112 - 771     FINE and APPLIED ARTS, ART REFERENCE

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76/251 Cobra  Reflex Orgaan van de experimentele groep in Holland No 1 and 2 76/251 Cobra Reflex Orgaan van de experimentele groep in Holland No 1 and 2
76/ 251 [Cobra]. Reflex. Orgaan van de experimentele groep in Holland. No. 1 and 2. (Amst., Experimentele groep, 1948/ 1949), 2 vols., (8); (16)p. (incl. wr.), 8 lithographs by C.K. APPEL, E. BRANDS, CONSTANT, CORNEILLE (2x), J. NIEUWENHUYS, A. ROOSKENS and TH. WOLVECAMP, orig. lithogr. wr. by CORNEILLE and J. DOUCET, 4to.

- No.1: frontwr. loose and yellowed; lacks backwr. No. 2: wr. loose, yellowed and frayed.

= All published. Slagter p.33/34 and passim.

€ (200-300) 275
76/252 Cohen Fré  Het Volk Dagblad voor de Arbeiderspartij No 7656 Extra nummer Het Volk 25 Jaar!  Ed J F Ankersmit 76/252 Cohen Fré Het Volk Dagblad voor de Arbeiderspartij No 7656 Extra nummer Het Volk 25 Jaar! Ed J F Ankersmit
76/252 Cohen Fré  Het Volk Dagblad voor de Arbeiderspartij No 7656 Extra nummer Het Volk 25 Jaar!  Ed J F Ankersmit 76/252 Cohen Fré Het Volk Dagblad voor de Arbeiderspartij No 7656 Extra nummer Het Volk 25 Jaar! Ed J F Ankersmit
76/ 252 [Cohen, Fré]. Het Volk. Dagblad voor de Arbeiderspartij. No.7656 (Extra nummer. "Het Volk 25 Jaar!"). Ed. J.F. Ankersmit. Amst., "Het Volk", 1926, 64p., ills., orig. wr. by FRÉ COHEN, folio.

- Lower edges sl. frayed. = Van Dam/ Van Praag 13.

ADDED: 14 other leftist periodicals and small publications, all w. nice (wrapper) design, i.a. N. NATHANS, Spanje (Amst., 1936. Sl. dogeared); BEGINSELVERKLARING EN STATUTEN DER C.P.N. (n.pl., n.d. (±1946)); A. DEN DOOLAARD, Hooge hoeden en pantser platen (Amst., 1934); DE RODE OCTOBER. Year 2, no.5 (ibid., 1937); DE MOKER. OPRUIEND BLAD VOOR JONGE ARBEIDERS. Year 4, no.29 (ibid., 1927); KLASSENSTRIJD. REVOLUTIONAIR MAANDBLAD. Year 1, no.2 (ibid., 1926) and 4 issues of BEVRIJDING. Maandblad gewijd aan de vernieuwing van het socialisme (Utr., 1931-1934, 1x w. orig. envelope).

€ (70-90) 70
76 253 Commercial art  Cassandre A M 76 253 Commercial art Cassandre A M
76/ 253 [Commercial art]. Cassandre, A.M. Col. lithogr. dustjacket with frontwrapper designed by A.M. CASSANDRE, 19,1x12 cm., for Flammarion Éditeur (Paris), ±1950 (sl. worn at extremities; splitting on 1 joint). - AND ±40 miscell. commercial publications, advertising brochures, sale catalogues etc., mainly 1950s and 1960s, w. (partly nice) typography and design typical for its time.
€ (50-70) 50
76/254 Commercial art  De reclame Maandblad voor reclame en drukkunst Year 4 no 8 and 10 year 6 no 9 76/254 Commercial art De reclame Maandblad voor reclame en drukkunst Year 4 no 8 and 10 year 6 no 9
76/ 254 [Commercial art]. De reclame. Maandblad voor reclame en drukkunst. Year 4, no.8 and 10; year 6, no.9. Rott., n.publ., 1925-1932, p.445-500; 569-632; 413-460, 1 col. plate, 1 tipped-in col. picture postcard by RIE CRAMER, tipped-in brochure des. by FRE COHEN, num. ills. and (tinted) adverts, orig. wr. (all diff.) by M. WILMINK, 4to.

- Year 6, no.9 lacks tipped-in plate and brochure and w. narrow waterstain in upper blank margin.

= I.a. contains contributions on "Modern verzorgde reclamemiddelen der fa. Wed. Van Nelle, Rotterdam", on "Drukwerken van het 'Bauhaus' te Dessau" (by A. Behne)

HEEMAF handboek van electrische machines en toestellen. Hengelo, HEEMAF, 1944, 445,(2)p., printed in various colours, num. (photogr.) ills., orig. limp cl., 4to.

= Contains a full-p. col. plate of an HEEMAF advertisement by CASSANDRE.

AND 1 other.

€ (30-50) 120
76 255 Compton S 76 255 Compton S
76/ 255 Compton, S. Russian Avant-Garde Books 1917-1934, Cambridge, MIT Press, 175p., (col.) ills., orig. boards w. dustwr., 4to. Bowlt, J.E. and Hernad, B. Aus vollem Halse. Russische Buchillustration und Typographie 1900-1930. Munich, Prestel, 1993, 203p., ills., orig. dec. boards w. dustwr., 4to. - AND 6 others similar on East-European avant-garde.
€ (50-70) 90
76 256 Constant 76 256 Constant
76/ 256 Constant. De New Babylon informatief no.4. Edizione internazionale. Venice, XXIIIa Biennale, 1966, (8)p., ills., large folio.

- Sl. worn and yellowed along horizontal and vertical middle fold. = Rare.

€ (80-100)
76 257 Constant  Lambert J C  ed  76 257 Constant Lambert J C ed
76/ 257 [Constant]. Lambert, J.-C. (ed.). Constant. Les Aquarelles. Paris, Cercle d'Art, 1994, 207,(1)p., num. (col.) ills., orig. cl. w. dustwr., 4to. Dagen, Ph. and Horst T. van der. Constant grafiek. Paris/ Zwolle, Cercle d'Art/ Waanders, 2004, 229,(3)p., richly illustrated, orig. cl. w. dustwr., large 4to. Lambert, J.-C. (ed.). New Babylon, Constant. Art et utopie. Textes situationnistes. Paris, Cercle d'Art, (1997), 159,(1)p., num. (col.) ills., orig. cl. w. dustwr., 4to. - AND 2 others on Constant, i.a. on his paintings and sculptures (by the same publisher).
€ (100-150) 170
76 258 Constant  Wigley M 76 258 Constant Wigley M
76/ 258 [Constant]. Wigley, M. Constant's New Babylon. The Hyper-Architecture of Desire. Rott., 010, 1999, 253,(3)p., num. (col.) ills., orig. boards, obl. 4to (fine). Idem. Drawing Papers 3. Another City for Another Life: Constant's New Babylon. New York, The Drawing Centre, 1999, 39,(1)p., ills., no binding as issued. - AND 1 similar by the same.
€ (100-150) 100
76/259 Contimporanul No 28 59 60 63 and 99 Ed I Vinea and M Janco 76/259 Contimporanul No 28 59 60 63 and 99 Ed I Vinea and M Janco
76/259 Contimporanul No 28 59 60 63 and 99 Ed I Vinea and M Janco 76/259 Contimporanul No 28 59 60 63 and 99 Ed I Vinea and M Janco
76/ 259 Contimporanul. No.28, 59, 60, 63 and 99. Ed. I. Vinea and M. Janco. Bucarest, Comtimporanul, 1923-1931, 5 issues, ills. i.a. (woodcuts) by M. JANCO, large folio (no.28)/ folio.

- Partly sl. yellowed and occas. sl. frayed; all w. (vague) horizontal fold (no.28 splitting at ends and also w. vertical fold, no.59 w. 2 horizontal folds). No.28 lacks portions from left margin w. loss of text; no.60 stained and sl. creased.

= Schwarz 27; Bolliger III, 146 ("Bedeutende rumänische Zeitschrift der Avantgarde. Mitbegründet von Marcel Janco"); for the woodcuts by Janco: Ilk 40 and 41.

AND a damaged issue of UNU (year 3, no.30, 1930)

= Bolliger III, 238 ("Bedeutende rumänische Kunst- und Literaturzeitschrift aus den Jahren 1928-1932 mit stark surrealistischen Akzenten")

€ (250-350) 2400
76 260 Corneille  Corneille 76 260 Corneille Corneille
76/ 260 [Corneille]. Corneille. Paris, Galerie Colette Allendy, 1954, (12)p., (photogr.) ills., printed in 1000 copies, orig. wr., sm. 8vo.

= With AUTOGRAPH SIGNED DEDICATION "Pour [?] Amicalement Corneille" in colophon. Rare.

Sextet voor Corneille. Simon Vinkenoog, Rudy Kousbroek, Jan G. Elburg, Hugo Claus, Lucebert en Gerrit Kouwenaar gaven een gedicht ter gelegenheid van de tentoonstelling van Corneille in kunsthandel Martinet. N.pl. (Amst.), kunsthandel Martinet, 1954, (12)p., 5 ills. by CORNEILLE and 6 poems, printed in 150 numb. copies on red, grey and yellow paper, orig. green paper wr. by CORNEILLE printed in silver, sm. 8vo.

- Wrappers trifle discol. along spine and margins as usual.

= Slagter 41. Numbered w. a very large "69".

AND 2 others on the same: GOUACHES RÉCENTES (Paris, 1962, (col.) photogr. ills., orig. col. lithogr. wr. by CORNEILLE, printed in 800 copies, 4to) and BIBLIOTHEQUE DE COBRA. No.7 (Copenhagen, 1950, orig. wr.).

€ (150-250) 150
76 261 Corot A  Schoeller A and Dieterle J 76 261 Corot A Schoeller A and Dieterle J
76 261 Corot A  Schoeller A and Dieterle J 76 261 Corot A Schoeller A and Dieterle J
76/ 261 [Corot, A.]. Schoeller, A. and Dieterle, J. Corot. Premier/ Deuxieme supplément à "l'Oeuvre de Corot" par A. Robaut et Moreau-Nélaton (...). Paris, Arts et Métiers graphiques, 1948/ Paris, Quatre Chemins-Éditart, 1956, 2 vols., 111,(3); (118)p., 100/ 100 ills., printed in 600 (550)/ 500 numb. copies, loose as issued in orig. unif. wr., folio.
€ (300-500) 300
76 262 Correggio A de  Popham A E 76 262 Correggio A de Popham A E
76/ 262 [Correggio, A. de]. Popham, A.E. Correggio's Drawings. London, O.U.P., 1957, XIX,(1),218p., 110 plates, orig. cl., 4to.

- Ticket (covering owner's entry) mounted on first free endpaper.

Gould, C. The Paintings of Correggio. Ibid., Faber and Faber, 1976, 307p., 107 (col.) plates, 52 ills., orig. giltlettered cl. w. dustwr., 4to.

- Sellotape stains in corners of first and last free endpaper.

€ (40-60) 40
76 263 Crane W 76 263 Crane W
76/ 263 Crane, W. Kunst en samenleving. Dutch adapt. J. Veth. Amst., Scheltema en Holkema, 1903, 2nd rev. ed., XIII,(3),171p., 35 woodcut vignettes and orig. richly gilt dec. hcalf by G.W. DIJSSELHOF, t.e.g.

- Last blank leaf w. offsetting from formly inserted newspaper clipping. Backcover trifle thumbed. A very fine, clean copy, with the gilding in near mint condition.

= Braches 360.

€ (120-150) 200
76 264 Crane W 76 264 Crane W
76 264 Crane W 76 264 Crane W
76/ 264 Crane, W. Kunst en samenleving. Dutch adapt. J. Veth. Amst., Scheltema en Holkema, 1894, 1st ed., IX,(3),171p., 35 woodcut vignettes and orig. dec. wr. by G.W. DIJSSELHOF.

- Owner's entry on htitle Wr. sl. frayed and occas. sl. dam.

= Fine Dutch Art Nouveau publication. Braches 360; Cat. Ned. Boek 16.

€ (80-100) 150
76 265 Cucchi E  Perucchi Petri U 76 265 Cucchi E Perucchi Petri U
76/ 265 [Cucchi, E.]. Perucchi-Petri, U. Enzo Cucchi. La Disegna. Dessins 1975-1989. French transl. R. Marrast. New York, Rizzoli, 1990, 400p., 378 (full-p.) ills., orig. cl. w. dustwr., sm. 4to (fine). Cucchi, E. Italia. London, Anthony d'Offay, 1984, no pagination, num. (full-p.) (col.) ills., orig. pict boards, narrow folio. - AND 4 others by/ on the same, i.a. IDEM. Enzo Cucchi Più vicino alle Luce (Milan, 1997, col. ills., orig. limp boards., 4to) and ENZO GUCCHI (ibid., 2007, col. ills., orig. cl. w. dustwr., 4to).
€ (60-80)
76/266 Dada  391 No 13 Ce numéro est entouré d'une dentelle rose 76/266 Dada 391 No 13 Ce numéro est entouré d'une dentelle rose
76/ 266 [Dada]. "391". No.13. Ce numéro est entouré d'une dentelle rose. Paris, Au Sans Pareil, (1920), (4)p., ills., folio.

- Folded three times; sl. worn and yellowed along folds.

= Thirteenth issue of this periodical edited by F. Picabia, which, together with Dada and Littérature, can be considered the most important periodical of the Dada movement. The magazine ran from 1917 to 1924 and 19 issues were released. This issue contains a large ill. by Picabia on the front page, ills. by Marcel Duchamp and Man Ray and contributions by Francis Picabia ("Extrait de Jésus-Christ Rastaquouère"), G. Ribemont-Dessaignes ("Manifeste selon Saint-Jean Clysopompe") and Tristan Tzara ("Monsieur Aa l'antiphilosophe nous envoie ce manifeste"). Schwarz, Almanacco Dada, p.718-719; Bolliger II, 561; III, 233 and IV, 403. "Von grösster Seltenheit" (Bolliger). SEE ILLUSTRATION PLATE VII.

€ (800-1.000) 2200
76/267 Dada  Cabaret Voltaire/ Der Zeltweg/ Dada/ Le Coeur à Barbe 1916 1922 76/267 Dada Cabaret Voltaire/ Der Zeltweg/ Dada/ Le Coeur à Barbe 1916 1922
76/ 267 [Dada]. Cabaret Voltaire/ Der Zeltweg/ Dada/ Le Coeur à Barbe. 1916-1922. Paris, J.M. Place, (1981), 256p., ills., orig. clothbacked board, folio.

= Facsimile reprint of 4 important Dada periodicals.

Ades, D. Dada and Surrealism Reviewed. Introd. D. Sylvester. Essay E. Cowling. London, Arts Council of Great Britain, 1978, XI,(1),475p., num. (col.) plates/ ills., orig. wr., folio. Dada Zeitschriften. Hamburg, Nautilus, 1978, 9 (of 10) facs. periodicals, loose as issued in orig. paper portfolio.

- Lacks 1 facsimile; edges portfolio sl. creased. = Contains facs. reprints of Dada periodicals.

AND 9 others, i.a. DADA. DOKUMENTE EINER BEWEGUNG (Düsseldorf, 1958, plates, ills., orig. wr.); M. SANOUILLET, Dada (Munich, 1973, col. ills., orig. cl. w. dustwr., folio); DADA. Stedelijk Museum Amsterdam Cat. 199 (Amst., 1959, ills., orig. wr., 4to) and DADA. Ausstellung zum 50-jährigen Jubiläum (Zürich/ Paris, 1966, ills., orig. wr.).

€ (70-90) 220
76/268 Dada  Cannibale No 2 Ed F Picabia 76/268 Dada Cannibale No 2 Ed F Picabia
76/268 Dada  Cannibale No 2 Ed F Picabia 76/268 Dada Cannibale No 2 Ed F Picabia
76/ 268 [Dada]. Cannibale. No.2. Ed. F. Picabia. Paris, "Aus sans pareil", 1920, (16)p., 1 tipped-in ticket, ills., orig. wr.

- Sl. creased in lower (and partly in upper) margin throughout. Wrappers yellowed and some soiling/ sm. stains.

= Bolliger II, 474; III, 141-142; IV, 336; Schwarz 23. Contains contributions by i.a. F. Picabia, T. Tzara, G. Ribemont-Dessaignes, A. Breton and ills. by T. Tzara (mounted ticket) and F. Picabia and a photogr. ill. of Picabia and Tzara sitting in a car ("Les 2 exhibitionnistes intoxiqués par l'abus de l'automobile"). The second and last issue published of this rare dada-periodical edited by Francis Picabia. SEE ILLUSTRATION PLATE VIII.

ADDED: a fascimile reprint of the issue (Rome/ Milan, 1970, orig. wr.).

€ (600-800) 1700
76/269 Dada  Le coeur a barbe Journal transparent no 1 all published  Ed T Tzara and G Ribemont Dessaignes 76/269 Dada Le coeur a barbe Journal transparent no 1 all published Ed T Tzara and G Ribemont Dessaignes
76/ 269 [Dada]. Le coeur a barbe. Journal transparent, no. 1 (all published). Ed. T. Tzara and G. Ribemont-Dessaignes. Paris, Au Sans Pareil, 1922, (8)p. (incl. wr.), ills., printed on pink paper.

- Sl. yellowed along margins and (on last p.) along horizontal middle fold; sm. tear throughout at right end of middle fold.

= Bolliger II, 476; III, 145; IV, 340; VI, 749; Schwarz 26. Contains contributions by i.a. P. Eluard, E. Satie, W. Server, Rrose Sélavy (= M. Duchamp), P. Soupault and T. Tzara. SEE ILLUSTRATION PLATE VII.

€ (700-900) 900
76/270 Dada  Dada 3 Ed T Tzara 76/270 Dada Dada 3 Ed T Tzara
76/270 Dada  Dada 3 Ed T Tzara 76/270 Dada Dada 3 Ed T Tzara
76/ 270 [Dada]. Dada 3. Ed. T. Tzara. Zurich, Mouvement Dada, 1918, (16)p. (incl. wr.), woodcut ills. by M. JANCO (5x, this copy w. the woodcut on the front uncol.), H. ARP (8x), H. RICHTER (3x), A. SEGAL (2x) and E. PRAMPOLINI (1x), printed on yellowish and blueish paper (frontpage printed in black and red), folio.

- Yellowed; sl. frayed/ chipped; split on spine (partly loose).

= Bolliger II, 480; III, 150 ("Sehr selten"); IV, 343; VI, 750; Raabe 34; Schwarz 32. "Mit Dada 3 verändert sich Gesicht und Geist der Zeitschrift von Grund auf. Das Format wird wesentlich vergrössert und vom Kunstdruck zu Zeitungspapier gewechselt. Die symmetrierte Typographie die ersten beiden Nummern wird zugunsten eines experimentierbesessenen Satzes aufgegeben, in der fast jeder Text in einer anderen Type gesetzt und der Satz nach eigenen, neuen Gesetzen quer - ja schräg in die Seite gestellt ist. In der Mitte der Zeitschrift wird zur weiteren Belebung ein anders farbiges Papier verwendet. An Stelle der leblosen Reproduktionen auf Kunstdruck treten Originalholzschnitte mit starker graphischer Wirkung (...). Die starre Gleichmässigkeit des Satzes wird durch intermittierende Buchstaben und Wörter in grösserem Drucksatz belebt und das Schriftbild aktiviert. Tzara stellte inzwischen die Verbindung den gärenden Kräften in Paris her. P.-A. Birot, Dermée und Reverdy um "Nord Sud" und "Sic" sind Mitarbeiter geworden. Picabia kam nach Zürich und ist nun aktiver Mitkämpfer. Zwischen die französicher Texte sind deutsche Verse van Hardekopf, Van Hoddis und ein Artikel von Huelsenbeck über "Die Arbeiten von Hans Arp" gestreut. Dann die Zeitschrift anerkennt keine Landes- noch Sprachgrenze. Der Widerhall der Zeitschrift ist gewaltig. André Breton beschreibt das Echo in Paris "Mais c'est seulement Dada 3 parvenu à Paris au début de 1919, qui metra le fau aux poudres. Le "Manifest Dada 1918" de Tzara, sur lequel il s'ouvre est violemment explosif. Il proclame la rupture de l'art avec la logique. La nécessité d'une grand travail négatif à accomplir..." (...) Das Zeichen is gegeben. In der nächsten Nummer (...) werden wir Aragon, Breton, Ribemont-Dessaignes und Soupault under den Mitarbeitern finden. Dada is nach Paris übergesprungen!" (Bolliger II, 480). SEE ILLUSTRATION PLATE IX.

€ (1.500-2.500) 2500