5323 - 5647 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
79/5563 Printdrawings Collection of over 200 printdrawings after the method/ in the style of C Ploos van Amstel 
= Prints by i.a. Jabes Heenck, Pieter Janson, Johannes Christiaan Janson, Jacob Ernst. Marcus, Pieter de Mare, Aart Schouman, Rudolph Sondagh, Hendrik Spilman, Jurriaan Cootwijk, Hermanus van Brussel, Hendrik Busserus and Ernst Bagelaar.
79 5564 Quast Pieter 1606 ±1647 
- Broad margins sl. browned and w. traces of former mounting in upper blank margin. = Hollstein 51.
AND 2 other etchings (after the same?) and an etching by Albert CUYP from the Set of cows (browned and partly laid down).
79 5565 Ravenswaay Jan van 1789 1869 
79 5566 Rembrandt van Rijn 1606 1669 
- Trimmed just outside the platemark; sl. vague impression.
= Etchings by Rembrandt printed in sanguine are very rare (no other copy of this print in sanguine traced). New Hollstein 269, 2nd state (of 3). SEE ILLUSTRATION PLATE CVIII.
79 5567 Rembrandt van Rijn 1606 1669 
- Trimmed ±1 mm outside the platemark; vague glue remnants of former mount along edge on verso. Fine copy.
= On thick (18th cent.?) laid paper. New Hollstein 45, 2nd state of 3, before the re-biting by the Basan workshop, but with the horizontal scratch between figures, common in the later impressions. SEE ILLUSTRATION PLATE CVIII.
79 5568 Rembrandt van Rijn 1606 1669 
- Trimmed just outside the borderline. Fine, strong dark impression on late 17th/ early 18th cent. laid paper, no watermark.
= New Hollstein 302, 4th state (of 5), before the restoration of the shadow on the wall between Christ and the woman.
79 5569 Rembrandt van Rijn 1606 1669 
- Sl. browned/ vaguely foxed; Lower left, upper right and lower right corners repaired.
= New Hollstein 264, 9th state (of 10); Bartsch and White/ Boon 272; Nowell-Usticke B272. "The sitter was a well known publisher of prints, working in Amsterdam from about 1640 until his death in 1679. His inventory (...) contains a long list of prints by Rembrandt." (Hollstein).
79 5570 Rembrandt van Rijn 1606 1669 
- Good strong, dark impression.
= On laid paper (late 17th?/ early 18th cent.). New Hollstein 140, the 3rd state (of 4). SEE ILLUSTRATION PLATE CIX.
79 5571 Rembrandt van Rijn 1606 1669 school of 
- Good impression on contemp. paper w. unidentified watermark, trimmed on/ just inside the platemark. Some sm. thin spots, partly strengthened on verso. Verso w. the collector's stamps of i.a. A. Artaria (Lugt 33) and Julius von Elischer (Lugt 824).
= Hollstein/ Bartsch 341, 2nd state (of 2). Attributed to Ferdinand Bol, Hollstein 21 (Study for the large Jewish bride). Rare. SEE ILLUSTRATION PLATE CIX.
79 5572 Renoir Pierre August 1841 1919 
- Sl. yellowed; verso w. paper tape along outer margins. = Delteil 15, the second state (of 2).
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
= Comprises i.a. snakes, frogs, lizards, turtles and chameleons. = Nissen, ZBI 4617.
79 5574 Ridinger Johann Elias 1698 1767 
79 5574 Ridinger Johann Elias 1698 1767 
- Contents very fine. Covers sunned; corners and spine-ends rubbed/ sl. worn.
= Beautiful equitation series, in strong impressions. Thienemann 606-627 (incomplete series); Schwerdt III, p.142; Mennessier de la Lance II, p.428 (stating that he has never encountered a complete copy of this series). SEE ILLUSTRATION PLATE CIX.
79 5575 Rosa Salvator 1615 1673 
- Partly stained/ sl. foxed, especially lower half. = Printed on 18th cent. paper. I.a. Bartsch 59, 77 and 67.
AND a bookillustration by Gerard de LAIRESSE.
79 5576 Rubens Peter Paul 1577 1640 after 
79 5576 Rubens Peter Paul 1577 1640 after 
- Foxed in caption strip.
Rubens, Peter Paul (1577-1640) (after). "Marie de Medicis sous la forme de Minerve Déesse des Arts." Etching by Jean Baptiste Massé, from the same series, 49,3x33,5 cm., w. engr. address below image, Paris, Sr. Duchange, dated "1708" in lower right corner below image and w. numb. "4" in lower right corner.
- Two tears in right margin of image; a few black crayon[?] scratches in image.
AND 2 others, i.a. Pierre PICAULT, "Il est un Dieu de se vaincre soy mesme" (etching after Ch. LE BRUN, 40x53 cm. Sl. yellowed).
79 5577 Sadeler I Johann 1550 1600 
79 5577 Sadeler I Johann 1550 1600 
- Contemp. annots. in pen and ink in upper and lower margin; brown stain in right part. = Hollstein 130, 3rd state of 3.
AND 5 others with biblical scenes, i.a. by Jan WIERIX and Hans COLLAERT.
79 5578 Sadeler I Johann 1550 1600 
- Somewhat browned; trimmed 1/ 2 mm outside the platemark. = Hollstein 281.
79 5579 Sadeler I Johann 1550 1600 
79 5579 Sadeler I Johann 1550 1600 
79 5579 Sadeler I Johann 1550 1600 
- Probably a later impression on thick paper; soiled, mostly along upper edge.
AND 4 other prints with planetary theme.
79 5580 Sadeler I Johann 1550 1600 after 
= Hollstein 133 (copy). From the series of Solomon's Song.
79 5581 Sadeler I Johann 1550 1600 and Raphael 1560 1628 or 1632 
79 5581 Sadeler I Johann 1550 1600 and Raphael 1560 1628 or 1632 
79 5581 Sadeler I Johann 1550 1600 and Raphael 1560 1628 or 1632 
= The following saints-hermits: Symacchus (no.7, H.442); Lucius (no.8, Hollstein 443); Dorotheus (no.9, by R. Sadeler, H.148); Auxentius (no.13, H.445); Vinvalocius (no.14, by R. Sadeler, H.151).
79 5582 Sadeler I Johann 1550 1600 and Raphael 1560 1628 or 1632 
79 5582 Sadeler I Johann 1550 1600 and Raphael 1560 1628 or 1632 
79 5582 Sadeler I Johann 1550 1600 and Raphael 1560 1628 or 1632 
- Two prints soiled.
= The following saints: Euthimius and Theoctistus (no.6, by R. Sadeler, Hollstein 135); Quiriacus (no.9, by R. Sadeler, H.120); Helias (no.14, H.391); Origen (no.18, H.395); Eulogius (no.16, H.393); Piamon (no.28, H.405).