5648 - 5930
FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
(incl. drawings of Haarlem and surroundings from the collection A.M. van den Broek)
- Sl. browned/ foxed spots; small chip in upper blank margin.
- Occas. fingersoiled/ duststained. Binding worn.
= Attractive sketches and drawings, incl. studies of trees, cows, horses and horse-drawn carts, mills and men and women at work. The artist is identified in pencil in a sl. later hand on verso of the frontcover. A ticket w. manuscript annot. in pen and ink on recto of the frontcover reads as follows: "Beeltjes, Beesjes, Molens Bruggen Flonders Schaapjes Schuijten Karren wagens enz. alle naar de Natuur waargenomen en getekend door Jel[...] s Rz". J.R. Jelgershuis, actor and artist, is best known for his manual for actors, publ. Amst., 1827. SEE ILLUSTRATION PLATE CXXIV.
= Hefting, no.16, 1975. Provenance: the collections Dr. Johan B.W. Polak (1928-1992) and A.M. van den Broek and sold in auction Christie's 1992. SEE ILLUSTRATION PLATE CXXIV.
- Waterst. in blank margins. = SEE ILLUSTRATION PLATE CXXV.
WITH a sketch of the drawing on board (same size).
= Provenance: the collection A.M. van den Broek with his collector's mark on verso.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso.
- Laid down on modern stiff paper; with a few worn spots repainted w. watercolour. Provenance: the collection of A.M. van den Broek.
- Laid down on mount.
= Provenance: the collection A.M. van den Broek with his collector's mark on verso mount. Van den Broek attributed this drawing to Hendrik Keun.
- Somewhat yellowed.
- Yellowed; a few vague foxed spots.
= With the collector's mark of Albert van Loock on verso (Lugt 3751). Composition in the style of Nicolaes Berchem.
= View of the estate Groot Zomerzorg, near Bloemendaal, Haarlem in the background. Provenance: the collection of A.M. van den Broek.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Yellowed; dam. spots along lower edge from a former frame. = SEE ILLUSTRATION PLATE CXXV.
- A few rubbed spots.
= The vage outline of a fisherman with his rod can be seen, next and below the hunter.
- Tipped onto mount.
= Cf. T. Laurentius, Een kabinet van Haarlemse gezichten (Alphen a/d Rijn, 1968), p.43. Provenance: the collection of A.M. van den Broek with his collector's mark on verso.
- Sl. foxed; vague oblique fold in upper margin.
= Provenance: the collection A.M. van den Broek, w. his collector's stamp on verso.
- A few foxed spots and 2 sm. stains near right edge. = Provenance: the collection of A.M. van den Broek.
- Varnish yellowed; worn spots/ sm. scratches along edges.
= View of the alley nowadays called Achter de Kerk towards the small gate in one of the buttresses. The original design drawing is in the Rijksmuseum (RP-T-1900-A-4438). Lamberts changed the design slightly. The buttress on the left was probably added for the sake of the composition. On verso a wrong attribution to Gerard Lambrecht. SEE ILLUSTRATION PLATE CXXIV.
= Provenance: the collection A.M. van den Broek.