95 - 588     FINE and APPLIED ARTS, ART REFERENCE

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77/455 Russian avant garde  Novyj LEF Year 1928 no 10 Ed S Tretyakov 77/455 Russian avant garde Novyj LEF Year 1928 no 10 Ed S Tretyakov
77/ 455 [Russian avant-garde]. Novyj LEF. Year 1928, no.10. Ed. S. Tretyakov. Moscow, Gosizdat, 1928, 47,(1)p., 2 photogr. plates (printed on recto and verso) by i.a. UMBO (= O. Umbehr), orig. wr. by A. RODCHENKO.

- Flattened out vertical fold. Wr. sl. yellowed and stained.

= Khan-Magomedov p.135ff; Rowell/ Wye 715; Compton, Russian avant-garde books 1917-34 p.60. The continuation of LEF. Zhurnal levogo fronta iskusstv. SEE ILLUSTRATION PLATE XIX.

€ (300-500) 500
77 456 Russian avant garde  Shapirshtein Lers J 77 456 Russian avant garde Shapirshtein Lers J
77/ 456 [Russian avant-garde]. Shapirshtein-Lers, J. Obschestvennyj smysl' russkogo literaturnogo futurizma (The public significance of Russian literary futurism). Introd. A.V. Lunacharsky. Moscow, A.G. Mironov, 1922, 80p., orig. wr. (by ?).

- Sm. stamps/ annots. on verso backwr. = SEE ILLUSTRATION PLATE XVIII.

€ (80-100) 90
77 457 Russian avant garde  Sovremennaya Arkhitektura Modern Architecture  Year 3 no 4/ 5 77 457 Russian avant garde Sovremennaya Arkhitektura Modern Architecture Year 3 no 4/ 5
77 457 Russian avant garde  Sovremennaya Arkhitektura Modern Architecture  Year 3 no 4/ 5 77 457 Russian avant garde Sovremennaya Arkhitektura Modern Architecture Year 3 no 4/ 5
77/ 457 [Russian avant-garde]. Sovremennaya Arkhitektura (Modern Architecture). Year 3, no.4/ 5. Moscow, Gosizdat, 1927, 111-156,(2)p., (photogr.) ills., layout and orig. wr. by ALEKSEI GAN, 4to.

- Two lvs. loose; sm. closed tear in upper margin throughout. Wr. restored along spine and partly along edges/ corners.

= Rowell/ Wye 815. Important periodical of the OSA (Obyedinenie Sovremennykh Arkhitektov - Union of Modern Architects), founded by members of constructivist artists' collective LEF. Among its contributors were i.a. J.J.P. Oud and Walter Gropius. This issue i.a. dealing with Ivan Leonidov's (never realized) "Lenin Institute for Librarianship" in Moscow, being his thesis project at the VKhUTEMAS Polytechnic Institute. SEE ILLUSTRATION PLATE XIX.

€ (200-300)
77 458 Russian avant garde  Tretyakjov S  Burlyuk D  Tolstaya T and Rafalovich S 77 458 Russian avant garde Tretyakjov S Burlyuk D Tolstaya T and Rafalovich S
77/ 458 [Russian avant-garde]. Tretyakjov, S., Burlyuk, D., Tolstaya, T. and Rafalovich, S. Buka russkoi literatury (The bogeyman of Russian literature). Moscow, MAF, 1923, 44,(4)p., ills. by I. KLYUN, orig. wr. by N. NAGORSKAYA.

- Owner's entries on title-p. = Rowell/ Wye 463.

€ (80-100)
77 459 Russian avant garde  Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg 77 459 Russian avant garde Vesch Objet Gegenstand Revue internationale de l'art moderne Year 1 no 1/2 Ed El Lissitzky and E Ehrenburg
77/ 459 [Russian avant-garde]. Vesch. Objet. Gegenstand. Revue internationale de l'art moderne. Year 1, no. 1/2. Ed. El Lissitzky and E. Ehrenburg. Berlin, Scythen, 1922, 32p., ills., orig. wr. by EL LISSITZKY, 4to.

- Margins partly restored; two lvs. w. (small) closed tear; first leaf lower corner chipped (restored w. later paper). Spine strengthened; backwr. lacks tiny portion in upper margin.

= Rowell/ Wye 410 and p.196; Compton, Russian Avant-Garde Books 1917-34, p.52 and passim; Lissitzky-Küppers p.24: "At the beginning of 1922, Lissitzky collaborated with Ehrenburg in producing the first pro-Soviet periodical, Veshch ('Objet'), published by the Skythen-Verlag. Here Lissitzky could make his new typographical ideas become concrete facts - thanks to highly-developed printing techniques. (...) The pages of the journal were architectonically arranged, and all the resources of the type-case were employed to catch the reader's eye and to give emphasis to the contents. The striking effect made by the typographic composition of the cover (a floating Proun in red) is created by the colossal tension in which the letters are held counterpoised on the coloured background. Few cover designs produced since then bear comparison with these first fruits of Lissitzky's typographical genius." Bolliger III, 242: "Zeitschrift der russischen und europäischen avantgarde, die sich zur Aufgabe setzte: "Die in Russland Schaffenden mit der neuesten westeuropäischen Kunst bekanntzumachen und 2. Westeuropa über die russische Kunst und Literatur zu informieren"." Only 2 issues were published (no.1/2 and 3), although a fourth and a fifth were announced. SEE ILLUSTRATION PLATE XX.

€ (3.000-5.000)
77 460 Russian avant garde  Zamyatin E  Kuzmin M and Babenchikov M 77 460 Russian avant garde Zamyatin E Kuzmin M and Babenchikov M
77 460 Russian avant garde  Zamyatin E  Kuzmin M and Babenchikov M 77 460 Russian avant garde Zamyatin E Kuzmin M and Babenchikov M
77 460 Russian avant garde  Zamyatin E  Kuzmin M and Babenchikov M 77 460 Russian avant garde Zamyatin E Kuzmin M and Babenchikov M
77 460 Russian avant garde  Zamyatin E  Kuzmin M and Babenchikov M 77 460 Russian avant garde Zamyatin E Kuzmin M and Babenchikov M
77 460 Russian avant garde  Zamyatin E  Kuzmin M and Babenchikov M 77 460 Russian avant garde Zamyatin E Kuzmin M and Babenchikov M
77/ 460 [Russian avant-garde]. Zamyatin, E., Kuzmin, M. and Babenchikov, M. Yuri Annenkov. Portrety. (Petrograd), Petropolis, 1922, 170,(1)p., 81 (col.) plates/ portraits/ ills./ vignettes and orig. wr. w. col. lithogr. dustwr. by YURI ANNENKOV, printed in 900 numb. copies, folio.

- Dustwr. sl. frayed, creased and fingersoiled; backstrip restored/ strengthened.

= Rowell/ Wye 367. Mir Iskusstva member Yuri Annenkov was a prolific Russian book illustrator and portraitist. Included in the book are portraits of some of the key-figures of Russian art and literature of the time, partly in a somewhat cubist style, i.a. Maksim Gorky, Aleksander Blok, Yevgeni Zamyatin, Anna Akhmatova and Boris Pasternak. SEE ILLUSTRATION PLATE XX.

€ (1.500-2.500) 3250
77/461 Russian avant garde  Zhurnalist Journalist  No 11/12 77/461 Russian avant garde Zhurnalist Journalist No 11/12
77/ 461 [Russian avant-garde]. Zhurnalist (Journalist). No.11/12. Moscow, Ogonyok, 1930, 40p., ills., orig. wr., 4to.

- A few scattered library stamps. Sm. rubbed spot on front- and backwr.; spine splitting.

= Periodical devoted to Soviet journalism, w. nice modernist typography and layout.

€ (60-80)
77/462 Russian avant garde  Zhurnalist Journalist  No 1477/462 Russian avant garde Zhurnalist Journalist No 14
77/ 462 [Russian avant-garde]. Zhurnalist (Journalist). No.14 Moscow, Ogonyok, 1930, 32p., ills., orig. wr., 4to.

- A few scattered library stamps and annots.

= Periodical devoted to Soviet journalism, w. nice modernist typography and layout.

€ (60-80)
77 463 Salvini R and Camesasca E 77 463 Salvini R and Camesasca E
77/ 463 Salvini, R. and Camesasca, E. The Sistine Chapel. New York, H.N. Abrams, 1965, 2 vols., text vol.: 307,(1)p., tipped-in/ mounted (col.) plates; plate vol.: (16)p., 54 (fold.) col. plates, orig. unif. gilt cl. w. dustwr., slipcase, large folio.
€ (30-50)
77 464 Sandberg W 77 464 Sandberg W
77 464 Sandberg W 77 464 Sandberg W
77 464 Sandberg W 77 464 Sandberg W
77/ 464 Sandberg, W. Nu. Midden in de XXe eeuw./ Nu 2. Hilv., Steendrukkerij de Jong & Co., (1959-1967), 2 vols., 40p./ no pagination, ills., limp boards, text (in French, Dutch, English and German) and design by W. SANDBERG, 4to.

- Both vols. sl./ trifle yellowed.

= Kwadraatbladen. Vol. 2 prob. review copy w. loosely inserted press reviews of vol. 1. Petersen/ Brattinga p.226 and 236.

Lucebert. Tekeningen en gouaches. Amst., Stedelijk Museum cat. 207, 1959, (20)p., 3 lithographs (1 double-p.) and ills. by LUCEBERT, printed in 1828 copies (1800), loose as issued in orig. wr., 4to.

- Trifle bumped at extremities = Slagter 64.

AND 4 others similar, i.a. by Lucebert and a duplicate of Nu 2.

€ (80-100)
77 465 Scheen P A 77 465 Scheen P A
77/ 465 Scheen, P.A. Lexicon Nederlandse beeldende kunstenaars 1750-1950. The Hague, Kunsthandel Pieter A. Scheen N.V., 1969/ 1970, 2 vols., VIII,751,(1); VII,(1),692,54,(2)p., 954 and 1017 (col.) ills. on plates, orig. unif. giltlettered rexine w. dustwr., 4to.

- Owner's entry on first free endpaper.

= Arntzen/ Rainwater E133: "An authoritative dictionary (...). Based on original research. Good bibliographies; excellent illustrations."

€ (50-70)
77 466 Scheen P A 77 466 Scheen P A
77/ 466 Scheen, P.A. Lexicon Nederlandse beeldende kunstenaars 1750-1950. The Hague, Kunsthandel Pieter A. Scheen N.V., 1969/ 1970, 2 vols., VIII,751,(1); VII,(1),692,54,(2)p., 954 and 1017 (col.) ills. on plates, orig. unif. giltlettered rexine, 4to.

- Gilding on spine sl. worn.

= Arntzen/ Rainwater E133: "An authoritative dictionary (...). Based on original research. Good bibliographies; excellent illustrations."

€ (50-70)
77 467 Sculpture  Fuchs R a o 77 467 Sculpture Fuchs R a o
77/ 467 [Sculpture]. Fuchs, R. a.o. Royden Rabinowitch. Sculpture 1962-1992. The Hague, Haags Gemeentemuseum, 1992, 447,(1)p., num. ills., orig. cl. w. dustwr., 4to. Christo a.o. Big Air Package. Essen, Klartext, 2013, 176p., richly illustrated, orig. boards, obl. 4to. - AND 5 others on sculpture and installation, i.a. K. KLEMP and P. WEIERMAIR, Alfred Hrdlicka (Vienna, 1997, num. col. ills., orig. stiff wr., 4to) and 3 other on Lucy Orta.

- Mostly w. blindst. ex-libris.

€ (70-90)
77 468 Segui A  Meuris J and Segui A 77 468 Segui A Meuris J and Segui A
77/ 468 [Segui, A.]. Meuris, J. and Segui, A. Antonio Segui. Louvain-la-Neuve, Institut supérieur d'Archéologie et d'Histoire de l'art, 1983, no pagination, num. ills. and wr. by A. SEGUI, sm. 8vo. Antonio Segui. Knokke, Elisabeth Franck Gallery, 1989, 38,(2)p., num. ills., orig. stiff wr., 4to. - AND 1 other on the same.

- All w. blindst. ex-libris.

€ (30-50)
77/469 The Situationist Times no 6 Ed J de Jong 77/469 The Situationist Times no 6 Ed J de Jong
77/469 The Situationist Times no 6 Ed J de Jong 77/469 The Situationist Times no 6 Ed J de Jong
77/ 469 The Situationist Times, no. 6. Ed. J. de Jong. Paris, J. de Jong, 1967, 32 orig. col. lithographs by i.a. P. ALECHINSKY, LOURDES CASTRO, A. JORN, W. LAM, P. DE LUSSANET, A. SEGUI, A.H. SØRENSEN, Y. TABUCHI and TOPOR, printed in 2500 copies, orig. lithogr. wr. by U. TROTZIG, 4to.

- Bookblock loosening as often; a few plates loose(ning).

= International Parisian edition.

Asgeir Jorn. Munich, Galerie Van de Loo, 1970, (44)p., 19 full-p. (col.) woodcut ills. and orig. tinted woodcut wr. by A. JORN, printed in 800 numb. copies, sq. 8vo (fine). - AND 1 other w. orig. col. lithographed wr. by P. ALECHINSKY.

€ (50-70) 100
77 470 Stedelijk Museum  Lot of ±30 catalogues 77 470 Stedelijk Museum Lot of ±30 catalogues
77/ 470 [Stedelijk Museum]. Lot of ±30 catalogues. Amst., Stedelijk Museum, 1970-1985, (col.) ills., w. typography/ design by i.a. W. SANDBERG, W. CROUWEL, A. BROUWERS, mainly printed in 1700 copies, orig. wr., (sm.) 4to.

- All fine.

= Comprises i.a. no.575 (De collectie Nijkerk); 653 (Gilberto Zorio); 663 (Ellsworth Kelly); 666 (Gerry Schum); 669 (Giuseppe Penone); 672 (Johny Rolf); 675 (Joel Meyerowitz); 684 (80 Jaar wonen in het Stedelijk); 702 (Enzo Cucchi) and 703 (Georg Baselitz).

€ (100-150) 150
77/471 Stedelijk Museum  Lot of ±140 catalogues and related publications 77/471 Stedelijk Museum Lot of ±140 catalogues and related publications
77/ 471 [Stedelijk Museum]. Lot of ±140 catalogues and related publications. Amst., Stedelijk Museum, 1950-2000, (col.) ills., i.a. w. typography/ design by i.a. W. SANDBERG and W. CROUWEL, mainly printed in 1700 copies, orig. wr., (sm.) 4to.

- All (but a few) w. blindst. ex-libris. one vol. bookblock loose.

= Comprises i.a. Collectie Philippe Dotremont (no.116), Pierre Alechinsky Grafiek (no.391), Bissière (no.392), Al Held (no.394), Victor Vasarely (no.406), Lam (no.408), Tajiri (no.415), Fotoprijs Amsterdam 1967 (no.418), Roy Lichtenstein (no.424), Een Modebeeld (no.430), Eduardo Paolozzi (no.442), Sam Francis (no.444), Lucebert (no.459), Max Ernst (no. 468), Claes Oldenburg (no.472), Edward Kienholtz (no.478), Frank Stella (no.488), Geluid = Kijken (incl. 3 limp records in pocket sleeve, no.498), 2x Daniel Spoerri (no.502a/ b), Cubaanse affiches (no.507), Co Westerik (no.508), Gilbert & George (no.511), Carel Visser (no.523), Barnett Newman (no.525), Jan Dibbets (no.534), Ben Vautier, Art is Ben (no.543), Jean Tinguely (no.545), 22 jonge Zwitsers (no.548), Jean Brusselmans (no.649), Jean Fautrier (no.708), Emo Verkerk (no.721) and Felim Egan (835).

€ (400-600) 700
77/472 Still life  Von Schönheit und Tod Tierstilleben von der Renaissance bis zur Moderne 77/472 Still life Von Schönheit und Tod Tierstilleben von der Renaissance bis zur Moderne
77/ 472 [Still life]. Von Schönheit und Tod. Tierstilleben von der Renaissance bis zur Moderne. Heidelberg/ Berlin, Kehrer, 2011, 415p., num. (col.) ills., orig. boards w. dustwr., 4to. Ekserdjian, D. Still Life Before Still Life. New Haven/ London, Yale Univ. Press, 2018, 256p., col. ills., orig. cl. w. dustwr., 4to. - AND 4 others, i.a. C. GRIMM, Stilleben. Die niederländischen und deutschen Meister (Stutg., 2010, (col.) ills., orig. boards, folio) and N. SCHNEIDER, Les Natures Mortes (Cologne etc., 2004, col. ills., orig. boards, 4to).
€ (50-70) 60
77/473 Sutnar L  Magazin DP Year 1 no 4 and 7 year 2 no 1 5 and 7 10 year 3 no 1 10 77/473 Sutnar L Magazin DP Year 1 no 4 and 7 year 2 no 1 5 and 7 10 year 3 no 1 10
77/ 473 [Sutnar, L.]. Magazin DP. Year 1, no. 4 and 7; year 2, no. 1-5 and 7-10; year 3, no. 1-10. Prague, Družstevní Práce, 1933-1936, 21 issues, (photogr.) ills. by i.a. J. SUDEK, orig (unif.) wr. by L. SUTNAR.

- A few issues wrappers sl. creased, stained/ (finger)soiled and discoloured along edges.

= The continuation of Jak Žijeme. SEE ILLUSTRATION PLATE XX.

€ (200-300) 200
77 474 Sutton P C 77 474 Sutton P C
77/ 474 Sutton, P.C. De eeuw van Rubens. Boston/ Ludion, Rosbeek, 1993, 319p., 80 (full-p.) (col.) ills., orig. cl. w. dustwr., folio. Oberthaler, E. a.o. Bruegel. De hand van de meester. N.pl., Hannibal, 2018, 303,(1)p., num. (col.) ills., orig. cl. w. dustwr., 4to. - AND 5 others, i.a. K. LICHTERT (ed.), Adriaen Brouwer. Master of Emotions (Amst., 2018, col. ills., orig. boards, 4to); E.J. SLUIJTER, Rembrandt's Rivals. History Painting in Amsterdam 1630-1650 (ibid., 2015, (col.) ills., orig. boards w. dustwr., 4to) and V. BLOCH, Michael Sweerts (The Hague, 1968, (tipped-in) col. plates, orig. hcl. w. dustwr.).
€ (60-80) 150