5648 - 5930
FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
(incl. drawings of Haarlem and surroundings from the collection A.M. van den Broek)
- Laid down on modern board.
= Depicting wind mill De haan in the background and to the right windmill de Zijl. = Provenance: the collection of A.M. van den Broek with his collector's mark on verso. SEE ILLUSTRATION PLATE CXXI.
- Sl. browned and duststained; two brownish stains in upper and lower right corner.
= Possibly a view of the Vliet or Trekvliet near Voorburg.
= From the collection of P.J. and L. Buijnsters-Smets.
- Blank margins darkened/ scorched(?), sl. brittle and w. a few waterstains.
= SEE ILLUSTRATION PLATE CXXII.
- Sl. soiled.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso, the artist Jan van der Veer (1912-2001) and the artist Jan Severeinse (1760-1846). On 17th century laid paper with a foolscap watermark. Van den Broek attributed the tulip drawings to Severeinse himself.
- Sl. soiled.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso, the artist Jan van der Veer (1912-2001) and the artist Jan Severeinse (1760-1846). On 17th century laid paper with a foolscap watermark.
- Sl. soiled.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso, the artist Jan van der Veer (1912-2001) and the artist Jan Severeinse (1760-1846). On 17th century laid paper. SEE ILLUSTRATION PLATE CXXI.
- Sl. soiled.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso, the artist Jan van der Veer (1912-2001) and the artist Jan Severeinse (1760-1846). . On 17th century laid paper with watermark crossed fllail within a chaplet (similar to Churchill, no. 544: 1640).
- Sl. soiled.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso, the artist Jan van der Veer (1912-2001) and the artist Jan Severeinse (1760-1846). On 17th century laid paper with monogram "DS" watermark.
- Fingersoiled, mostly along the edges; tiny remnants of paper attached to the flower head.
= Provenance: the collection A.M. van den Broek, with his collector's mark. Perhaps from the collection of the artist Jan Severeinse. On 17th century laid paper.
- Laid down on later 18th cent. mount w. annot. "Del Gabbiani"; a few holes in upper part; with a pencil grid.
- Three repaired chips and holes near/ along edges; sm. closed tear near upper edge.
= Genoels created an etching after this drawing. Cf. Hollstein 16. SEE ILLUSTRATION PLATE CXXII.
= Provenance: the collection A.M. van den Broek with his collector's mark on verso.
= A design for a contest, possibly on occasion of a national celebration. The drawing shows a grand procession of celebrating soldiers cheered by hundreds of onlookers. The name "Winnen" as artist of the first prize could not be identified by us. Ghemar was a fascinating and colourful photographer, artist and draughtsman (caricatures), active in numerous roles on numerous occasions and best known for the portrait photographs that he made of the famous and the grand of his time. For more information, see Eliane van den Ende, Zwans. Humor als Belgische identiteit.
Eberson, Lucas (1822-1889). "De Vereeniging van Kunstenaars onder de spreuk: Verscheidenheid en overeenstemming, Gevestigd te Arnhem, Verklaart dat de Heer [...] is benoemd tot Eerelid van voornoemde Vereeniging (...)". Drawing, pencil, 30x36,5 cm., signed and dated below "L.H. Eberson Architect. inv. et del. No. 1858".
= Design for a certificate of honorary membership.
AND 2 others, incl. a lithogr. proof of the preceding, with a pencil annot. in top margin stating that the design was never used (sl. frayed).
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE CXXIII.
- Foxed. = On 17th century laid paper.
= Very similar view and composition as the drawing by Jacob Cats, now in the NoordHollands Archief. Grave made the engraving after the Cats drawing. Perhaps a preliminary drawing, although the staffage is quite different, especially the figure in the foreground.
- Yellowed.