

= Raabe 1: "'Der Sturm' wird für die europäische Avantgarde in der bildenden Kunst das einflußreichste und wichtigste Organ. Die Maler des Futurismus, Expressionismus, Kubismus, Konstruktivismus finden in Herwarth Walden und dem 'Sturm' Förderung und Unterstützung" and Bolliger VI, 818. SEE ILLUSTRATION PLATE XVII.

€ (400-600) 475
75/505 Der Sturm Sonder / Ausstellung Kunstaustellung/ der Sturm/ Arbeiten von/ Henryk Berlewi/ Warschau 75/505 Der Sturm Sonder / Ausstellung Kunstaustellung/ der Sturm/ Arbeiten von/ Henryk Berlewi/ Warschau
75/ 505 [Der Sturm]. "Sonder-/ Ausstellung (...) Kunstaustellung/ der Sturm/ Arbeiten von/ Henryk Berlewi/ Warschau (...)". N.pl., n.d. (Berlin, Der Sturm, 1924), letterpress postcard w. typographical composition, 10,3x15,8 cm., recto only, printed in red.

- Small annot. ("Potsdammerstr 34 (...)") in blue pencil on verso.

"Sturm-Abende in der Kunstausstellung (...) der Sturm (...)". N.pl., n.d. (Berlin, Der Sturm, 1924), letterpress postcard, 10,4x15,8 cm., recto only, printed in red.

- Very vague stain in right blank margin.

= Announcing 4 Wednesday evening lectures in October: "Tanzformen und Tanzrhythmen" by Rudolf von Laban, "Eigene Dichtungen, Zuginsfeld / Rüste - Wüste" by Otto Nebel, "Ist der Expressionismus Tot?" by Herwarth Walden and "Aus eigenen Dichtungen" by Lothar Schreyer. Both rare ephemera; not in Bolliger. SEE ILLUSTRATION PLATE XVIII.

€ (800-1.000)
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