48 - 556 FINE and APPLIED ARTS, ART REFERENCE
= A series of portraits of young DDR women and their children.
Baus, H. and C. Gruppenbilder. Cologne, Walther König, 1988, 135p., num. ills., orig. wr., 4to. - AND 1 other H.W. MENDE, Grenzbegehung. 161 Kilometer in West-Berlin (Berlin, 1980, num. ills., orig. wr).
- Spine sl. sunned. = The photographer's first retrospective exhibition at the Hudson River Museum.
Tice, G. Urban Romantic. The Photographs of George Tice. Boston, David R. Godine, 1982, 130,(2)p., ills., orig. hcl. w. dustwr., 4to.
- Dedication in pen and ink on title-p.
Jordan, J. Light Years. The Photographs of Morley Baer. Carmel, Photography West Graphics, 1988, unpaginated, 51 plates, orig. cl. w. dustwr., 4to. - AND 1 other.
- Fine. = Catalogue for the exhibition "Touching North", London etc., 1989.
= Parr/ Badger II, p.278. Series of photographs of (empty) boardroom tables of European multinational corporations. "The Table of Power is at once a completely objective book and a wholly subversive one. (...) the book's subversiveness emanates from its very objectivity. It presents the simple facts about a particular and powerful symbol of power, and by drawing our attention to it forces us to think about what these facts might represent and conceal - a large subject contained in a deliciously small package" (Parr/ Badger).
= Rare anti-German photo documentary booklet published by the Ministry of Defence of Czechoslovakia. Also containing caricatures by George Grosz.
- Lacks 2 plates. Vol. 3 lacks backstrip.
= SIGNED dedication by the photographer on first free endpaper.
Michiels, T. Next Stop. Nijm., Thieme, 1981, 75p., (col.) ills., orig. cl. - AND 15 others on Dutch photography, i.a. H. VAN DER MEER, Werk (Amst., 1993, ills., orig. wr. SIGNED on htitle); M. THIJSEN, Het bedrijfsfotoboek 1945-1965. Professionalisering van fotografen in Nederland (Rott., 2002, num. ills., orig. cl. w. dustwr., 4to) and P. DEN HOLLANDER, Moments in Time (Amst., 1982, ills., orig. boards).
= With photographs by D. Auerbacher, L. Baltz, Basilico, Depardon, R. Doisneau, P. De Fenöyl, Y. Guillot, J. Koudelka, R. Pare and H. Rabot. Parr / Badger, The Photobook II, p.60/ 61.
- Frontwr. sl. creased. = Rare early work by Uwe Laysiepen, later internationally known as Ulay.
AND 4 others, i.a. E. DORFMAN, Elsa's Housebook A woman's photobook (Boston, 1974, ills., orig. wr.).
- Owner's entry on first free endpaper. = SIGNED by Don McCullin in pen on first free endpaper.
Evans, H. (introd.). Don McCullin. London, Jonathan Cape, 2001, 295p., richly illustrated, orig. cl. w. dustwr., large 4to.
= SIGNED by the photographer on title-page.
AND 2 others by the same: Open Skies (London., 1989) and Homecoming (ibid.,1979)
= Parr/ Badger II, p.62/63.
AND 4 others, i.a. G. WYLIE, Patterns of the Hebrides (London, 1981, ills., orig. wr., 4to) and J. DAVIES, Mist Mountain Water Wind (ibid., 1986, ills., orig. wr., obl. 4to).
- First vol. w. occas. owner's annots. Last 2 vols. binding sl. worn/ dam.
= Contains photographic plates by i.a. H. and W. Berssenbrugge, B.F. Eilers, P. Huf and G. Oom. Comprises 1941, 1942/3, 1943/44 and 1944/46.
AND 4 others, i.a. A. GROENEVELD (ed.), Van Bombay tot Shanghai. From Bombay to Shanghai (Rott./ Amst., 1994, ills., orig. wr.).
= SIGNED in gold felt tip pen on htitle.