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1 - 329     GLOBAL AVANTGARDE - MODERNIST TYPOGRAPHY AND DESIGN 1915-1950

Page 7 of 17 Results 121 - 140 of 329
82/121 Ha Mata'te  Hebrew Himanon le totzeret ha aretz Hymn for the produce of the country
82/ 121 Ha-Mata'te. [Hebrew] Himanon le-totzeret ha-aretz (Hymn for the produce of the country). Tel Aviv, Ha-Mata'te, 1934, poster, 95x64 cm., design by ELIEZER DONATH (?).

- Formerly folded; some sl. occas. foxing; trifle frayed in right margin.

= Announcing a performance of the musical in 11 acts by the satirical theater company Ha-Matate (The Broom), established in 1928 in Tel Aviv, on June 26th 1934, with stage design by E. Emanueli, conference [Hebrew: Konferensiah] by E. Donath and music by M. Wilensky. Listing the program: It is not the sole that matters but the soul!; In our desolate cultural warehouses; Color, rainbow and brush (permission to speak to shoeshiners); The child prodigy - Misha Knobelman; A reward of 22½ cents for whoever finds the murderers!; The voice of the desert "The infidels growl over prey"; The daughter of the king of Baghdad and the cobbler; Penelope and her suitors; Why, why have you left me?!; [Arabic?] [...] Who are they?; Be strong, be strong, and we will strengthen each other. The Hymn, written by Emanuel Harussi is consideren to be the first musical in Palestine. Global Avantgarde Palestine | Israel 13 (w. diff. date).

€ (800-1.000)
82/122 Ha Mata'te  Hebrew Program 13
82/ 122 Ha-Mata'te. [Hebrew] Program 13. Tel Aviv, Ha-Mata'te, 1930, poster, 93x62 cm., design by ELIEZER DONATH (?).

- Formerly folded, but fine.

= Announcing a performance by the satirical theater company Ha-Matate (The Broom), established in 1928 in Tel Aviv, on March 19th 1930, with stage design by E. Luftglas (= Emanueli). Listing the program: Manifesto 13; Behind the scenes in Matate - secrets from the room; Forward, butchers!!! A serenade, a demonstration and... a ban; Havdala... musical scene; Sports knock-out in one round; Without yad [=hand], without hands!!! A tin army; Grandson of Karl Marx interest from Capital; The Balalaika choir - [Russian:] Cossack choir "Lekhu Naranana"; Conference.

€ (700-900)
82 123 Hablik Wenzel
82 123 Hablik Wenzel
82/ 123 Hablik, Wenzel Notgeld der Stadt Itzehoe in Holstein. Two Notgeld banknotes: 50 Pf (5,9x11,2 cm,) and 1 Mark (5,5x10,5 cm.), 1921, des. by WENZEL HABLIK, printed on recto and verso in resp. black, brown and blue/ black, brown and grey, both numb. "03157".

= Rössler p.229; see the website of the Wenzel Hablik Museum, Itzehoe: https://wenzel-hablik.de/museum/kunstwerk-des-monats/

€ (40-60) 80
82 124 Harte B
82/ 124 Harte, B. The Luck of Roaring Camp. London, Glasgow and New York, George Routledge and Sons, 1887, 317p., privately bound in 20th cent. full black morocco w. a geometrical design of gilt lines and red onlay morocco sections on both covers, spine w. raised bands and giltlettered "Bret Harte", signed AVIS ROSSER on lower turn-in of backcover, sm. 8vo.
€ (150-250)
82 125 Hašek J
82/ 125 Hašek, J. Èeški humor. Serbian transl. B. Vračarević. Belgrade, Nedelje, n.d. (±1935), 141,(3)p., orig. wr. w. anonymous design.

= "Humoristic Library", vol. VII. Contains fragments from Jaroslav Hašek's Good Soldier Švejk.

€ (70-90) 70
82 126 Hellaakoski A
82/ 126 Hellaakoski, A. Jääpeili. Helsinki, Otava, 1928, 64,(4)p., orig. wr. des. by TOPI VIKSTEDT.

- Fine copy.

= Global Avantgarde Finland 6; Futurisms in the World p.314: "A pioneer of literary modernism in Finland, Aaro Hellaakoski became a teacher of geography, but published volumes of poems whose metrical structure differed from the norm. With the collection Jääpeili he reached the peak of his first poetic phase, in which he was influenced by the expressive and visual typography launched by F.T. Marinetti."

€ (200-300)
82/127 Herzog és Társai
82/127 Herzog és Társai
82/ 127 Herzog és Társai. Fold. publicity card, Budapest, n.d. (±1935?), 9,6x28,6 cm. (unfolded), anonymous design, printed in black and red on recto and verso.

= Herzog and Tarsai was a firm specialized in used and new office machines and machine and office supplies.

AND 2 tourist booklets for Budapest, 1932 (German text) and n.d. (±1935, French text), photogr. ills., orig. not unif. pict. wr., both obl. sm.8vo.

€ (50-70) 110
82 128 Hiir E
82/ 128 Hiir, E. Meeri-Maria-Mari. Tartu, J. Mallö, 1926, 79,(1)p., orig. wr. des. by JAAN VAHTRA.

- Backstrip a few sm. imperfections; frontwr. some unobtrusive shaved (thin) spots in blank parts. Good/ fine copy.

= Global Avantgarde Estonia 14; Geometrical Man p.80f: "Erni Hiir also resumed publishing poetry in 1924, with the avant-garde collections Arlekinaad (1924) and Meeri-Maria-Mari (1926). Here we find expressonistic scenes from the life of hookers and drinking orgies, which recall the caricaturist world of Georg Grosz".

€ (200-300) 200
82 129 Hikmet N
82/ 129 Hikmet, N. 835 Satır. Istanbul, M. Ahmet, 1932, 48p., orig. wr. des. by ALI SUAVI.

= Global Avantgarde Turkey 8 (variant in pink).

€ (300-500) 300
82 130 Hiler H  Miller H and Saroyan W
82 130 Hiler H  Miller H and Saroyan W
82/ 130 Hiler, H., Miller, H. and Saroyan, W. Why Abstract? New York, James Laughlin/ New Directions, 1945, 100p., orig. cl. w. dustwr. w. anonymous design, large 8vo.

- Dustwr. sl. yellowed, w. repaired/ restored spots.

Miller, D.C. (ed.). Americans 1942 - 18 Artists from 9 States. New York, Museum of Modern Art, 1942, 128p., photogr. ills., orig. dec. boards w. matching dustwr. by E. McKNIGHT KAUFFER, 4to.

- Owner's entry of first free endpaper. Boardedges sl. rubbed; dustwr. sl. dustsoiled and margins strengthened on verso.

AND 2 others: The Chapbook (A monthly miscellany), no.35 (London, 1923, orig. wr. by PAUL NASH); Poetry Scotland, no.3 (Glasgow, 1946, orig. cl. w. dustwr. des. by DONALD BAIN, large 8vo. Some sl. foxing; dustwr. worn/ soiled and partly strengthened on verso).

€ (50-70) 220
82/131 Hin karmir aragi petqaton
82/ 131 Hin karmir aragi petqaton. Letterpress leaflet w. woodcut(?) logo (des. by ?), Armenian text, 1932, 25x18 cm.

= Leaflet concerning taxes and collectivization in Soviet Armenia.

€ (30-50)
82 132 Hinojosa R
82/ 132 Hinojosa, R. El Tabasco que yo he vista. Mexico, n.publ., 1935, 2nd ed., 150p., (photogr.) ills., orig. wr. w. anonymous des.

- Vague waterstain in lower corner (not visible on frontwr.).

= Global Avantgarde Mexico 32; Diagramming Modernity p.672.

€ (300-500) 300
82 133 Hupfeld H
82 133 Hupfeld H
82/ 133 Hupfeld, H. La calinda. Words by M. Hely (French) and T. Huntley (English). Paris etc., Ed. F. Salabert, 1929, (10)p. (incl. wr.), scores, orig. wr. w. anonymous design, folio. Halm, M. Bea ex... Words by N. Stroe. Bucarest, Ed. Armonia, n.d. (±1935), (4)p. (incl. wr.), scores, orig. wr. w. anonymous design, folio.

- Sl. soiled; spine pasted over w. paper strip.

ADDED: "Lampo Benzina Superiore" (very nice cut out advertisement leaf in Futurism style, signed "Negrin 27". Sl. yellowed; upper corner restored).

€ (60-80) 60
82 134 Huszár V
82 134 Huszár V
82 134 Huszár V
82/ 134 Huszár, V. Holland deuren. Publicity blotting sheet w. month calendar for May 1928, 9,3x21,9 cm., Zaandam, N.V. Hollandsche deurenfabriek C. Bruijnzeel & Zonen, recto w. letterpress text printed in black and red and photogr. ill. monogrammed "VH", verso w. blue blotting-paper.

- Fine. = Ex/ Hoek p.129.

Idem. Miss Blanche. Bon 2 waardepunten (...). Voucher, 4x6,5 cm., Rott., The Vittoria Egyptina Cigarette Comp., n.d. (±1926), logo des. by VILMOS HUSZÁR, printed in green, recto and verso.

- Some vague creases and vertical middle fold. = Cf. Ex/ Hoek p.114.

€ (100-150) 190
82 135 Hyden N
82 135 Hyden N
82/ 135 Hyden, N. I flygmaskin och på expresståg. Äventyrsberättelse för pojkar. Stockholm, Chelius & Co. 1931, 95p., orig. clothbacked boards w. frontcover des. by ? [signed illegibly].

- Fine copy.

Heller, F. Viskningar vid camemberten. Noveller. Ibid., Albert Bonniers, 1930, 248,(1)p., orig. wr. w. anonymous design.

- Lower corner of frontwr. some sm. vague folds; spine some folds from reading. Good copy.

€ (30-50) 30
82/136 i10 No I/5 Ed A Müller Lehning
82/ 136 i10. No. I/5. Ed. A. Müller Lehning. Amst., De Tijdstroom, 1927, 161-200p., ills., orig. wr. designed by C. DOMELA, 4to.

- Spine sl. dam. at staples; wr. trifle yellowed; frontwr. w. sm. waterstain in upper blank margin..

= Global Avantgarde Netherlands 34; Le Fonds Paul Destribats 262; Bolliger IV, 362. Renowned Dutch avantgarde magazine, published between 1927 and 1929 in 22 issues. Its editorial board consisted of A. Müller Lehning, J.J.P. Oud, W. Pijper and L. Moholy-Nagy. This issue w. contributions by i.a. V. Huszar ("De reclame als beeldende kunst") and K. Schwitters ("Der Eine und der Andere").

€ (100-150) 325
82 137 ICA The Institute of Contemporary Arts
82 137 ICA The Institute of Contemporary Arts
82/ 137 ICA. The Institute of Contemporary Arts. (London), Lund Humphries, n.d. (±1945), 1 fold. leaflet (4p.), front- and backpage des. by HERBERT SPENCER.

- Tiny repaired tear in backpage.

= Rare brochure published to raise funds for the establishment of The Institute of Contemporary Arts.

€ (40-60)
82 138 Imedashvili I
82/ 138 Imedashvili, I. Mshvenieri. Poema rachis tsarsulidan. Tbilisi, Germane marshanias gamotsema, 1927, 48p., orig. wr. des. by ALEXANDER GVETADZE.

- Owner's entry on title-p. Backwr. trifle stained. = Chepyzhov 47.

€ (150-250) 150
82 139 Immelmann M
82 139 Immelmann M
82/ 139 Immelmann, M. Mes Vols de Combat, vécus et racontés. French transl. P. Stehlin. Paris, Librairie des Sciences Aéronautiques, 1930, VIII,108p., photogr. frontisp. portr., printed in 1685 numb. copies (1450), orig. wr. w. anonymous design (monogrammed "DJ"?).

- Backstrip lacks portion of 2 cm. at top and foot.

Chadourne, M. L'U.R.S.S. sans passion. Ibid., Librairie Plon, 1932, (8),XIV, 220,(5)p., photogr. plates, orig. wr. w. anonymous design.

- Fine, unopened copy. = One of 75 numb. copies on Lafuma paper.

€ (50-70)
82 140 Iwanowski B
82/ 140 Iwanowski, B. Serce Gramofonu. Montaże. Warsaw, F. Hoesick, 1927, 55p., printed in 600 numb. copies, 6 plates and orig. wr. des. by TADEUSZ GRONOWKI.

- Frontwr. sl. affected by silverfsh.

= Tadeusz Gronowski is mostly known as the designer of the logo of LOT Polish airlines, still in use today.

€ (100-150) 100
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