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1 - 246     from DADA to COBRA - WORKS FROM THE LIBRARY of ALDO and HANNIE VAN EYCK

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Page 2 of 13 Results 21 - 40 of 246
83/21 Appel K Karel Appel
83/21 Appel K Karel Appel
83/21 Appel K Karel Appel
83/ 21 [Appel, K.]. Karel Appel. Amst., Stedelijk Mus. cat. 383, 1965, (26)p., (col.) photogr. plates, orig. wr., fold. frontwr. w. col. lithograph by Karel APPEL on recto and verso, 4to.

- Frontwr. loose.

= Verso frontwr. w. AUTOGRAPH SIGNED DEDICATION in pencil: "voor Aldo de king, voor Aldo mijn vriend, voor Aldo de grote. Karel. [signature] 1965", with AUTOGRAPH ANNOTATION in pencil on the lithogr. section: "dit is een originele litho van mijn mond." and with a small drawing in pink feltwriter on first page, w. AUTOGRAPH CAPTION "nog een mond [drawing] bijna".

€ (150-250) 350
83 22 Appel K Schierbeek B
83 22 Appel K Schierbeek B
83/ 22 [Appel, K.]. Schierbeek, B. Een groot dood dier. Amst., Holland Festival, n.d. (1963), (8)p., photogr. ills. ED VAN DER ELSKEN, col. silkscreen wr. by KAREL APPEL.

- Wrappers yellowed/ sl. foxed along margins.

= Textbooklet for Toneelgroep Studio. Slagter 89.

Karel Appel, Nudes Nus. Zürich etc., Gimpel & Hanover Galerie a.o., 1963, (24)p., (col.) ills., orig. col. lithogr. wr., 4to.

- Spine yellowed.

= Text "A propos des nues de Karel Appel" (in French, English and German) by Bert Schierbeek.

AND 3 other small catalogues for exhibitions by the same at Octobre Galerie Rive Droite/ Sted. Mus. Amsterdam (n.d.), La Medusa, Studio d'Arte Contemporanea (Rome, 1963) and Galerie Nova Spectra (The Hague, 1981).

€ (70-90) 90
83 23 Aragon L
83 23 Aragon L
83/ 23 Aragon, L. La peinture au défi. Paris, Galerie Goemans, 1930, 32p., 23 monochr. plates, printed in 1020 copies (1000), orig. wr.

- Wrappers yellowed along margins; frontwr. w. fold in lower corner; top of spine sl. dam. and joints splitting at top.

= Catalogue of the "Exposition de collage", May 1930, featuring works by Arp, Braque, Dali, Duchamp, Ernst, Gris, Miró, Magritte, Man Ray, Picabia, Picasso and Tanguy. Bolliger IV, 104: "Die bedeutendste frühe Arbeit über die Collage".

ADDED: Idem. Les yeux d'Elsa. Neuchâtel, Éditions de la Baconnière, 1942, 1st ed., 157,(3)p., frontisp., orig. wr.

- Sl. yellowed (backstrip browned).

= Les cahiers du Rhône, Série blanche III. Bolliger IV, 105. Copy from the unnumb. printrun (besides 430 numb. copies).

€ (100-150) 100
83 24 Arntz G and Neurath O
83 24 Arntz G and Neurath O
83 24 Arntz G and Neurath O
83 24 Arntz G and Neurath O
83 24 Arntz G and Neurath O
83 24 Arntz G and Neurath O
83/ 24 (Arntz, G. and Neurath, O.). Gesellschaft und Wirtschaft. Bildstatistisches Elementarwerk. Das Gesellschafts- und Wirtschaftsmuseum in Wien zeigt in 100 farbigen Bildtafeln Produktionsformen, Gesellschaftsordnungen, Kulturstufen, Lebenshaltungen. Leipsic, Bibliographisches Institut AG, 1930, title-leaf, 100 (col.) plates w. pictographs, charts etc., 30 text lvs., together loose as issued in orig. cl. portfolio, obl. folio.[*]

- A few lvs. w. sm. defects; nevertheless mostly fine. Portfolio sl. soiled/ worn along extremities.

= Good copy of the pioneering work on infographics. It was published by Otto Neurath, in close cooperation with Gerd Arntz, who had become Head of the Graphics Department in 1929 of Neurath's Vienna based Gesellschafts- und Wirtschaftsmuseum. Other people involved in this magnificent production were i.a. Peter Alma, Franz Seiwert, Jan Tschichold and Augustin Tschinkel (cf. Behnke p.6). This atlas is the first scientific approach to come to an International System Of TYographic Picture Education (isotype). The 100 sheets with the coloured pictograms are of great educational, as well as great artistic value. In Neurath's own words: "Das vorliegende bildstatistische Elementarwerk 'Gesellschaft und Wirtschaft' ist der erste systematische Versuch, auf Grund sorgfältiger Bearbeitung und Verknüpfung vorhandener Daten und Kombinationen aller Art, den Augen ein buntes Bild der heutigen Menschheitszivilisation zu geben (...). Der Bildteil bleibt die Hauptsache. Er will im Sinne des Comenius der Anfang eines neuen 'Orbis pictus' sein." (introd.). Reading p.40; Bool/ Broos, p.50ff; Burke/ Kindel/ Walker, p.187-195. Rare.

€ (4.000-6.000) 5500
83 25 Arp H
83 25 Arp H
83 25 Arp H
83 25 Arp H
83/ 25 Arp, H. 11 configurations. Text by G. Buffet-Picabia, introd. and ed. by Max Bill. Zurich, Allianz-Verlag, 1945, 1st ed., (29)p., 11 full-p. woodcuts and woodcut frontwr. by Hans ARP, printed in 220 numb. copies (no."47" of 160), orig. wr., 4to.

- Fine copy. = SIGNED by Hans Arp on the title.

€ (600-800) 700
83 26 Arp H
83 26 Arp H
83 26 Arp H
83/ 26 Arp, H. 1924 1924 1926 / 1943. Bern-Bümpliz, Benteli AG, 1944, 1st ed., (28)p., 1 full-p. ill. by Sophie TAEUBER-ARP, typography by Jan TSCHICHOLD, printed in 250 copies, orig. wr.

- Spine sl. sunned; spine-ends trifle worn. A good/ fine copy.

= SIGNED by the author on the colophon. One page w. sm. correction in pencil (by the author?).

€ (200-300) 200
83 27 Arp H
83 27 Arp H
83/ 27 Arp, H. Arp 1. Prapoganda und Arp. Hannover/ Zürich, Redaktion des Arpverlages, 1923, 1 letterpress leaf printed in red on yellow ground, recto only, 27,5x21,5 cm.[*]

- Fine.

= Probably a proof printed in red, before publishing in MERZ 6, Oct. 1923 and before the captions "Diese Zeitschrift heisst von hinten Merz. a.d. Inhalt: Arp. Tzara. Aufruf. Hirschel-Protsch. Mondrian. Neo Plasticisme. Arab. Sprüche" in upper margin. Verso w. stamp "Epreuve" and w. the collector's stamp of Emile Maeyens in red (Lugt 4178).

€ (500-700) 600
83 28 Arp H
83/ 28 Arp, H. Le blanc aux pieds de nègre. Paris, Fontaine, 1945, 1st ed., 27,(3)p., printed in 425 numb. copies (400), orig. wr. des. by Mario PRASSINOS, sm. 8vo. Arp, H. and Huidobro, V. Trois nouvelles exemplaires. Transl. R. Walter. Ibid., idem, 1945, 1st ed., 50,(1)p., printed in 475 numb. copies (450), orig. wr. unif. (diff. col.) w. the above, sm. 8vo. Colinot, P. La nuit blanche. Ibid., idem, 1945, 1st ed., 36,(2)p., printed in 275 numb. copies (250), orig. wr. unif. (diff. col.) w. the above, sm. 8vo.

= All published in the Collection "L'age d'Or".

€ (80-100)
83 29 Arp H
83 29 Arp H
83/ 29 Arp, H. Des taches dans le vide. Paris, Librairie Tschann, n.d. (1937), 1st ed., (8)p., without wr. as published.

- Foxed; first and last leaf loose.

= Les Feuillets de "Sagesse", Collection anthologique no.32. First collection of poems in French published by Arp. With AUTOGRAPH CORRECTIONS in pencil and pen and ink.

€ (100-150) 100
83 30 Arp H
83 30 Arp H
83/ 30 Arp, H. Muscheln und Schirme. Meudon-Val-Fleury, n.publ., 1939, 1st ed., (36)p., 4 full-p. ills. by Sophie TAEUBER, typography by Jan TSCHICHOLD, orig. plain wr.

- Spine sl. sunned. Otherwise fine.

= The first joint publication by Hans Arp and Sophie Taeuber(-Arp), SIGNED by the author on the title.

€ (400-600) 425
83 31 Arp H
83 31 Arp H
83/ 31 Arp, H. Poèmes sans prénoms. Grasse, (the author), 1941, (30)p., 3 full-p. ills. (1 repeated on wr.) by Sophie TAEUBER-ARP, printed 150 numb. copies (no."66" of 140), orig. wr.

- Evenly yellowed. Wrappers trifle yellowed and sunned along margins and spine.

€ (300-500) 300
83 32 Arp H
83 32 Arp H
83/ 32 Arp, H. Der Pyramidenrock. Erlenbach-Zürich/ Munich, Eugen Rentsch, n.d. (1924), 1st ed., 70p., frontisp. portr. by Amedeo MODIGLIANI, orig. boards, 4to.

- Yellowed (incl. binding); upper hinger sl. weak. Top of spine worn and starting at upper joint. Good copy.

= Andel p.131; Bolliger II, 42/ III, 66 ("Erste Ausgabe dieser von 1915-1924 entstandenen Gedichte. Mit dem erstmals in Cabaret Voltaire publizierten Portrait Modiglianis. Sehr selten"); IV, 140 and VI, 95; Tendenzen der zwanziger Jahre 3/80.

€ (800-1.000) 850
83 33 Arp H
83 33 Arp H
83 33 Arp H
83 33 Arp H
83 33 Arp H
83/ 33 Arp, H. Le siège de l'air. Poèmes 1915-1945. Pref. A. Gheerbrant. Paris, Vrille, 1946, 1st ed., 139,(2)p., 8 full-p. ills. by Hans ARP and Sophie TAEUBER-ARP, printed in 1000 numb. copies (no."V" of 30), orig. wr. by Hans ARP.

- Spine-ends sl. worn and joints trifle rubbed. A fine copy.

= Collection Le Quadrangle. Monod 523. One of 30 copies on "Vélin pur chiffon du Marais", containing an ORIGINAL ETCHING (signed in pencil; yellowed and sl. foxed) and 2 ORIGINAL WOODCUTS on Chinese or Japanese paper and an ORIGINAL COLLAGE ("papier déchiré", torn paper on a watercolour ground) by H. ARP, all monogrammed in pencil on verso. This copy one of 15 copies "réservés aux amis de l'auteur", printed on name of Aldo van Eyck.

€ (2.500-3.500)
83 34 Arp H
83 34 Arp H
83 34 Arp H
83/ 34 Arp, H. Le voilier dans la forêt. N.pl. (Paris), Louis Broder, 1957, 1st ed., 41,(6)p., 6 woodcuts printed in 2 (1x in 3) colours by Hans ARP, printed in 130 numb. and signed copies (115), in loose lvs. as issued in orig. plain wr. w. dustwr. on Japanese w. woodcut in grey by JEAN ARP, orig. board chemise.

- Dustwr. and 1 blank leaf waterstained. Without slipcase.

Idem. L'Ange & La Rose. Forcalquier, Robert Morel, 1965, 1st ed., 91,(5)p., 12 ills. by Hans ARP, printed in 2522 numb. copies (2500), orig. dec. cl., sm. square 8vo.[*]

- Covers sl. stained; upper corner of backcover showing.

€ (300-500) 300
83 35 Artaud A
83 35 Artaud A
83/ 35 Artaud, A. Pour en finir avec le jugement de Dieu. Paris, K éditeur, 1948, 109,(2)p., orig. wr., sm. 8vo.

- Wrappers sl. (dust)soiled; backstrip and upper margin of frontwr. yellowed.

= "Émission radiophonique enregistré le 28 novembre 1947. Texte intégral suivi de variantes, extraits de presse et 8 lettres à Fernand Pouey, René Guignard, Wladimir Porché, René Guilly, le R.P. Laval, Paule Thévenin." [title-p.] Copy from the unnumb. printrun (besides 455 numb. copies).

Vaché, J. Lettres de guerre. Suivies d'une nouvelle. Précédées de quatre préfaces d'André Breton. Ibid., idem, 1949, without pagination, orig. wr.

- Badly yellowed and brittle. Wrappers sl. dustsoiled and partly yellowed; sl. dam. at corners and spine-ends.

= Copy from the unnumb. printrun (besides 160 numb. copies).

€ (30-50) 60
83/36 Arte astratta e conceta
83/ 36 Arte astratta e conceta. Milan, l'Altana", 1947, 31,(1)p., ills., orig. wr.

- Wrappers and first and final page yellowed foxed.

= Verso frontwr. w. ms. dedication to "den lieben hanny van eyck" signed "maxli[?] huber, milano 1951". Rare catalogue, featuring works by i.a. Arp, Bill, Hering, Huber, Kandinsky, Klee, Leuppi, Munari, Sottsass, Taeuber-Arp, Vantongerloo and Vordemberge-Gildewart.

Vrij beelden. Group of modern Dutch artists. Amst., Van Munster's uitgeversmaatschappij, 1948, 32p., ills., typography and orig. wr. by F. VORDEMBERGE-GILDEWART.

- Spine and wr. along margins yellowed. = Rattemeyer/ Helms/ Matschke T417.

AND 2 others: COMME (Paris, exhib. cat. galerie Jean Bard, 1947, ills., orig; wr. Loose) and G. VANTONGERLOO, Paintings, Sculptures, Reflections (New York, 1948, (col.) ills., orig. wr., 4to. Problems of Contemporary Art no.5).

€ (100-150)
83/37 Artistes libres Première série du bibliothèque de Cobra Quinze monographies Première série de l'encyclopédie permanente de l'art expérimental Ed A Jorn
83/ 37 Artistes libres. Première série du bibliothèque de Cobra. Quinze monographies. Première série de l'encyclopédie permanente de l'art expérimental. Ed. A. Jorn. Copenhagen, E. Munksgaard, 1950, sm. introd. leaflet ((4)p.) and 15 vols., ills., orig. wr. (13x orig. col. lithogr. frontwr. by i.a. Pierre ALECHINSKY, Karel APPEL, CONSTANT, CORNEILLE, Egill JACOBSON, Asger JORN, Carl-Henning PEDERSEN), together in orig. chemise, sm. 8vo.

- Introd. leaflet yellowed. Chemise dam., strengthened/ repaired on inside. Otherwise fine.

= "Cette collection de monographies est destinée à illustrer une nouvelle tendense artistique en faisant connaître quelques uns de ses représantes les plus typique et en donnant par une série de fascicules modestes, les principales caractères de chaque artiste (...)". Hansen 105; for the prints by Jorn: Werkverzeichnis Druckgraphik, 103-104. Contents: 1. L. Zangrie, Alechinsky; 2. E. Jaguer, Else Alfelt; 3. C. Dotremont, Appel; 4. M. Ragon, Atlan; 5. Idem, Ejler Bille; 6. C. Dotremont, Constant; 7. Idem, Corneille; 8. J. Laude, Doucet; 9. C. Dotremont, Sonja Ferlov; 10. E. Jaguer, Gilbert; 11. Idem, Gudnason; 12. C. Dotremont, Heerup; 13. Idem, Egill Jacobsen; 14. Idem, Asger Jorn; 15. Idem, Carl-Henning Pedersen.

€ (600-800) 600
83 38 Baljeu J
83 38 Baljeu J
83/ 38 Baljeu, J. Achtergronden van de Stijl als beeldend principe in de moderne kunst. N.pl., n.publ., n.d., p.639-654, private plain wr. w. mounted collage (by the author?) w. typescript title.

- Wrappers sl. foxed.

= Offprint, "Verschenen in April/Mei no. 1956 van "Het Gemenebest"" (autogr. annot. in lower blank margin of last page).

Idem. Space-time constructions. Zeit-Raum Konstruktionen. Amst., Erk Wierda Art Books, 1988, 52p., (col.) ills., orig. cl., 4to.

- Backstrip and margins of frontcover darkened.

= With AUTOGRAPH SIGNED DEDICATION "Voor Hannie en Aldo van Eyck, toen binnenkant, nu entrepotdok, life goes full circle. 11/7/88 Joost Baljeu".

AND an exhib. cat. on the same (Amst., Sted. Mus., 1969, ills., orig. wr., 4to. Cat. no.461).

€ (100-150) 100
83 39 Bauhausbücher Doesburg T van
83 39 Bauhausbücher Doesburg T van
83/ 39 [Bauhausbücher]. Doesburg, T. van. Grundbegriffe der neuen Gestaltenden Kunst. Ed. W. Gropius and L. Moholy-Nagy. Munich, A. Langen, 1924, 1st ed., 40,(20)p., 32 ills. (1 col.), typography by László MOHOLY-NAGY, orig. plain stiff paper wr. w. parts of the orig. dustwr. laid down.

- Covers foxed; backstrip sl. dam. w. mounted typescript title-piece.

= Bauhausbücher 6. Hoek 717; Passuth p.52-54; Fleischmann p.158; Bolliger II, 23: "Deutsche Übersetzung 'einer Verteidigungsschrift gegen die Angriffe der Öffentlichkeit auf die neue Kunstgestaltung' aus dem Jahr 1917".

€ (200-300) 475
83 40 Bauhausbücher Gleizes A
83 40 Bauhausbücher Gleizes A
83 40 Bauhausbücher Gleizes A
83/ 40 [Bauhausbücher]. Gleizes, A. Kubismus. Ed. W. Gropius and L. Moholy-Nagy. Munich, A. Langen, (1928), 1st ed., 101,(3)p., 47 ills., orig. cl. by L. MOHOLY-NAGY.[*]

- Without the dustwr.; frontcover sl. foxed along margins and w. sm. inkstain in upper left corner.

= Bauhausbücher 13; Landshoff p.140-143; Bolliger VI, 61.

€ (200-300)
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