3564 - 4845 FINE ARTS - MODERN ART. PRINTS, DRAWINGS, PAINTINGS and SCULPTURES
= Van Wisselingh Supplement 297 and 296, both 100 impressions. Both one of the "acht laatste door den Kunstenaar vervaardigde, geteekende en genummerde etsen, waarvan er zes na zijn overlijden zijn verschenen".
= From the collection of Pim van Eekelen (collector's mark on verso) and F. Teding van Berkhout (collector's plate on recto). Van Wisselingh Supplement 297, one of the "acht laatste door den Kunstenaar vervaardigde, geteekende en genummerde etsen, waarvan er zes na zijn overlijden zijn verschenen", 100 impressions.
Idem. Straatje in Damascus. Etching, 1933, 23,2x15,3 cm., signed "M. Bauer" and "No. 5" in pencil.
= Van Wisselingh Supplement 296, one of the "acht laatste door den Kunstenaar vervaardigde, geteekende en genummerde etsen, waarvan er zes na zijn overlijden zijn verschenen". 100 impressions.
= Van Wisselingh 266 and 298 (Supplement: One of the "acht laatste door den Kunstenaar vervaardigde, geteekende en genummerde etsen, waarvan er zes na zijn overlijden zijn verschenen."), both 100 impressions.
= Van Wisselingh 77 and 67, both 100 impressions.
AND 1 other by the same: Een bruiloft te Cairo (Van Wisselingh 17).
= All from the collection of Deborah G. Duyvis.
= Van Wisselingh 258 and 262, both 100 impressions.
- Sl. foxed/ dustsoiled.
= Proofs of p.9-10, 13-14, 17-18, 31-34, 41-42 from the book w. the above mentioned title (Amst., Scheltema & Holkema, 1897, 19 etched ills. and 48 vignettes, edition of 150 copies). Wisselingh 275ff. Braches 7; Braches (1st ed.) 980116 and p.292f: "Deze versieringen [van Dijsselhof] zijn, omdat ze moesten komen naast etsen van Bauer, geëtst. Ze zijn als zodanig uniek in de geschiedenis der boekherleving."
= Van Wisselingh 128-132, each 100 impressions.
= Van Wisselingh 71, 135 and 12, each 100 impressions. All from the collection of Deborah G. Duyvis.
= Van Wisselingh 7 and 45, both 100 impressions.
= Van Wisselingh 261, proof. With the collector's mark of Van Eekelen on verso. According to his notes from the estate of the artist's wife.
- Slightly yellowed.
= Van Wisselingh 124, 30 impressions. This etching was intended as frontispiece to the Akëdysséril series, but was not used.
= Van Wisselingh 219, 100 impressions.
= Van Wisselingh 76, 100 impressions: "De eerste ets welke Bauer van het Oosten maakte".
= Van Wisselingh 38, 51 and 94, each 100 impressions.
- Trifle yellowed. = SEE ILLUSTRATION PLATE XVIII.
= Van Wisselingh 1 and 36, both 100 impressions.
= Van Wisselingh 73, 76 and 87, each 100 impressions. All from the collection of Deborah G. Duyvis.
= Van Wisselingh 109 and 7, both 100 impressions. Both with the collector's stamp of Van Eekelen on verso.
- Slightly yellowed; one w. some pencil scratches.
= Both very rare different reworked impressions from the same plate. Not in Van Wisselingh. Resembling Udaipur - Paleis (Z427) on the website of the estate of the Bauer Documentatie Stichting. SEE ILLUSTRATION PLATE XVIII.
= Published on occasion of the exhibition in museum De Pont, Tilburg.
AND 1 other print by the same, published on the same occasion: Diamond Frog (signed and numb "48/50").