5388 - 5863 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
- Some soiling and brown spots; on verso an ink stain (not shining through). = Rare. Hollstein 1.
- Mounted; some foxing. = Hollstein German, 11 and 12, both 2nd state (of 3).
= Bellini 9, 4th state of 4.
= Verso w. collector's stamps of i.a. Kupferstichkabinett der Staatlichen Museen (Lugt 1606) and H.A. von Derschau (Lugt 2510).
- Two vertical creases; sl. foxed in margins.
= Rare print. A combination of Hollstein (Martsz. de Jonge) 3 and 6; not in Hollstein; cf. F.M. 1636 (plate on the departure of the Spaniards from Den Bosch). Perhaps part of a series of allegorical prints by Visscher.
- Ample margins; soiled; sm. hole in lower blank margin. = New Hollstein 214.
Dalen II, C. van (1638-after 1660). "Meridies" (Afternoon). Engraving after C. LE BRUN, 13,4x17,6 cm., "2" in the plate, without address.
= Not in Hollstein, part of a series of 3 or 4.
AND 1 other by L. VORSTERMAN after A. BROUWER: Ira (from the series of 7 vices. Hollstein 118).
- Doubled with Japanese; margins cut short; formerly folded, some thin spots along horizontal fold; sm. chip in upper right margin, just touching border line; sm. restored chip in top margin.
= Hollstein 194, copies A (reduced copy).
- Yellowed; some tiny foxed spots in image; margins cut short. = Hollstein 84, 3rd state (of 5).
Idem. Gerardus Johannes Vossius. Engraved portrait, 27,8x19,5 cm.
- Fine. = Hollstein 84, 4th state (of 5).
- Cut off along the border line and remargined; two (sm.) thin spots in image; 2 (collector's) stamps on verso.
= Hollstein 15, 2nd state (of 3).
- Sl. yellowed; occas. fold.
- Laid down; grey areas. = Copy in reverse of the etching by Jacques Bellange.
Guillain, S. (1618-1658). ("Il Console de Leuantini"). Etching after A. CARRACCI, 31,3x20,7 cm., 1646, "Anib Car In" and "S.G. Sc" in the plate.
= Plate 80 from the series Cries of Bologna.
AND 7 others, i.a. after G. RENI.
- Lacks the upper part with the caption; sl. browned.
= From the collection of Friedrich August II of Saxonia, with his collector's mark (Lugt 971) on recto.
- "Leyden" only background handcol.
- Outer blank margins badly browned; verso remains of former mounting in upper margin.
= Delteil 17, the 5th and final state.
- Sl. yellowed and fingersoiled; sm. chafed spot above the woman; vague brown spot on the chest of the woman.
= After the painting by Giovanni Baptista Piazzetta.
Hoogstraten, D. van (1595-1640). The meal at Emmaus. Engraving after J. BASSANO, 22,2x28,8 cm., w. the address of H. Focken.
- Tiny hole in the tablecloth; yellowed.
= Copy in reverse after the print by R. Sadeler. Hollstein 4, 2nd state of 2; cf. Hollstein (R. Sadeler) 43, copy.
AND ±60 other prints w. biblical scenes, 16th-19th cent., various sizes and techniques, i.a. from the Royaal Bijbel.
- Blank margins foxed.
AND 6 (all but 1) related others, i.a. "Prison des Magdelonneter devenue Maison d'Arret" (large engr., 1794. Torn on middle-fold); "Constitution de l'Assemblée Nationale (...)" (engr. after J.M. MOREAU); "Ouverture des États-Généraux à Versailles, Le 5 Mai 1789" (engr. after J.M. MOREAU w. elaborate engr. captions below) and "Soirée du 30. Juin 1789" (handcol. etching and aquatint).
- Glued in all corners on later paper, causing tears (upper left corner partly torn off).
= Bartsch attributed the print to Hans Schaüfelein (Bartsch 36).