5793 - 6157 FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
- Yellowed.
= Perhaps J.W. Gruyter (1856-1902), but the date on verso indicates differently. Maybe a relative of Willem Gruyter Sr. or Jr.
AND 4 other drawings, all Amsterdam views, watercolour views and a pencil drawing, all but one on identical mounts as above.
= Sold at Sotheby's, Amsterdam in 2005 (lot 102). SEE ILLUSTRATION PLATE CXL.
= SEE ILLUSTRATION PLATE CXLI.
= With autograph(?) annot. in pencil on verso reading: "A. Schouman naar het schilderij van Daniel Vosmaer." SEE ILLUSTRATION PLATE CL.
- Brown offsetting from former passepartout; one drawing folded.
AND 4 drawings and 9 sm. prints, all showing ships.
- Tipped onto mount; sl. foxed and yellowed in the sky.
= The view is identified on the mount as: "De (unreadable) St. Anthoniestraat, gezien naar de poort (schalkwijkerpoort)".
AND 14 other drawings, i.a. showing buildings in Hoorn (i.a. by monogrammist "WG" (dated probably 1848) and drawings by architects A.W. WEISSMAN and G.A. VAN ARKEL of details of the interior of churches in Harenkarspel and Dirkshorn and heraldic shields related to Haarlemmerliede.
= Very fine. SEE ILLUSTRATION PLATE CXL.
- One tipped onto paper mount.
= Caption reads: "'Weest vrij' dus luid zyn taal: 'k ontsla u voor altijd: 'Dess weldaad word mijn God ten offer toegewijd'. De Negerh. afgesch. bl.202". Design for an illustration to unknown work.
AND 1 other small oval drawing by the same, showing two couples in a room.
- Trifle yellowed.
- One w. tiny hole in lower left corner; otherwise both fine.
= Location specified in later hand on paper mount.
- Horizontal fold in centre (more visible on verso); sl. soiled, mostly along edges.
= Probably a contemporary copy after the engraving by Jan Harmensz. Muller after Spranger (Hollstein 71). With the collector's mark of P. Langerhuizen Lzn. (1839-1918) (Lugt 2095).