1 - 246

1 - 246 from DADA to COBRA - WORKS FROM THE LIBRARY of ALDO and HANNIE VAN EYCK

Page 9 of 13 Results 161 - 180 of 246

83/ 161 [Picasso, P.]. Dodici opere di Picasso. Florence, Libreria della Voce, 1914, letterpress htitle and title-p., 12 photogr. plates, orig. wr., large 8vo.

- Wrappers foxed; spine rubbed and chipped at ends. = Rare, early publication on Picasso.

Raynal, M. Picasso. Munich, Delphin-Verlag, 1921, 1st ed., 139,(9)p., plates/ ills., orig. pict. boards, large 8vo.

- Lacks final free endpaper; yellowed and occas. foxed. Spine-ends and corner sl. worn.

€ (60-80)

83/ 162 Plastique. No.1 ("Malewitsch in Memoriam"). Ed. S. Taeuber-Arp. Meudon, S.H. Arp, 1937, 24p., ills. by i.a. Kasimir MALEVICH, EL LISSITZKY, Theo VAN DOESBURG, Hans ARP and Raoul HAUSMANN, orig. wr., frontwr. w. cut-out section.

- Wrappers soiled/ badly foxed.

= Le Fonds Paul Destribats 389; Bolliger III, 207 ("Bedeutende avantgardistische Zeitschrift (...)"). Contains contributions by K. Malewitsch ("Suprematismus"), H. Wescher ("Hommage à Malevich" and "Malewitsch in memoriam"), G.L.K. Morris ("On the abstract tradition") and S. Giedion ("Brauchen wir noch Künstler?").

€ (400-600) 425

83/ 163 Pour Jorn. Silkeborg, Asger Jorn Foundation, 1976, 14 col. lithographs by Pierre ALECHINSKY, Karel APPEL, Enrico BAJ, CONSTANT, CORNEILLE, Christian DOTREMONT, Wilfredo LAM, Roberto MATTA, Henri MICHAUX, Antonio SAURA, Walasse TING, Bram VAN VELDE, Piere WEMAËRE, Maurice WYCKAERT and Asger JORN, all ±70x52 cm. (or vice versa), signed and numb. "VIII/XX" in pencil (1x in red crayon), 1x titled in pencil, letterpress title, textleaf, contents and colophon, offset leaf showing the woodcut process in 8 ills., printed in 120 copies (20), loose as issued in orig. cl. portfolio, large folio.[*]

- Fine.

= One of 20 Roman numb. copies. Rarely seen on the market. Provenance: the estate of Constant Anton Nieuwenhuys. This lot is subject to 4% resale royalties ('droit de suite') over the total amount of hammerprice and buyer's premium.

€ (4.000-6.000)

83/ 164 Prassinos, G. Facilité crépusculaire. Paris, René Debresse, 1937, 1st ed., 14,(2)p. (incl. wr.), orig. wr.

- Trifle yellowed. = Cahiers des poètes 17. One of 15 Roman numb. copies on papier de Hollande (this copy no."II").

Idem. Sondue. Ibid., G.L.M., 1939, 1st ed., (36)p., printed in 315 numb. copies (no."262" of 300), orig. wr.

= Series "Biens nouveaux".

Lévis-Mano, G. Troisième cahier de habitude de la poésie. Ibid., G.L.M., 1937, (16)p. (incl. wr.), sm. 8vo.

- Wrappers sl. soiled.

= With AUTOGRAPH SIGNED DEDICATION: "à A. Van Eck [sic], ces pages d'un temps indiscipline. Guy Lévis-Mano".

AND 2 others: A. SALMON, Le manuscrit trouvé dans un chapeau (ibid., 1924, orig. wr., sm. 8vo Yellowed) and P. SOUPAULT, Poésies complètes 1917-1937 (ibid., 1937, printed in 1270 numb. copies (no."526" of 1200), orig. wr.).

€ (100-150)

83/ 165 Prassinos, G. Quand le bruit travaille. (Paris), G.L.M., 1936, (31)p., mounted frontisp. plate by Hans BELLMER, printed in 205 numb. copies (no."38" of 170), orig. wr., sm. 8vo.

- Wrappers partly sl. yellowed. = Not in Monod.

€ (150-250) 150

83/166 Reflex Orgaan van de experimentele groep in Holland No 1 and 2

83/ 166 Reflex. Orgaan van de experimentele groep in Holland. No. 1 and 2. (Amst., Experimentele groep, 1948/ 1949), 2 vols., (8); (16)p. (incl. wr.), 8 lithographs by Karel APPEL, Eugène BRANDS, CONSTANT, CORNEILLE (2x), Jan NIEUWENHUYS, Anton ROOSKENS and Theo WOLVECAMP, orig. lithogr. wr. by CORNEILLE and Jacques DOUCET, 4to.

- Both issues yellowed (as usual). Last leaf of no.1 w. 1 large and 2 smaller tears "repaired" w. sellotape..

= All published. Slagter p.33/34 and passim.

€ (300-500) 475

83/167 Reflex Orgaan van de experimentele groep in Holland No 2

83/ 167 Reflex. Orgaan van de experimentele groep in Holland. No. 2. (Amst., Experimentele groep, 1949), (16)p. (incl. wr.), 4 lithographs by Eugéne BRANDS, CORNEILLE, Anton ROOSKENS and Theo WOLVECAMP, orig. lithogr. wr. by Jacques DOUCET, 4to.

- Yellowed (as usual). = Slagter p.33/34 and passim.

€ (150-250) 170

83/ 168 Renner, P. Mechanisierte grafik. Berlin, H. Reckendorf, 1930, 205,(3)p., 40 plates, ills., typography and orig. cl. w.dustwr. by P. RENNER.[*]

- Dustwr. w. a few defects at top of spine and outer corners, but otherwise fine.

= Early publication entirely set in the famous typeface Futura, designed by Paul Renner. With the rare dustwrapper.

€ (100-150) 300

83/ 169 Richter, H. Filmgegner von Heute - Filmfreunde von Morgen. Berlin, H. Reckendorf, 1929, 1st ed., 125,(3)p., ills., orig. cl., 4to.

- Endpapers, htitle and last leaf sl. foxed. Covers trifle soiled along margins.

= First edition of one of the first publications on avant-garde film, with many stills from experimental films from the 1920's, i.a. by S. EISENSTEIN, MAN RAY, V. EGGELING, F. LEGER and M. DUCHAMP.

€ (50-70) 50

83/ 170 Rooskens, A. Galerie le Canard exposeert werk van Anton Rooskens van 23 februari tot 15 maart 1952. Linocut, printed in black and yellow, w. letterpress text in black, 35,8x23,8 cm.

- Sl. yellowed; formerly folded to be sent (verso w. ticket addressed to Aldo van Eyck).

€ (70-90) 110

83/ 171 [Rooskens, A.]. Anton Rooskens 1949 cobra 1951. Rott., Galerie Delta, 1963, (20)p., ills., facs. texts by P. OUBORG and CONSTANT, printed in 300 numb. copies signed by the artist (this copy no."203"), w. loosely inserted original lithograph by Antoon ROOSKENS, (20,8x21 cm., monogrammed and "1948" in pen and ink), orig. wr., square 8vo.

- Sl. foxed (lithograph fine). = With autogr. sentiment on title: "een voorspoedig 1964!"

AND 2 New Year's wishes (1 fold.) by the same, both w. the illustration monogrammed and dated ("52" and "53") in pencil, and a fold. invitation card w. a linocut by the same.

€ (100-150) 190

83/ 172 Roth, D. Enlargements from 'Daily Mirror Book'. Hilv., Steendrukkerij de Jong, n.d. (1965), (4)textp., 60 printed leaves by D. ROT, printed in 1000 copies, loose as issued, in plain limp board portfolio, square 4to.

- Yellowed as usual. Portfolio dam. on edges.

= Dobke B8 and p. 159. Legendary issue of Kwadraatblad, a Dutch journal for graphic design, visual art, literature, architecture and music, published by Pieter Brattinga.

€ (60-80) 130

83/ 173 Roth, D. (Landscape view). Composition of dried chocolate and acrylic on recto of a col. offset picture postcard, originally showing "Sunset over the Thames and H.M.S. Discovery London" (printed title on verso), 1968, 15x10,3 cm., verso w. short AUTOGRAPH LETTER MONOGRAMMED to Aldo van Eyck, black fineliner, heading w. the artist's autograph address "Diter Rot, 72,Stanhope Mews East London S.W.7", dated "febr. 68".

= "By the end of the 1960s Roth was producing diverse objects integrating food substances, in particular chocolate. Apart from the odour emanating from these pieces, which in many cases added significantly to the work, the unpredictable nature of these materials appealed to him." (D. Dobke, Dieter Roth - Unique Pieces, p.204. The short letter reads: "dear mr VAN EYCK, do you remember me, but i am in LONDON now? have you got a copy of these little pictures you took in reykjavik last spring? can you spare one of them to give to me? i will be here until the middle of april. how was your stay in U.S.A? how is architecture in holland? good wishes to you + your wife! yours D.R."

€ (1.000-1.500)

83/ 174 Salon Dada. Exposition internationale. Paris, Galerie Montaigne, (1921), (16)p. (incl. wr.), tipped-in ills. of works by Hans ARP, Georges RIBEMONT-DESSAIGNES, Max ERNST and Marcel DUCHAMP, printed in 600 numb. copies, frontwr. designed by Tristan TZARA, 4to.

- Yellowed and sl. brittle; loose w. wrappers frayed/ chipped along spine.

= Bolliger II, 95 and III, 28 ("Der seltene Katalog dieser wichtigen internationalen Dada-Ausstellung"). With SIGNED DEDICATION by Tristan TZARA on the page w. his contribution "L'Art et la chasse": "à Hannie et Aldo van Eyck, Pour le 30eme anniversaire de Dada avec le souvenir amical de Tristan Tzara. Sur les lieux du crime Zurich févr. 46 [sm. drawing of a flower]". The catalogue also contains texts by i.a. P. Soupault, P. Eluard, H. Arp, Man Ray, P. Péret and L. Aragon.

WITH loosely inserted (on diff. paper) the program leaflet for the "Soirée Dada" at the Galerie Montaigne, 10 Juni 1921, printed on recto only, 4to.

= Bolliger II, 96. On that occasion the play Le coeur à gaz by Tristan Tzara was performed, featuring P. Soupault, G. Ribemond-Dessaignes, T. Fraenkel, L. Aragon, B. Péret, T. Tzara and V. Parnak.

€ (3.000-5.000) 5500

83/ 175 Sartre, J.-P. Visages précédé de Portraits Officiels. (Paris), P. Seghers, 1948, 41,(5)p., 4 etchings by WOLS (= A.O.W. Schulze), printed in 925 numb. copies (900), orig. wr., sm. 8vo.[*]

- Bookblock loose. Frontwr. partly trifle discol. = Monod 10172.

€ (400-600)

83/ 176 Scheerbart, P. Glasarchitektur. Berlin, Der Sturm, 1914, 1st ed., 125,(3)p., orig. wr.

- Yellowed and (occas.) sl. foxed (incl. wr.). Sl. dogeared; frontwr. and title-leaf w. fold along fore-edge margin; backstrip pasted over w. paper w. typescript title.

= Bollinger I, 235: "Phantastische Abhandlungen des Dichters über die Verwendungsmöglichkeiten von Glas in der Architektur"; Raabe/ Hannich-Bode 27 ("Seine utopisch-phantastischen Werke, seine Ideen über Glasarchitektur und Luftmilitarismus fanden lebhaftes Echo" (p.405)).

AND 1 other by the same: Katerpoesie (Berlin, n.d., 2nd-4th ed., orig. boards. Yellowed; binding foxed; spine-ends sl. dam.).

€ (100-150) 110

83/ 177 Scheerbart, P. Das Perpetuum Mobile. Die Geschichte einer Erfindung. Leipsic, Ernst Rowohlt, 1910, 1st ed., 44,(4 publ. advert.)p., 1 large fold. plate, orig. dec. boards by Ottomar STARKE.

- Sm. owner's stamp on first free endpaper; yellowed; fold. plate sl. creased in right blank margin and sm. tear at end of one fold. Binding badly browned and trifle rubbed; lacks backstrip; corners worn.

= Bolliger VI, 258; Raabe/ Hannich-Bode 22.

€ (60-80)

83/ 178 Schuitema, P. Syst-o-color. Vier-kleurensysteem. Pref. N. Luning Prak. The Hague, Mouton & Co., (1965), 2 vols., (12) textp., 296 plates w. 100 col. squares each, orig. unif. giltlettered screw-bound artif. leather, folio, orig. board boxes pres.[*]

- Both volumes fine. Boxes waterstained and soiled; (sl.) worn along edges.

= Rare. From the library of the daughter of Paul Schuitema with her owner's entry on one of the boxes. Monumental publication, probably printed in a very small number of copies. "Het Syst-o-color systeem is in de eerste plaats gebouwd op visueel regelmatig oplopende kleurtoonwaarden, die in de druktechniek relatief eenvoudig te bereiken zijn. (...) Door systematische rangschikking van kleuren en toonwaarden in combinaties, waaruit de invloed van de ene kleur op de andere duidelijk waarneembaar is, is het mogelijk op efficiënte wijze te bereiken wat de ontwerper zich heeft voorgesteld als eindresultaat van zijn creatie, nl. de kleur die in reproductie het door hem gewenste effect heeft. (...) Syst-o-color (...) biedt de ontwerper de gelegenheid keuze te maken uit kleuren en kleurcombinaties, die ook reëel technisch te verwezenlijken zijn. Ter bereiking van dit doel bevat Syst-o-color 10.000 kleurentonen in steeds wisselende combinaties, door de auteur op systematische wijze opgebouwd." (from the introduction).

€ (400-600) 1900

83/ 179 Schuitema, P. Waar Nederland trotsch op is. Hoe we tegen het water vochten en wat we er mee deden. Vol. 1. Leyden, A.W. Sijthoff, 1940, (4)textp., (col.) photogr. plates by i.a. Paul SCHUITEMA, Cas OORTHUYS, Eva BESNYÖ, Emmy ANDRIESSE and Piet ZWART, orig. clothbacked photomontage boards by Paul SCHUITEMA, 4to.

- A few rubbed spots along margin of covers. Otherwise fine. = All published. Maan, p.115.

Nederland bouwt betonwegen. Amst., ENCI-CEMY N.V., (1938), 80p., fold. map, num. (photogr.) ills., typography and photomontage wr. by Paul SCHUITEMA, orig. ringbinder, 4to.[*]

- Parts of the plastic ringbinder split but still in working order; a few rubbed spots along extremities. = Maan p.115.

€ (60-80) 190

83/ 180 [Schuitema, P.]. Balans. Algemeen jaarboek der Nederlandsche kunsten 1930-31. Ed. D.A.M. Binnendijk, M. ter Braak a.o. Maastr., Leiter-Nypels, n.d. (1931), 1st ed., 160p., ills., orig. boards w. dustwr. by Paul SCHUITEMA, 4to.

- Dustwr. strengthened/ repaired w. tape on verso along edges, incl. closed tears in spine; chafed spot in front.

= Purvis, col. plate between p.122 and 123; Van Laar 102; Maan p.71.

Idem. Wat gij bij de hand wilt hebben. (Gron./ Batavia, J.B. Wolters), n.d. (±1930), 16x28,2 cm. (unfolded), typography and photomontages by Paul SCHUITEMA.

= Fine advertising leaflet for Wolters' dictionaries. One of the photographs shows Schuitema as teacher in front of a class-room. Maan '06, p.65. With 2 duplicates.

AND a picture postcard with the famous offset photomontage self portrait, w. small note and signed by the widow of Schuitema.[*]

€ (100-150) 150

Page 9 of 13 Results 161 - 180 of 246