112 - 771 FINE and APPLIED ARTS, ART REFERENCE
- Horizontal and vertical middle-fold; partly yellowed; red stamp "European Mail-order Warehouse (...)" in blank corner p.(3).
= Fluxus Newspaper #3. One of the copies printed on thicker, white paper. Contains contributions by i.a. Henry Flynt, Ben Vautier, Nam June Paik, Marian Zazeela, Robert Filliou and Heinz Gappmayr.
Daniel Spoerri presents Eat Art/ Richard Lindner Der blauer Busenengel. Düsseldorf, Eat Art Gallery/ Produktion, 1970, announcement/ invitation, ill., 1 folio leaf, printed on recto only.
- Horizontal and vertical middle fold.
- A few cards sl. foxed; box waterstained.
AND 2 others: R. BLOCK (ed.), 1962 Wiesbaden Fluxus 1982 (Berlin, 1982, ills., orig. wr., 4to); P. WEIBEL (ed.), Die Wiener Gruppe/ The Vienna Group - A Moment of Modernity 1954-1960, The Visual Works and the Actions (Vienna/ New York, 1997, ills., orig. wr., 4to).
= Rare. Contains the official (cycostyled) program leaf (2 copies); a leaf stamped "biting your nails? go on"; a cyclostyled leaf "wekker - clocks" concerning the performance "stuk voor Wekkers" by Bob Lenz (2 copies); a cyclostyled leaf w. texts by i.a. Emmett Williams, Robert Watts and Nam June Paik; and a cyclostyled "OZUP-bon".
- Mint.
= One of 66 copies of the DELUXE EDITION with an original colour "Fluxportrait" by EMMETT WILLIAMS w. letterpress instruction ticket, both mounted on loosely inserted board leaf, titled, signed and "91" in black fineliner on recto of mount, and numb. "18/66" in pencil on verso ofmount; in orig. board slipcase w. mounted col. plate by the artist, signed below. SEE ILLUSTRATION PLATE XXII.
= SIGNED and "with affection" on title.
WITH 2 loosely inserted invitations to Emmett Williams exhibitions/ performances, 1991 and 1996, the first with a small ORIGINAL DRAWING in black felt-tip writer of a small figure with text balloon "Remember me?" signed "Love, Emmett".
- Fine copy of the hardcover edition.
AND 3 others on furniture, i.a. D.E. OSTERGARD (ed.), Bent Wood and Metal Furniture 1850-1946 (New York, 1987, num. photogr. ills., orig. wr., obl. 4to).
- First free endpaper and title-p. loose; first 3 lvs. folded; owner's entry on title-p.; pencil annots. throughout; occas. (water)st./ soiled; several lvs. (previously) stuck together/ dam.; one leaf with vertical tear along inner margin, repaired w. tape. Binding worn/ stained.
= Rare. SEE ILLUSTRATION PLATE XXII.
- Most leaves foxed and/ or waterstained. Wrappers frayed/ dam. in corners and soiled.
= Rare. No copy traced.
- Not bound. = Fürst 64/22-33.
Werkman, H. The Next Call. Utr., Reflex/ Gamm(a), 1978, 10 fold. leaves/ parts, loose as issued in orig. board portfolio, sm. folio.
- The accomp. booklet wrinkled.
= Facsimile reprint of the avant-garde writings by Hendrik Werkman published from September 1923 to November 1926 in Groningen. With the accomp. booklet: J. Martinet, Werkman's Call. A study devoted to Hendrik Werkman and The Next Call, supplemented by detailed descriptions of the successive issues and variant copies of The Next Call, biographical and bibliographical information, and an English translation of all texts (75p., Dutch/ English text, ills., orig. wr., 4to).
- Trifle yellowed; vague horizontal and vertical middle fold; a few tiny (repaired) tears in outer blank margin.
= Contains "L'Impero Italiano. A Benito Mussolini - Capo della Nuova Italia" by F.T. Marinetti, M. Carli and E. Settimelli and "L'Inegualismo" by F.T. Marinetti.
- Horizontal and vertical middle-fold.
= Separate impression (proof?) of the illustration from the flyer-manifesto of the "Direzione del movimento futurista", which announces the forthcoming publication of the anthology "I paroliberi futuristi", 1915.
- Trifle yellowed; vague horizontal and vertical middle fold; a few tiny (repaired) tears in outer blank margin.
= First published in italian, dated 11 October, 1921 in Il Futurismo no.1 (11 January 1922). The corresponding French version was published simultaneously in Le Futurisme in 2 (identical) editions, one w. heading "Revue Synthétique Bimensuelle" and numbered 1 [this copy], the other w. "Revue Synthétique Illustrée", numbered 2. The "Manifeste" is followed by sections "Surprises théâtrales" and "Syntheses théâtrales", with contributions by Francesco Cangiullo ("Conseil de révision") and by F.T. Marinetti ([w. F. Cangiullo:] "Jardin public", [w. Giani Calderone:] "Musique da toilette", "Déclamation d'un poème de guerre, avec tango voluptueux", "Le Contrat", "Ils vont venir" and "Simultanéité"). SEE ILLUSTRATION PLATE XXIII.
- Both vols. partly split (repaired) on horizontal (no.1 also vertical) middle fold; no.1 one corner repaired and 1 fore-edge margin strengthened w. tape.
= Bolliger III, 172 (no. 1, 3 and 4); IV, 360 (no. 1, 2 and 5/6); VI, 763 (no. 1-5/6). First 2 issues of this highly important and extremely rare avantgarde periodical on art, literature, architecture, film and technical sciences, of which in total 5 issues were published. Contains contributions by Mies van der Rohe, L. Hilberseimer and T. van Doesburg.
AND a badly waterstained copy of "G". ZEITSCHRIFT FÜR ELEMENTARE GESTALTUNG, no.3 (ibid., 1924, ills., orig. wr. by MIES VAN DER ROHE, large 8vo. Wr. soiled; spine dam.).
- Flattened vertical fold; wr. sl. fingersoiled and loosening; backwr. w. rubbed spot and closed tear.
= Bolliger III, 172 (no. 1, 3 and 4); cf. idem IV, 360 (no. 1, 2 and 5/6); idem VI, 763 (no. 1-5/6). Fourth issue of this highly important and extremely rare avantgarde periodical on art, literature, architecture, film and technical sciences, of which in total 5 issues were published. Contains contributions by i.a. H. Richter ("G"), K. Malevitsch, W. Gräff and M. Raynal. SEE ILLUSTRATION PLATE XXIII.
= Some artists: Armando, Jan de Bie, Paul Damsté, Jef Diederen, Thadeus van Eijsden, Lau Heidendael, Jerry Keizer, Yvonne Kracht, Ger Lataster, Jan Montyn, Peter Otto, Seuphor, Piet Teraa and Kees Verwey.
AND 7 contemp. exhibition catalogues of other galleries.
- Neatly rebacked and wrappers reattached.
= Early (first?) Russian edition of the first major work on cubism (Du "Cubisme"; Paris, 1912).
- Vols. 1-3 occas. sl. foxed. All vols. backstrips sunned; covers sl. foxed; vols. 1 and 2 lack sm. portion of backstrip; vol. 5 backstrip sl. stained.
Dessins anciens et modernes. (....) Provenant en partie de la collection de feu M. Vincent van Gogh à Amsterdam (...). Ibid., idem, 1930, (4),91,(1)p., 16 ills. on 8 plates, orig. wr., kept in slipcase w. the preceding.
- Foxed/ browned. Frontcover foxed; frontcover and backstrip sunned.
ADDED: Kröller-Müller, H. Beschouwingen over problemen in de onwikkeling der moderne schilderkunst. N.pl. (Hoenderlo), n.publ., n.d. (1925), 259p., ills., printed in red and black, orig. gilt cl., binding design and bookdecoration by H. VAN DE VELDE, 4to.
- Sl. browned.