3564 - 4845 FINE ARTS - MODERN ART. PRINTS, DRAWINGS, PAINTINGS and SCULPTURES
= With a long manuscript poem (by the artist?) on verso: "Heer Halewijn zong een lidekijn (....)" and "Het lied in de 19e eeuw in de volksmond opgetekend".
AND 2 other lithographs by the same.
- Textleaf foxed (as usual), otherwise fine.
= Preface, dated "Paris 1931", by Valentin Bresle. Rare series of female nudes by the artist, dedicated to R.[oline] W.[ichers] W.[ierdsma]. Created during her Parisian period (1929-1940). SEE ILLUSTRATION PLATE XX.
- Textleaf foxed (as usual), otherwise fine.
= Preface, dated "Paris 1931", by Valentin Bresle. Nice and rare series of female nudes by Jeanne Oosting, dedicated to R.[oline] W.[ichers] W.[ierdsma].
- Trifle yellowed; some sm. marginal tears.
Idem. (Small ship in heavy weather). Lithograph, 40x30 cm., signed "Jeanne Oosting" in pencil, monogrammed "J.O. 41" on the stone.
- Blank margins creased/ dogeared.
- Rolled. = Part of title "De Zeester" in brush and ink by the artist.
= Simon H.N. Gorter was the reverend of the Rotterdam baptist church from 1916 till 1946. The church building was bombed and destroyed in May 1940.
Wiesman, P.M. (b.1946). (Trees next to a path). Etching, 17x34,5 cm., signed "Philip Wiesman 91" and "64/110" in pencil. Gogh, V. van (1853-1890). "Plaggenhut". Isography on mount after a pen and ink drawing, 20,2x27 cm., printed and published by Van Meurs, w. his blindst. in the print and the stamp and titled on verso. - AND 9 other prints, i.a. etchings by D. HARTING, J. PONSIOEN, ARIE ZONNEVELD (rare).
= SEE ILLUSTRATION PLATE XXI.
- Lacks plate 6. Unnumb. copy; without binding; partly sl. dogeared.
- Upper joint w. 2 small defects.
= K. BIERMAN, Ruimtelijk (lithograph, printed in grey and blue); R. CLOUS, "Boer Blauw te Heerhugowaard schildert zijn Hoeve blauw tegen de pest en de vliegen" (col. etching); G. DANIËLS, Roeien op de Loire (etching, printed in blue); M. FUIT, "Het metafysische van een paaltje en een wit zeeschip" (col. lithograph); L. VAN GOOR, "Signalen" (etching and aquatint and reliefprint, printed in blue, black and brown); E. DE NIE, "Chiaroscuro" (lithograph, printed in blue); M. VAN OVERBEEKE, "Hemelsblauw" (col. etching); J. POLAK, "Blue Greyhound" (etching); J. VERBURG, Gezicht op de atlas (col. etching); F. VERPOORTEN, Bismi Allah arrahmani arrahimi (etching and aquatint, printed in blue and brown).
- Verso traces of paper along outer margins from to former passepartout.
- Laid down on board; sl. yellowed.