1738 - 1823 RUSSIAN BOOKS. (AVANT GARDE) ART, LITERATURE and FINE PRINTING
- Some tears in margins, closed on verso w. sellotape (shining through on recto); lower left (blank) corner smudged; some creases and small holes.
= Civil war time revolutionary poster. Text in Ukrainian. SEE ILLUSTRATION PLATE XXXVI.
- Sl. creased. = Civil war time caricatural poster based on Repin's Volga Boatmen. Text in Ukrainian.
- Formerly folded.
= International Women's Day poster depicting Valentina Tereshkova, the world's first female cosmonaut.
Kalensky, V. (1920-2012) and Kalenskaya, I. (1928-2006). "Mir narodam!" (Peace to the nations!). Col. offset poster, 99x56,5 cm., ibid., idem, 1960.
- Formerly folded; creased.
AND a Russian language advertisement poster (1983) for the Tesla K204 Stereophonic Radio Set and Tape Recorder.
- Sl. thumbed; text lvs. and frontwr. vaguely waterst. in lower blank margin. Spine restored; vertical crease in frontwr.
= The English and French language edition (simultaneously also published in Russian). All published. Rowell/ Wye 474 and p.160/ 161. Lemmens/ Stommels, Russian Artists and the Children's Book p.98. Overview of Vladimir Lebedev's poster designs for the Russian Telegraph Agency ROSTA, in his bright and distinctive style characteristic for his illustrations in S. Marshak's children's books. SEE ILLUSTRATION PLATE XXXV.
- Spine and outer margin frontwr. restored; backwr. sl. soiled and w. a few stamps.
= All published. The first Russian work on poster art.
- Sm. cut in htitle; bookblock loosening. = Rowell/ Wye 497. SEE ILLUSTRATION PLATE XXXVII.
- Wrappers frayed and loose. = Rowell/ Wye 239; Kilgour 934.
- Title-p. 1st issue (water)stained. Wrappers yellowed and (sl. crudely) restored margins; stamp in backwrappers.
= Khan-Magomedov p.121 and 125; Compton, Russian Avant-Garde Books 1917-34 p.82, 86 and 157 note 50: "Rodchenko's fascination with film continued to inspire many of his book covers, including a scheme capable of variation for a series of popular detective stories - Mess Mend or the Yankee in Petrograd (...) - written by Marietta Shaginian under the pseudonym Jim Dollar. For all ten volumes Rodchenko devised a complicated geometric layout combining colour with black and white, by dividing the cover into alternating coloured and black fields carrying white lettering. The central areas vary from cover to cover: they include cleverly cut photographs, including close-ups, reflecting the description to be found on the title page of volume one: 'cinematographic novel'. He chose a different colour for each cover and the series, which came out in 1924, remains most effective, though cheaply produced" (p.82). SEE ILLUSTRATION PLATE XXXVII.
- Edges wrappers sl. creased. = Rowell/ Wye 891; not in Khan-Magomedov.
- One plate sl. foxed. Lacks backwr.; frontwr. reattached and restored (closed tears and 2 sm. lacking portions reworked).
= Rowell/ Wye 505 and ills. p.210f; Compton, Russian Avant-Garde Books 1917-34, p.85; Khan-Magomedov p.118f: "In 1923 Mayakovsky's poem Pro Eto was published, with illustrations by Rodchenko which are today regarded as a seminal work of photomontage. In fact, it could be claimed that the painter was the co-author of this work, since he had not limited himself to illustrating the poem in order to render its meaning clearer, but had created a series of artistic compositions, capable of conjuring up profound associations of meaning." SEE ILLUSTRATION PLATE XXXVII.
- Frontwr. sl. dam. in lower (blank) corner.
= Bowlt/ Hernad p.135. Periodical of the early Russian avantgardist movement. With contributions by i.a. Vladimir Mayakovsky, Aleksandr Kruchenykh and Sergei Tretyakov. Only 7 issues were published between 1922 and 1924. This issue i.a. with designs for sporting attire by Varvara Stepanova and trademark designs for Soviet aviation company Dobrolet by A. Rodchenko. SEE ILLUSTRATION PLATE XXXVIII.
- Unopened copy. Wrappers sl. foxed; backstrip sl. cracking.
= Remarkable combination of Russian folklore and western Jugendstil.
= Contains facs. reprints of: 1. A. KRUCHENYKH and V. KHLEBNIKOV, Mirskontsa (Moscow, 1912); 2. A. KRUCHENYKH, Pustynniki (ibid., 1913); 3. IDEM, Poluzhivoi (ibid., 1913); 4. IDEM, Vzorval' (St. Petersburg, 1914); 5. IDEM and V. KHLEBNIKOV, Igra v adu (ibid., 1914); 6. V. KHLEBNIKOV, Izbornik stikhov (ibid., 1914).
- Spine-ends chipped; wr. sl. frayed. = Persian fairy-tales in Russian translation.
- No.1 final lvs. and backstrip dam.; no.1-4 wrappers sl. (water)stained/ soiled and w. some restored spots.
= Complete run of this perodicial containing many first Russian translations of (fragments of) western works, i.a. by Stefan Zweig, Émile Zola, Sinclair Lewis, Rudyard Kipling and Oswald Spengler. SEE ILLUSTRATION PLATE XXXVIII.
- One plate sl. browned. Backstrip worn; spine-ends chipped.
= SEE ILLUSTRATION PLATE XXXIX.
- Backstrip sl. cracking and w. some restored spots.
= Compton, Russian Avant-Garde Books 1917-1934, p.108f. Publication dedicated to the 10-year anniversary of Alexandr Tairov's Moscow Kamerny (Chamber) Theatre. "Inside the book, there are pages devoted to production photographs of the set for G.K. Chesterton's The Man who was Thursday designed by architect/ painter, Alexander Vesnin. These show Tairov's new preference for Constructivist stage design taken to the extreme of replacing conventional scenery by a free-standing multi-level structure" (Compton). SEE ILLUSTRATION PLATE XXXIX.
- Upper joint splitting; wr. creased and worn along spine and edges; sm. vague stamp on backwr.
= Rowell/ Wye 913 and p.217; Compton, Russian Avant-Garde Books 1917-34, p.65 and plate 5; Lemmens/ Stommels, Russian Book Art 1904-2005, p.66: "In the publication above, Telingater created one of his most avant-garde designs (...), using different sorts and formats of typefaces. The use of linear structures and use of photo collages on a bright yellow colour of the cover, on the other hand, is an aspect of constructivist ideas". SEE ILLUSTRATION PLATE XXXIX.
- Bookblock loose and w. tear in upper margin. Wrapper worn.
- Waterst. in lower inner margin. Wr. sl. dustsoiled/ discoloured along edges.
= SEE ILLUSTRATION PLATE XL.