5355 - 5792 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
- Impression w. ample margins; sl. duststained, mostly in margins.
= Van Someren 5602; Hollstein 413, the 3rd state (of 3) with the rework.
Blooteling, A. (1640-1690). Portrait of Govert Flinck. Etching, 29,2x21,2 cm. (platemark),
- Fine impression. = Hollstein Dutch 13, 2nd state
AND 12 others, i.a. a portrait of Jan Breughel by A. VAN DYCK, a portrait of L.W. van Coppenol by BASAN (after REMBRANDT) and portraits by W. DELFF.
- Trimmed to the platemark; formerly tipped in along upper margin (neatly detached from mount).
= Rare portrait of the Archduke within an emblematical border. Hollstein 2, only state; Van Someren 61.
AND 3 other portraits, i.a. F. BIGNON, Blasius de Monluc Polemarchus (...) (engr. portrait after PH. DE CHAMPAIGNE and S. VOUET, within borders showing scenes/ emblems relating to his life and character, 40,2x28,2 cm. Tipped onto mount along margins; trimmed to the border line) and P. VAN SOMPEL, Philippus Dictus Audax (...) (engr. portrait of Philip the Bold after J. VAN EYCK, 40,2x26,7 cm. Tipped onto mount along margins).
= I.a. "Willem Carel Hendrik Friso. Erfstadhouder der Vereenigde Nederlands" (by P. TANJÉ after G. SANDERS, printed in red); "Frederica Sophia Wilhelmina Prinsesse van Oranje"; "Godert Graaf van Athlone, Veldtmaarschalk Generaal der Vereenigde Nederlanden &c" (by B. PICARD) and "Philips van Mommorançy, Graaf van Hoorne".
- With various defects.
= I.a. Thorwaldsen, Louis David and Canova (lithogr. by F.A. Fricke), F.J. Lönsing (engr. after/ by himself?), Vincenzo Camuccini (engr. by P. Bettelini after T. Lawrence), Jean Paul Laurens (etching by L. Flameng), F.J. Navez (lithogr. selfportrait, dated 1826), K. Maskowski (lithogr. selfportrait), Raffaello Morghen (engr. selfportrait w. dedication to the Artaria brothers), Alfred Heideloff (lithogr. by H. Muller, early lithograph), William Wynne Ryland (stipple-engr. by Goepffert), Albert Thorwaldsen (engr. on chine collé, w. lithogr. border by J. Koole), Edouard Manet (engr. by (Alphonse) François on chine collé, w. engr. dedication to Manet. Proof before letters? Rare); Karel Hendrik Geerts (lithogr.); Horace Vernet (lithogr. by Baugniet, dated 1837) and Raphael Sanzio (lithogr. by J.G. Zeller after L. Quaglio after Raphael, ±1820. Early lithogr. from Monaco).
= Comprising i.a. "Margareta van Oostenryk. Hartogin van Parma", "Ludovicus Timon Pielat", "Philips de Tweede, Koning van Spanje", "Ferdinand Alvarez van Toledo, Hartogh van Alva", "Desiderius Erasmus", "Gustave Ricard", "Fridericus Wilhelmus Marchio Brandenbrug", "Hosmanus Imperatoris Ibrahim Filius" and many portraits from P.W. WINSEMIUS, Chronique ofte Historische geschiedenisse van Vrieslant (1622).
- Mounted. = Military commander during the "Brabantse Omwenteling". Rare anonymous portrait.
WITH 2 other portraits of Hendrik van der Noot and archdruke Charles, Duke of Teschen, on the same mount.
- Most prints w. sm. defects, occas. worse.
= Partly from the "Atlas A.J. Zijlstra" with his label on various mounts. I.a. many portraits of king William II of the Netherlands, queen Sophia of the Netherlands, William of Orange, Amalia of Solms and stadtholder William V (mostly funerary portraits). I.a. a monument with the portrait of William V by G. KOCKERS (etching, 1787), a funerary monument with the portrait of William V (engr. by C. BOGERTS after and publ. by C. van Waardt, ±1806), "Ter geboorte van K.H. den Prins Willem Alexander Paul Frederik Lodewijk" (engraving by J.J. WOLFF), "Hulde van het hersteld en vereenigd Nederland aan koning Willem den Eersten. Nationaal gedenkstuk van Dank en Kunst" (stipple-engr. by W. VAN SENUS after J.W. Pieneman); a funerary momument with the portrait of queen Frederica Wilhelmina of Prussia, wife of William I (lithograph, publ. by J. Würtheim & Co., ±1837); an anonymous lithogr. commemorative portrait of the same w. a letterpress program of her funeral (publ. by J. Belinfante, The Hague); a mezzotint portrait of Mary Stuart by I. SMITH after I. Vandervaart; a large mezzotint portrait of the same by P. SCHENK (1691); a large engr. portrait of the same by G. VALCK after G. Kneller; a large col. lithogr. family tree of the Orange-Nassau family publ. by I.M. Stolk, Schiedam; portrait of William of Orange by C. VAN QUEBORN and "Willem prins van Oranje overwinnaar te Hasselt en Leuven (...)" (aquatint portrait by H.W. HOOGKAMER after W. Nieuwhoff). And a manuscript circular geneological table of queen Juliana and her ancestors by T. VAN DER LAARS and with a smaller printed version.
- Various defects and imperfections.
= Portraits of i.a. Peter the Great, Catherine I and II (the Great), Lev Tolstoi, Ivan Turgenev, Baron Tschernischeff, Prince Aleksandr Menshikov and Mikhail Gorchakov (commanders of the Russian army during the Crimean war).
ADDED: a press photograph of a painted portrait of Peter the Great (verso w. press caption and stamp of TASS).
- Partly sl. foxed. = Rare work w. drawing examples for flowers.
AND 6 other flower prints, all 19th cent., mainly lithographed, mostly drawing examples, i.a. by A. BRIENNE (4x) and incl. a fine handcoloured lithograph of a "Pavot cultivé" (poppy) by L. VITASSE.
= Hippert&Linnig 3, 3rd state (of 3); Le Blanc 11; Nagler 10. Rare.
Cuylenburgh, J. van (1793-1841). (A man and his dog on a road near a farm). Etching, 12,5x11,2 cm., signed and "1815" in the plate below the image.
- Some gluestain in margins.
AND 9 others, all 18th/ early 19th cent., mostly landscapes, i.a. a view by J.C. KLENGEL after C. DIETRICH.
- Trifle worn on upper folding flap.
= Large print stand, with the possibility of displaying very large prints when the frontpanel is folded 180 degrees.
= Prints by i.a. C. VAN NOORDE, A. VAN DER HAER, J. HEENCK, P. JANSON, J.C. JANSON, J.E. MARCUS, P. DE MARE, B. MARTINI, G. SAINT, A. SCHOUMAN, J. SNELLEN, R. SONDAG, H. SPILMAN, N. VAN DER WORM, J. COOTWIJK, H. VAN BRUSSEL, H, BUSSERUS, E.W. BAGELAAR. Probably one of the largest private collections of Dutch printdrawings and related prints ever sold. SEE ILLUSTRATION PLATE CIX.
- The second print with a waterstain in lower left corner; both sl. dustsoiled.
AND 16 other prints with Nativity scenes and the Flight to Egypt, i.a. by S. BOURDON, an anonymous engraving showing Adoration by the Shepherds (publ. by JASPAR ISAAC (rare)) and the Flight of Egypt (large engraving by MARINUS ROBYN VAN DER GOES after P.P. RUBENS. With closed tear of 4 cm. in upper part).
- Foxed; closed tear in lower part; sm. part in lower right corner redrawn; perhaps doubled.
Gaucher, C (1741-1802). "L'après-dinée flamande". Engraving after G. VAN TILBORCH, 41,3x29,7 cm. (platemark), w. the address of Dol ("rue Mellé no.47") over the erased (but still visible) address of Basan, Paris.
- Sm. marginal defects. = Men playing cards at an inn.
AND 2 others, i.a. an early lithograph showing 2 drinkers in 17th cent. style.
- Somewhat (finger)soiled.
= Orn. Cat. II 1044 and 1047. From a series of 13 prints (incl. title): Cartouches de diferentes Inventions (...) (1632).
AND 5 others, i.a. 3 prints with grotesque faces.
- Repaired tear in upper left corner; left margin vaguely waterst.; a few small marginal tears.
AND an anonymous 18th cent. engr. of the Lamentation of Christ (51x60,5 cm.).
- On thick stiff laid paper; partly grey impression.
= New Hollstein 165, 3rd state (of 4). With the collectors mark of S.P. Halle (not in Lugt) on verso.
- Tiny chip in upper edge; cut on/ just within the platemark; browned; paper remnants on verso in corners.
= New Hollstein 301, 12th and final state. On late 18th/ 19th century laid paper, without watermark.