95 - 588 FINE and APPLIED ARTS, ART REFERENCE
77/515 Wendingen Year 7 no 1 2 10 and 11/12 
- No.2 wr. trifle creased and foxed. Otherwise fine.
= Le Coultre 7-1D (deluxe hardcover edition, published in ±50 copies), 2d, 10d and 11/12d.
77/516 Wendingen Year 7 no 1 Teekeningen en etsen van S Jessurun de Mesquita 
- Owner's entry on title-page. New raffia; covers sl. stained in lower margin. = Le Coultre 7-1d.
77/517 Wendingen Year 8 no 2 6/7 11 and 12 
- Frontcover no.6/7 w. some offsetting/ stains.
= Le Coultre 8-2D, 6/7D (both deluxe hardcover editions, published in ±50 copies), 11d and 12d.
77/518 Wendingen Year 9 no 1 2 and 9 
- Good/ fine copies. = Le Coultre 9-1d, 2d and 9d.
77 519 Wendingen Year 10 no 1 2 5/6 8 and 11/12 
- Good/ fine copies.
= Le Coultre 10 - 1-3d, 5/6D (deluxe hardcover edition, published in ±75 copies), 7d, 8D (deluxe hardcover edition, published in ±50 copies) and 11/12d.
77/520 Wendingen Year 10 no 3 Diego Rivera 
77/520 Wendingen Year 10 no 3 Diego Rivera 
- Fine copy.
= Le Coultre 10-3d. Ex/ Hoek p.126 (and ill. 205): "Bij zijn ontwerp voor Wendingen nam Huszár de betekenis van de naam als uitgangspunt. Een langwerpig tekstblok kreeg afwisselend boven en onder elkaar geplaatste letters; een vierkant tekstblok bevat de letters in allerlei richtingen en op de keerzijde van het omslag is de compositie in gesloten blokvormen herhaald." SEE ILLUSTRATION PLATE XXIII.
77 521 Wendingen Year 11 no 2 3 5 6/7 and 8 11/12 
- No.3 frontwr. dogeared and w. stain on backwr. Otherwise good/ fine copies.
= Le Coultre 11-2D (the silver and blue variant of the deluxe hardcover edition, published in ±75 copies), 3d, 5d, 6/7D (deluxe hardcover edition, published in ±50 copies) and 8-11/12d.
77/522 Wendingen Year 11 no 9 Beeldstatistiek 
= Le Coultre 11-9 d; Broos/ Hefting p.75.
AND 6 other issues, all orig. wrs.: year 3, no.5 (Hongaarse kunst); year 4, no.9/10 (International Theatre exhibition, English edition); year 5, no.5/6 (Beeldhouwwerk Mendes da Costa); year 7, no.5 (part 3 (of 7) of the series on the work of Frank Lloyd Wright); year 8, no.5 (Swedish architecture, poor copy); year 10, no.9 (Oude Italiaansche kunst).
77/523 Wendingen Year 11 no 11/12 
- Fine. = Le Coultre 11-11/12d.
AND 4 others issues of the same periodical, all fine and in orig. wr.: year 9, no.1; year 10, no.5/6; year 12, no.7/8 and 11/12.
77/524 Wendingen Year 12 no 1 7/8 
- No.7/8 wr. sl. foxed.
= Le Coultre 12-1d, 2d, 3D (deluxe hardcover edition, published in ±50 copies) and 4-7/8d.
- Various (sm.) defects, but mostly in good/ fine condition.
= Year 5: no.2-4, 7 and 11/12; year 6: no.2, 8 and 9/10; year 7: no.11/12; year 8: no.2, 6/7 and 12; year 9: no.1; year 10, no.1, 5/6, 8 and 11/12; year 11, no.2, 8 and 11/12; year 12, no.5, 6 and 7/8.
WITH: 6 duplicate issues.
77/526 Wendingen Lot of 3 orig envelopes 
- Partly sl. faded. = All addressed to Hendrik Wouda (Wassenaar). Le Coultre p.36 (ill.).
WITH a sm. stack of i.a. "Mededelingen" lvs. from Architectura et Amicitia and "Technisch gedeelten". - AND 2 others on the same periodical.
77 527 Wendingen Fanelli G and Godoli E 
77 528 Werkman H N 
- Box sl. rubbed. = Facsimile reprint of the ed. Gron., 1941/1943.
77 529 Westerik C Vries F de ed 
= Catalogue raisonné of the paintings.
Herreman F. Ysbrant. Gent, Snoeck, 2004, 72p., num. (col.) ills., orig. hcl. w. mounted plate on frontcover, 4to. Sijens, D. a.o. Gerrit Benner. Leeuwarden/ Heerenveen, Fries Museum/ Museum Belvédère, 2014, 2nd ed., 159,(1)p., num. col. ills., orig. pict. boards, 4to. - AND 9 others on Dutch artists, i.a. J. LEWISON (ed.), Alice Nel. Portret van het moderne leven (The Hague, 2016, richly illustrated, orig. boards, 4to) and GERRIT BENNER (Harlingen 2005, num. col. ills., orig. cl. w. dustwr., 4to).
- Mostly w. blindst. ex-libris.
77 530 Wilkin K ed 
- Mostly w. blindst. ex-libris.
77 531 Wilmink M 
77 531 Wilmink M 
- Bookblock loose(ning); first and final leaf sl. foxed and w. some offsetting. Wr. sl. creased.
Genderen Stort, E.A. van. Staal als bouwmateriaal. The Hague, Groep Constructiewerkplaatsen van de Vereeniging van Metaalindustrieelen, 1932, (8),80p., plates, orig. wr. by P.A.H. HOFMAN.
- Fine copy. = Van Dam 142.
77/532 Zverokruh Mesícník soudobého umení No 1 and 2 all published Ed V Nezval 
- No. 1 bookblock loose and frontwr. sl. (water)stained.
= Czech contemporary art periodical. Apart from contributions by Czech authors, containing translations of texts by i.a. Tristan Tzara, Robert Desnos and Paul Éluard.
77 533 Zwart P 
- Horizontal fold; otherwise fine, unused.
= Rare. This variant not recorded; cf. Monguzzi. p.13 and Brentjens p.279 for other letterheads used by Piet Zwart.
77 534 Zwart P 
- A (very) good set, considering the vulnerability of the wrappers. Wrappers/ backstrips (sl.) yellowed; wrappers occas. sl. frayed/ chipped; backstrips some (repaired) imperfections on joints and a few spine-ends chipped/ lacking a sm. portion.
= A complete set (12 vols. were announced, only 10 were published). 1. C.J. GRAADT VAN ROGGEN, Het linnen venster; 2. L.J. JORDAAN, Dertig jaar film; 3. H. SCHOLTE, Nederlandsche filmkunst; 4. Th.B.F. HOYER, Russische filmkunst; 5. S. COSTER, Duitsche filmkunst; 6. E. DE ROOS, Fransche filmkunst; 7. J.F. OTTEN, Amerikaansche filmkunst; 8. M. TER BRAAK, De absolute film; 9. C. VAN WESSEM, De komische film and 10. L. LICHTVELD, De geluidsfilm. Broos/ Hefting, Grafische vormgeving p.82; Brentjens p.228f; W.L. & J. Brusse p.46 and 207; Andel p.304; Purvis p.155f.
"Fotomontage was een techniek die Piet Zwart ook toepaste bij het ontwerpen van boekomslagen, waarvan de meest bekende wel die voor de 'filmboekjes' zijn. Bij W.L. & J. Brusse's Uitgeversmaatschappij te Rotterdam verschenen tussen 1931 en 1933 tien deeltjes in de serie "Monografieën over Filmkunst", onder redactie van de jeugdige Mr. C.J. Graadt van Roggen. (...) Piet Zwart maakte zijn omslagen in twee kleuren, rood en blauw, maar verhoogde het effect door vaak ingewikkelde combinaties van fotomontage en dubbeldruk. Een vast terugkerend element is het woord 'film' en de titel van het boekje in een witte strook (...)" (Broos p.72). "Zwart's most important work for the publisher W.L. & J. Brusse of Rotterdam was a ten-part series of monographs on the film arts (...). These rank among his finest work, and bring into focus many of the earlier experiments. Montage and multiple layers of ink are used throughout. (...) The play factor reigns, and all stops are pulled out with every conceivable contrast - size, color, direction, shape, and number, as the images almost reach the realm of film itself" (Purvis p.77f). "Piet Zwart utilises a spectrum of cinematic imagery in his design for a series of ten monographs on new directions in cinema published by W.L. & J. Brusse in Rotterdam between 1931 and 1933. Zwart employed images of film-strips, movie cameras, and projectors, formal devices such as multiple exposures and overprinting, and frames from slapstick comedy to documentary films. He therefore summarized the cinematic and photographic ideas that influenced avant-garde page design during the 1920s and 1930s" (Andel p.299).