3624 - 4551 FINE ARTS - MODERN ART. PRINTS, DRAWINGS and PAINTINGS
= Not in Wielick and Wielick D-151.
AND 7 others by the same, i.a. "Zwerversbijeenkomst onder een boom (Wielick D-49); Zittende landloper met één schoen (Wielick D-45), Dijkwerker (D-9), all w. (minor) imperfections/ defects.
- All rolled.
= Pierre Alechinsky, Les estampes de 1946 à 1972, 144.
- Trifle yellowed; nevertheless fine. = SEE ILLUSTRATION PLATE I.
- Fragile paper w. folds, creases, small closed tears; upper left blank corner torn off.
= Bool/ Petersen G24. SEE ILLUSTRATION PLATE I.
- Foxed, especially in upper margin; closed tear in right margin.
= Provenance: the collection of C.J.M. Rolink. Jan Altink (plate vol. exhib. Jan Altink Stichting, 1978), p.82 (w. ill.).
- Upper margin laid down on mount. Browned; sl. surface dam. affecting image.
= Provenance: the collection of C.J.M. Rolink.
- Yellowed. = Provenance: the collection of C.J.M. Rolink.
- Upper and left margin tipped onto (soiled) passepartout.
= Provenance: the collection of C.J.M. Rolink.
- A few small stains; outer margins laid down under passepartout.
= Provenance: the collection of C.J.M. Rolink. Jan Altink (plate vol. exhib. Jan Altink Stichting, 1978), p.92 (w. ill.).
- Laid down on mount.
- Sl. foxed. = Provenance: the collection of C.J.M. Rolink.
= One of 50 copies marked "E.A." (1x one of "E.A." 75 copies). Contains works by the following artists: Jan Cremer, Pieter Defesche, Jef Diederen, Ingrid Dingemans, Suzan Drummen, Stan Klamer, Reinier Lucassen, Ronal Noorman, Roy Villevoye, Henk Visch (all lithographs), Kars Persoon (offset), Brecht, Ger Lataster, Lucebert, Rob Scholte and Jan Sierhuis (all etchings). SEE ILLUSTRATION PLATE I.
= From the series 240 days (reproduced on p.90 of the book).
Idem. 240 days/ dagen/ jours/ tage. Amst., Meulenhoff/ Landshoff, (1985), no pagination, 240 full-p. col. ills., title w. large red artist's? stamp and numb. "90-240", orig. boards w. dustwr., large 8vo.
- Dustwr. trifle soiled and a few sm. tears.
= With SIGNED DEDICATION to "Kees" [Broos] and "Liesbeth" [Brandt Corstius], "B-B-C", dated "Arnhem 9-11-1985".
AND 2 others: the typescript announcement for the preceding (supplied with a copy of the preceding drawing) and a small orig. watercolour (14,9x10,4 cm., monogr. and "2001" in pen) by the same, w. autograph New Year wish an verso.
= Interesting collection, with a large number of the cards w. additions or col. by hand, w. collage etc. Includes i.a. "New Romanticism" (photostat manifesto, 1 leaf, 1973); "Series: where do correct ideas come from?" (1 cyclostyled leaf, 1976) and "1981" (folded large C-print of a seated female nude, signed "C.C.C. en W. v.A").
= Addendum to the invitation to the exhibition "A 37 90 89" at the Museum voor Moderne Kunst, Département des Aigles, dated (in print) "tuesday, 2 september 1969'. Rare.
AND 6 invitations for exhibitions by the same (incl. 2 duplicates) at the Wide Wide Space Gallery 1971 (w. pinholes) and 1974, at the Addison Gallery of American Art 1973 (2 copies) and at the Museum of Modern Art New York (1973, 2 copies). - AND a small catalogue for the exhibition at the Kunsthalle Bern (1975, (8)p [incl. wr.], ills., 4to. Partly sl. yellowed).
= Provenance: the collection of Kees Broos and Liesbeth Brandt Corstius.
- Some craquelure/ some superficial soiling. = Rare and early abstract work. SEE ILLUSTRATION PLATE II.
= Unique print made by Andriesse after a large original gouache made in the same year. SEE ILLUSTRATION PLATE II.
= Title and date supplied on verso of frame.