- Various sm. defects, i.a (sl.) browned. = Delteil 1790-1799.

AND 15 others similar by the same, all from Le Charivari, i.a. the complete series "Les Divorceuses" (6 lithographs, foxed and browned) and "Moeurs Conjugales" (7 lithographs).

- Duststained and w. offsetting in the margins. = No.15 of the series "Caricaturana". Delteil 368, 2nd state.

AND 21 others by the same, all from the series depicting Robert Macaire, i.a. 2nd series from Charivari (no.1, 3, 4, 7-16, 18. Series of 20).

- Lacks plate 3; occas. sl. foxed. = No. 1, 2, 4-15 (2x). Delteil 2681, 2682, 2684-2695.

AND 18 others by the same, all from Le Charivari, i.a. "Croquis de Bourse" (complete series of 6 plates), "Les Supplices de la civilisation" (complete in 3 plates) and "Physionomie de l'assemblée" (7 (of 31) plates).

- Various defects, i.a. torn/ cut short and (sl.) foxed.

AND a few woodengr. plates by the same.

- Various sm. defects, i.a. sl. foxed/ soiled in margins.

= No.1-5, 7-10, 12-16, 18-20 and 23. Plate no. 6 and 22 were published in La Caricature. Armelhaut/ Boucher 375-379, 380-382, 385-389, 391-393 and 395.

AND 15 others similar by the same, mostly from Le Charivari, 3 lithographs printed 'sur blanc' (velin paper).

- Glue remnants and tape ghost along edges; sl. soiled; lower margin trimmed on/ just within the platemark.

= After the Vatican frescoes by Raphael Urbino. With geometrical and perspective drawings in pen and brown ink (probably after an artist's manual) on verso of all prints, occasionally with French annotations, probably by an art student or artist's apprentice. Brunet IV, p.1108; Thieme-Becker VI, p.379.

WITH a 17th century drawing in black chalk after the original title print of the above series (with a watermark showing a bunch of grapes).

= With "Sigmd. Bermann md. d'estpes, Vienne 1834" in black pen on verso (Lugt 235).

Callot, Jacques (1592-1635) (after). La présentation au peuple. Engraved copy in reverse from the series La grande passion, 10x20,8 cm., w. 2-line Latin caption below the image.

- Printed on thick laid paper; sm. section of left edge torn off; a few sm. (closed) holes and tear.

= New Hollstein 119.

Anonymous (16th cent.). Spring (Venus and Cupid). Engraving after Lambert LOMBARD, 25x20,3 cm., printed by Hieronymus Cock, 1582.

-Trifle dampstained in lower blank corners; sm. brown stain in the centre shining vaguely through from verso.

Perelle, Nicolas (1631-1695). (Four large landscapes with travellers). Four etchings w. engraving, 22,6x30,1 cm., all signed "Perelle invent. et fecit" (1x "Perelle f.") in small cartouche in lower left or right corner of the image.

- Tipped onto 2 mounts at four corners; all prints trimmed to the borderline; one print w. central vertical fold w. closed tear at top end; one print w. vague narrow waterstain in right margin.

AND 5 other prints, i.a. by Pieter SERWOUTERSE.