5648 - 5930
FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
(incl. drawings of Haarlem and surroundings from the collection A.M. van den Broek)
= The study of the cows was used for a panel, illustrated in P. SCHEEN, Lexicon Nederlandse beeldende kunstenaars 1750-1950 (ill. no. 143). = Provenance: the collection A.M. van den Broek.
- Browned and foxed.
= A well executed contemporary copy after the print by Mellan, by an unknown, probably Netherlandish, artist. From the collection of the art dealer Vincent van Gogh, sold in 1913 at R.W.P. de Vries, wrongly attributed to Agostino Carracci.
= Both with an unidentifed collector's mark (Lugt 4438).
- Both sl. browned; first drawing waterstain and horizontal tear (±5 cm.) in upper right corner; sm. tear near centre left edge and in lower right corner; vague vertical crease; white-blue stains near lower edge; 2nd drawing horizontal fold and few diagonal creases; a few tiny tears along edges.
= Provenance: sold in auction at Beijers, Utrecht in November 1946, in Amsterdam, 22 March 1802 and in april 1767 (auction De la court-de Backer, no.46 and 47, boek A) in Leyden. SEE ILLUSTRATION ON THE FRONTCOVER and ON PLATE CXXVII.
= Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE CXXVII.
- Finger/ dustsoiled and sl. agetoned. = Perhaps Dutch.
= From the collection of P.J. and L. Buijnsters-Smets.
= From the collection of P.J. and L. Buijnsters-Smets. SEE ILLUSTRATION PLATE CXXVIII.
= From the collection of P.J. and L. Buijnsters-Smets.
- Album lvs. sl. foxed and soiled.
= Mostly studies of (parts of) buildings (windows, chimneys, gates, doors etc.) as well as trees and branches. The first drawings apparently forming a series: "1e [-3e] Cahier" and numbered (1e Cahier, no.1 lacking).
= Somewhat in the style of Charles Rochussen. Perhaps British.
= Slighty naive drawing by an amateur artist. A view on the inn at the Vleutenseweg in Utrecht with a barge being loaded. Probably after the woodengraving with the same composition.
AND 1 other similar drawing by the same showing a barge peing pulled, also signed and dated "1884".
= Both from the collection of A.M. van den Broek with his manuscript collector's mark on verso.
- Probably laid down on later canvas and attached on a new stretcher.
= From the collection of C.G. 't Hooft, former curator of museum Fodor. According to his annotation on verso, this painting depicts i.a. the ship "De liefde" under command of Michiel de Ruyter, on August 17, 1662. Nooms was commissioned by the Amsterdam admiralty to make four paintings (now in the Rijksmuseum) after peace with Algiers and other North African states was achieved. It is thought that they were intended as a present for Michiel Adriaensz de Ruyter, but instead they remained with the Amsterdam Admiralty. Perhaps a painting model for one of the paintings.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE CXVIII.
= From the collection of A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE CXXIX.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE CXXIX.
- Sl. foxed and yellowed.
Anonymous (mid 20th cent.). (Three giraffes galloping through the savannas). Drawing, pen and ink, 29,5x35,7 cm.
= Pencil annot. on verso w. attribution to "Frans Smits" (prob. F.J.Th. Smits (act. 1935-1939)).
AND 8 miscellaneous others, i.a. Michiel H. van TILBURG, (A soldier reported to his officers) (drawing, pencil, 24x30,5 cm., signed "van Tilburg" in lower right corner. A few (closed) tears in margin; pinholes in corners).