5266 - 5589 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
77 5486 Pruche C act 1831 1870 
- Margins partly sl. foxed and occas. sl. frayed (not affecting the lithographs).
= On the dangers and inconveniences of travelling by horsedrawn cabriolets, fiacres, and "cabriolets de place". "Son nom vient du verbe « cabrioler », qui évoque sa légèreté mais aussi son instabilité" (Wikipedia). Scarce series, rarely found handcoloured.
77 5487 Rabel D ±1578 1637 
77 5487 Rabel D ±1578 1637 
- Somewhat (finger)soiled.
= Kat. Orn. Berlin II, 1044 and 1047. From a series of 13 prints (incl. title): Cartouches de diferentes Inventions (...) (1632).
AND 5 others, i.a. 3 prints with grotesque faces.
77 5488 Raimondi M A 1480 1527/34 
- Sl. foxed; tiny closed tear in centre right edge; trimmed on the borderline.
= Bartsch XIV.4.3; Shoemaker 24.
- Trimmed on/ inside the borderline. Old flattened horizontal fold.
= Verso w. collector's stamp of P.W. van Doorne (Lugt 4731). On paper with an anchor watermark.
77 5490 Reinagle G P 1802 1835 after 
- Fine copy. Tipped onto board mount along margins w. paper tape (easily to detach).
= Very rare. SEE ILLUSTRATION PLATE CII.
AND 2 other marine engravings (1x handcol.).
77 5491 Rembrandt van Rijn 1606 1669 
- Yellowed in outer margins of image and part of blank margins due to former passepartout and tipping on mount at one spot in left margin.
= New Hollstein 279, 3rd state (of 3); White/ Boon 45, 2nd state (of 2). With the collector's blindstamp of A.P.F. Robert-Dumesnil (1778-1864) in lower blank margin (Lugt 2200), and "Coll: Dumesnil" in pencil on late 19th/ early 20th cent. mount. SEE ILLUSTRATION PLATE CII
77 5492 Rembrandt van Rijn 1606 1669 
- Sl. yellowed and foxed (mostly in upper left corner); remnants of former tipping on in corners on verso; sm. closed tear in upper right corner (±1,5-2 cm.).
= On laid paper without watermark. New Hollstein 125, a late impression of the 3rd state (of 6) (with the shading around the angel as in the third state as listed in New Hollstein 125, but without the details in the landscape below the angel). Probably a state between the 3rd and 4th state. SEE ILLUSTRATION PLATE CIII.
77 5493 Rembrandt van Rijn 1606 1669 
- Good margins; a few very vague yellowish stains; nevertheless in fine condition.
= New Hollstein 45. Early impression of the 2nd contemporary state (without the horizontal scratch halfway between the figures).
77 5494 Rembrandt van Rijn 1606 1669 
- Greyish 19th cent. impression from the worn plate on laid paper with ample margins.
= New Hollstein 127, 4th state of 5.
77 5495 Rembrandt van Rijn 1606 1669 
- Trimmed to the borders; on partly very thin paper (due to detaching from its mount; consequently(?) no watermark visible); small restored spot in upper left blank corner; four minute holes in image.
= New Hollstein 302, 4th state (of 5), before the restoration of the shadow on the wall between Christ and the woman. SEE ILLUSTRATION PLATE CIII.
77 5496 Rembrandt van Rijn 1606 1669 
- Trimmed on/ just outside the borderline; vague folds in upper corners; dark impression.
= New Hollstein 251, 3rd state (of 5) with the signature of Watelet in lower left corner invisible.
77 5497 Rembrandt van Rijn 1606 1669 
- Small vague stain in lower blank margin.
= New Hollstein 151, the third state (of 3). With the collector's mark of R. Alianello (Lugt 5K) on verso.
77 5498 Rembrandt van Rijn 1606 1669 
- Late impression, but with ample margins.
= New Hollstein 144, the 7th and final state; Hollstein/ Bartsch and White/ Boon 124, third and final state. SEE ILLUSTRATION PLATE CIV.
77 5499 Rembrandt van Rijn 1606 1669 
- Trimmed ±4 mm. outside the platemark; paper trifle browned.
= New Hollstein 282, 1st or 2nd state (of 2). On slightly thick laid paper. Rare. SEE ILLUSTRATION PLATE CIV.
77 5500 Rembrandt van Rijn 1606 1669 
- Trimmed ±4 mm. outside the platemark; nice and strong impression.
= New Hollstein 263, 2nd state (of 4). Rare. SEE ILLUSTRATION PLATE CV.
77 5501 Rembrandt van Rijn 1606 1669 after 
77 5501 Rembrandt van Rijn 1606 1669 after 
77 5501 Rembrandt van Rijn 1606 1669 after 
= On wove paper. Possibly Hollstein 85, copy d(?), attributed to I.J. de Claussin. White/ Boon 263, copy 1. With a collector's mark "H" within a circle, not found in Lugt.
Rodermondt, P. (act.1639-after 1703). Esau selling his first-birthright to Jacob. Etching after REMBRANDT VAN RIJN, 27,6x20,5 cm. (Hollstein 1, 3rd and final state). - AND a large mezzotint by R. EARLOM after REMBRANDT (1777, foxed in margins).
77 5502 Remonstrants and Counter Remonstrants Saverij S 1594 1683 attrib 
77 5502 Remonstrants and Counter Remonstrants Saverij S 1594 1683 attrib 
77 5502 Remonstrants and Counter Remonstrants Saverij S 1594 1683 attrib 
- Doubled; trifle frayed; sl. foxed.
= Early impression with the title reading "Hollantsche Transformatie" and the first line "Gommer". Hollstein 201; F.M. 1333 suppl. b; cf. Atlas van Stolk 1351; C.H. Slechte, De valsche en regte balans (Boekenwereld 6/5, p.174).
Jonxis, P.H. (1757-1843). "Gedenkstuk voor de Nederlandsche Gereformeerde Gemeentens." Engraving after W. KOK, 55,5x41 cm., engr. caption below, w. the address of W. Houtgraaff, 1791, "Proefdruk" and "No.[manuscript:] 214" in the image.
= F.M. 6129; Atlas van Stolk 5523. Allegorical print with a central view of the "Nationaale Synode te Dordrecht gehouden in den Jaare 1618 en 1619."
AND 2 others, both slander images of Luther.
77 5503 Ricci S 1659 1734 after 
77 5504 Rode C B 1725 1797 
- Edges laid down on mount.
77 5505 Roghman R 1627 1692 
- A few brown spots, but otherwise a fine strong impression. = Hollstein 5, 2nd state (of 3).
AND 1 other by the same: "Hesbeen" (Hollstein 18, 2nd state (of 2), foxed).