- Fine, unused. = Not in Hoek.

- Yellowed and a few very sm. tears in blank margin.

= Slagter p.25. Famous pamphlet, sharply protesting against the intended removal of Karel Appel's mural "Vragende Kinderen" in the refreshment-room of the Amsterdam city-hall. Signed and w. 3 markings in pen and red ink by Aldo VAN EYCK. Rare.

- Lacks the wrappers. Most lvs. w. sm. and vague stain in upper blank corner; first leaf w. vague fold; first and final page trifle age-toned.

= Unnumb. copy, SIGNED in red pencil by the author on the colophon. Published on occasion of the exhibition 'Voor een Spatiaal Colorisme' at the Stedelijk Museum Amsterdam (1952). Very rare.

- Frontwr. w. sm. stain in upper margin.

= With AUTOGRAPH SIGNED DEDICATION: "a Van Eyck (...) Lucio Fontana".

- Vaguely waterwrinkled in upper corner throughout. Lacks backwr.; frontwr. loose, (dust)soiled, trifle frayed and w. 1 sm. rubbed spot.

= Le Fonds Paul Destribats 203; Global Avantgarde Germany 79; Bolliger III, 172 (no. 1, 3 and 4); cf. idem IV, 360 (no. 1, 2 and 5/6); idem VI, 763 (no. 1-5/6). Fourth issue of this highly important and extremely rare avantgarde periodical on art, literature, architecture, film and technical sciences, of which in total 5 issues were published. Contains contributions by i.a. H. Richter ("G"), K. Malevitsch, W. Gräff and M. Raynal.

- Binding trifle soiled; foot of spine sl. dam. = Bolliger II, 189.

- Trifle yellowed. Wrappers yellowed along margins. Lower joint splitting at spine-ends.

= Pour mes amis II. Monod 6134. With AUTOGRAPH SIGNED ("George Hugnet") QUATRAIN on htitle and AUTOGRAPH "exemplaire de A.E. van Eyck".

- Last print w. rubbed spot near upper left corner.

= Rare. On the ex libris for Lena de Roos: Ex/ Hoek p.112 (afb. 168), dated 1922.

= Issue partly (p.164-179) devoted to Joseph Beuys. With AUTOGRAPH DEDICATION by Joseph BEUYS on the frontwr.: "Ein gutes 1967 für van Eyck wünscht Joseph Beuys ü. bittet nochmals üm ein [?] für Hans Hollein der am 26. Januar in de Akademie seinen Vortrag hält."

= Title-p. with an ORIGINAL PEN AND INK DRAWING by Carl-Henning PEDERSEN and a ms. SIGNED DEDICATION to Van Eyck by Carll-Henning PEDERSEN and Else ALFELT: "(...) Med hilsen og tak for dagene i Amsterdam [signed]".

- Fine.

= Bolliger IV, 362. First issue of this famous periodical. i10, the renowned Dutch avantgarde magazine, was published between 1927 and 1929 in 22 issues. Its editorial board consisted of A. Müller Lehning, J.J.P. Oud, W. Pijper and L. Moholy-Nagy. Contributors include H. Arp, M. ter Braak, C. van Eesteren, W. Kandinsky, P. Mondriaan and P. Schuitema. Rare.

- Backstrip darkened and trifle rubbed; frontwr. vague waterstain in lower corner.

= Transition Series no. 1. Rare.

- Endpapers and first and last leaf trifle foxed. Front- and backcover trifle yellowed and w. some foxed spots. Nevertheless a fine copy.

= Number 22 of a series of 25 marked "A" on "imit. bøttepapir". This text on aesthetics ('Risk and Change') was written by Asger Jorn during his hospitalization with tuberculosis in Silkeborg Sanatorium. He printed the book on the small handpress of the Sanatorium in cooperation with the institute's typographer Johs. Gregersen, thus explaining the typographical irregularities ("håndtrykt på en korrekturpresse, hvilken udførelse forklarer de mange unreglmaessigheder" [colophon]). Although the colophon states that 109 copies were printed, in reality only 20 or 30 copies were produced. Extremely rare. Provenance: the estate of Constant Anton Nieuwenhuys. This lot is subject to 4% resale royalties ('droit de suite') over the total amount of hammerprice and buyer's premium.

- Bookblock sl. loosening. One of 2 binding threads broken; covers trifle yellowed.

= This copy SIGNED in pencil by both authors. Monod 3532; G. Berréby, Textes et documents situationnistes, 1957-1960, p.96: "La collaboration de Guy Debord à Fin de Copenhague, petit livre spontané fait en vingt-quatre heures, a été plutôt remarquée: les effets s'en sont répandus avec une étonnante vitesse, en quelques mois, parmi les spécialistes du livre d'art et de la typographie, en Amérique et en Europe. Ce rayonnement d'influence n'a pas cessé de s'enchaîner depuis". Revolutionary collaboration between the most important founders of the Situationist International. The cover, made from the printing plates of a Danish newspaper, is slightly different for each copy. The title can be understood as the end of Cobra, the movement with which Jorn had just broken. Provenance: the estate of Constant Anton Nieuwenhuys.

- Yellowed. Wrappers loose and sl. frayed along spine; frontwr. a few tiny tears.

= Rare catalogue of the 11th exhibition at the Galerie Herbert Hermann.

- Yellowed and brittle; first few lvs. w. sm. narrow stain in fore-edge margin. Wrappers yellowed and sl. browned/ soiled along margins; frontwr. lacks sm. portion from fore-edge and upper corner; backstrip browned and w. sm. damages.

= Slocum/ Cahoon B10. Contains contributions on Joyce's Finnegans Wake of which episodes had appeared in Transition, but that eventually would be published 10 years later. Contributing authors are i.a. Samuel Beckett (his first publication), Stuart Gilbert, Eugen Jolas, Elliot Paul, Robert Sage and William Carlos Willams; also contains 'Letters of Protest' by G.V.L. Slingsy and Vladimir Dixon. "Sheets of this edition were later sold by Shakespeare and Company to both Faber & Faber, London, and New Directions, Norfolk, Connecticut, who bound them with inserted title pages. The "Letters of Protest" are reputed to have been written by Joyce himself" (Slocum/ Cahoon p.78).

- Trifle yellowed. Upper joint sl. splitting at foot of spine. A fine copy.

= The first edition was published in January 1912, the second in April of the same year. Roethel 82-92 and p.443, 8. Cf. The Artist and the Book 137; Bolliger VI, 394; Jentsch 6 (1st ed.).