5355 - 5792 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
= Wilton-Ely 210; Focillon 851; Hind 77, 1st state (of 4). On Vedute di Roma: "Through these particular works, which were spread all over the Continent by means of the Grand Tour, Piranesi was not only to revolutionize the conventional form of the veduta but was to transform the European vision of classical antiquity." (Wilton-Ely, p.176). SEE ILLUSTRATION PLATE CVIII.
- Sl. yellowed and creased; some staining in left and lower blank margins; sm. tears in blank margins along horizontal fold; remnants of tape (?) on verso along fold.
= Cf. Wilton-Ely 34.
- Trifle foxed in the sky.
- Tipped onto mount. Fine. = LNP 30, the 4th or 5th state (of 5); Van Huffel 29.
= This near complete, vast collection of prints is probably the largest private collection of 18th Dutch art reproduction prints after drawings (and prints) by Dutch 17th century and 18th century masters. Cornelis Ploos van Amstel, a wealthy wood merchant and private collector and amateur artist, created a method for reproducing drawings by Dutch 17th cent. artists in print form. He began experimenting with his technique in 1765 and further developed and used it until 1787. He trained and commissioned artists to produce these reproductions over a long period of time. Consists of the prints created in the series published by Ploos van Amstel and his successor Christian Josi (1768-1828) (listed in LNP under Hoofdwerk en bijwerken), and is almost entirely complete, with various plates in different states and variants (155 prints): the Hoofdwerk (46 prints) is complete, the Bijprenten lack no.51-54, 61 and 65 (1st group) and no.71 and 103 (2nd group). Included in this section is a small number of mainly 18th/ early 19th century books concerning/ illustrated by Ploos van Amstel. Quite a few of the so called "printdrawings" in this collection have a provenance that can be traced back directly to the artist or his collaborators, either because of a dedication by Ploos to his wife or to his fellow artists and art collectors that he knew, or because of the collectors marks on verso. The collection also contains various prints in more than one state, rare (and occas. unique) variants of prints. SEE ILLUSTRATION PLATE CIX.
- Tipped onto mount; fine. = LNP 15, 5th state (of 5).
Idem. Vrouwtje leunend over een onderdeur. Printdrawing with hints of colour after REMBRANDT, 15,5x14,7 cm., with the Ploos stamp on verso.
= LNP 5, the 2nd and final state.
AND 3 other printdrawings by the same, all w. the Ploos stamp on verso: LPN 4, 19 and 40.
= Together in 19th cent. board portfolio w. ties and giltlettered cl. title-piece: "Het werk van Ploos v. Amstel".
= Engravings either from the series of Six landscapes with cottages and figures or the series of Six landscapes with animals and figures (Wurzbach 1 and 2).
AND 3 others, i.a. another engraving by H.J. VAN DER POORTEN (on later wove paper).
- Tipped onto mount.
Galle II, C. (1615-1678). (Portrait of Lamoral Claudius Franz, Count of Tassis). Engraving after N. VAN DER HORST, 15x9,7 cm. - AND ±20 other portraits, 17th-18th cent., mostly Dutch, i.a. by C. MELLAN (later impressions) and B. KILIAN.
- Trimmed on the platemark. = New Hollstein 170, 1st state (of 2).
Idem. Johannes Stradanus. Engraving, 19,7x15,6 cm. (incl. the caption).
- Trimmed to/ on the borderline, caption cut trifle short; laid down on contemp. paper.
= New Hollstein 175, 1st state (of 2). Rare. From the series Pictorum aliquot celebrium praecipuae germaniae inferioris effigies (1610). The title-print to the third part of the series.
Idem. Set of 16 (of 24) engr. and etched portraits, printed by H. HONDIUS, each ±20,3x12,2 cm., 1610.
= The complete series, published in 3 parts, contains 72 portraits, 24 of which are engraved by Simon Frisius (see: N. Orenstein, Hendrick Hondius and the Business of Prints in Seventeenth-Century Holland, p.73ff). Comprises: Abraham Bloemaert (New Hollstein 159), Joachim Bueckelaer (NH 160), Hendrick van Cleef (NH 161), Michiel Coxie (NH 162, sm. wormhole), Adam Elsheimer (NH 164), Maarten van Heemskerck (NH 166), Joris Hoefnagel (NH 167), Hans Holbein (NH 168), Michiel van Mierevelt (NH 169, 2x), Gillis Mostaert (NH 172), Gerrit Pietersz.(NH 173, 2x), Christian van den Queborne (NH 174), Johannes Stradanus (NH 175) and Joos van Winghe (NH 179).
AND 5 others, incl. 3 others from the same series: Cornelis Ketel (NH 111, by H. HONDIUS), Floris Claesz. van Dijck (NH 112 by HONDIUS) and Otto van Veen (attrib. to R. DE BAUDOUS, Hollstein 178 (Frisius)) and 2 portraits by S. FRISIUS from the series of Celebrated propagators of religion: Jacob Kimedoncius (NH 195, 1st state (of 2)) and Georg Mayr (NH 197, 1st state of 2).
- Sl. agetoned.
= Hollstein 16, 2nd state with the date. Govaert Wendelen was a priest and astronomer (1580-1667). Rare.
- Foxed/ duststained; sm. waterstains in upper margin, just within the image.
AND ±250 other portraits, all but a few 19th cent/ early 20th cent., mostly lithogr., various sizes, mostly French and German (±60x).
- Partly with various defects (stains, foxing etc.). Sold w.a.f.
= I.a. portraits of military officers, politicians, scientists, composers, authors, actors and royalty. I.a. of C. SAINT-SAËNS (engr. by Ch. Bellay) and the same (etching by Achille Jacques, signed), general FOY (lithogr. by Deveria, 1823), soprano MARIA MALIBRAN GARCIA (lithogr. by Vigneron), DUCHESS OF BERRY Caroline Ferdinande Louise (lithogr. by Zwinger), LAFAYETTE near the grave of Washington (lithogr. by C.Motte), the artist HENRIQUEL DUPONT (engr. by A. Louis), Vicomte HENRI DELABORDE (engr. by Henriquel Dupont), FLAMINIA, fürstin of Salm-Salm (lithogr. by I. Maassen), HUFELAND (engr. by F. Müller after F. Tischbein), J.G. EICHHORN (etching), MAXIMILIAN KARL fürst von Thurn und Taxis (lithogr. by F. Hanfstaengl); GOTTLIEB HILLER (aquatinted stipple-engr. by L. Buchhorn).
= Hollstein 10, 2nd state (of 2).
AND 2 other mezzotint portraits of Paulus Steenwinckel (by J. GOLE) and Hendrik van Born (by A. BLOOTELING).
= I.a. the archduke of Austria Leopold Wilhelm. From the series Pacificatores orbis christianis, sive icones principum, ducum, et legatorum, qui Monasterii atque Osnabrugae pacem Europae reconciliarunt, showing attendees of the peace Of Westphalia and Osnabrück (1648).
AND 11 other portraits, i.a. a portrait of Desiderius Erasmus by E. DE BOULONOIS (after H. HOLBEIN, Le Blanc 41) and 8 portraits by members of the Galle dynasty, showing religious learned men.
- Tipped onto mount; fine. = Hollstein 4; F.M. portrettem 3340a.
Lastman, N. (1585-1625). Portrait of Carel van Mander. Engraving after J.P. SAENREDAM, 19,8x13,5 cm. (platemark), 1604.
- Tipped onto mount; two sm. brown stains in lower part. = Hollstein 7.
Noorde, C. van (1731-1795). (Portrait of Tako Jelgersma). Etching after T. JELGERSMA, 19,6x13,9 cm., 1756. Vinkeles, R. (1714-1816). (Portrait of Gerrit Braamkamp). Engraving after S. XAVERY, 19,4x14,3 cm. 1766.
= Proof before letters.
AND ±50 other portrait, all but a few of Dutch artists, 17th-19th cent., various sizes, i.a. portraits of N. Pieneman, N. de Bruyn (by G. Valck), Jan Asselijn (etching after Rembrandt), E.W.J. BAGELAAR (stipple-engr. by himself), P. Barbiers (posthumous lithograph) and Etienne Picard (posthumous engraving by his son B. Picart).
- Foxed; a few sm. marginal tears; closed tear below caption near lower edge.
= Hollstein 88; F.M.4630. Rare.
= Franken 445; Hollstein 11. Design for a silver medal by Simon Passe, 1616 (cf. the medal in the British museum).
Jenichen, B. (±1560-1621). (Portrait of Georg III, duke of Anhalt). Engraving, 8,3x6,7 cm., 1565, monogrammed in the plate.
- Sm. tear in upper part. = Hollstein 189.
AND 2 other sm. portraits, i.a. a small oval portrait of James VI of Scotland (not traced, perhaps a copy in reverse after the portrait by C. DE PASSE).
- First print foxed along edges, image fine. = Rare.
AND ±100 other British portraits, all but a few 19th cent., various sizes and techniques, i.a. portraits of JOSEPH PAXTON (stipple-engr. by S.W. Reynolds, poor copy), BENJAMIN DISRAELI (etching by Pilotell), HESTER FORTESCUE (daughter of prime minister Grenville), GEORGE CANNING, queen VICTORIA (early portrait).
- Blank margins foxed (verso worse).
- One sm. brown spot. Otherwise fine.
= From the series Fernandus IIus et IIIus Imperatorum domus Austriacae. Hollstein 40, 2nd state of 3. Rare.
Delff, W.J. van (1580-1638). Arnoldus Cornely. Engraving after M.J. VAN MIEREVELD, engr. text below image, 21,3x14,2 cm., publ. C.J. Visscher.
- Tipped on mount; lower left corner waterstained; cut just on/ inside the platemark. = Hollstein 22, 5th state (of 6).
Idem. Peter Moraeus. Engraving, engr. text below image, 18,3x12,3 cm.
- Partially mounted on laid paper; cut outside the platemark. = Hollstein 48, only state. Rare.
AND 1 other.